Vago Ensamble, Tio Rey


Mezcal Vago has a colourful origin story—which you can read on their website—and bottles with colour-coded labels that are not very easy to read. The most important information comes—since, I think, their brand design a couple of years ago—from the colour of the label, which indicates which of the four Oaxacan mezcaleros they work with has produced the spirit in the bottle. The deep red label of this bottle, for instance, identifies the mezcal as the handiwork—and I do mean handiwork, as the cooked agave is mashed by hand before fermentation and distillation in barros or clay pot stills—of Salomon Rey Rodriguez, better known as Tio Rey. The broad strokes are legible enough on the front of the label: the mezcal is an ensamble comprised of spirit made from the espadín, arroqueño and coyote magueys. But if you want to find out the exact composition from the side of the label, you’ll need very strong eyes and/or reading glasses. As the owner of eyes that are weaker every year, and of very cheap reading glasses, I needed to take a picture with my phone and blow it up to read the text. I was eventually able to make out that this batch contains 68% espadín, 20% arroqueño and 12% coyote; and also that every ensamble produced by Tio Rey is unique in composition and therefore profile. (And it turns out that, in keeping with the general handmade ethos of the operation, even the labels are produced from the recycled mash from the distillation.) So unless it’s from the same batch as mine (see the lot number below), these notes may not have much to do with your bottle of Vago Ensamble from Tio Rey. With that caveat, let’s see what this is like. Continue reading

La Luna, Ensamble


And here’s a third La Luna to close out this week of La Luna mezcals. Unlike, Monday’s and Wednesday’s bottles, this one is not made from a single variety of agave but is a blend or ensamble of three. Two are Tequilana and Manso Sahuayo (the varietals Monday and Wednesday’s mezcals were distilled from) and the third is Cupreata. This bottle, despite having a black label, is different, by the way, from the original “black label” with which La Luna launched, which was 100% Cupreata. I wouldn’t mind getting my hands on some of that to try blending my own ensamble with different proportions of the three constituents. Anyway, let’s see what this one is like.

La Luna, Ensamble (46.12%; blend of Manso Sahuayo, Cupreata and Tequilana; from my own bottle)

Nose: A fairly balanced opening with some lime in the high notes, some vegetal bitterness in the low and a fair bit of sweeter fruit and a bit of smoke in the middle (charred pineapple). On subsequent sniffs it’s quite savoury. A few drops of water and…it doesn’t really change very much. Continue reading

Derrumbes, Tamaulipas


And another Derrumbes to end this week of mezcal reviews (see here for the Amaras Cupreata, and here for the Derrumbes San Luis Potosi). This one comes from the state of Tamaulipas in Northeast Mexico. It is not made from a single agave varietal but is an ensamble or blend of spirit made from different varietals. Let’s get right to it,

Derrumbes, Tamaulipas (47%; Lot 10; from my own bottle)

Nose: A little bit of acetone off the top. Green peppers here as well—a mix of bell and serrano—but they’re not as pickled in vinegar as in the previous two. Slightly bitter on the second sip and there’s some vinegar now. No real sign of smoke in this one either. As it sits, lime emerges along with some pepper; some very mild lactic notes as well (buttermilk). Continue reading