As long-time readers of the blog—the few, the ashamed—know, I almost always pick up a strong butyric note on Bruichladdich’s whiskies. Ranging from scalded milk to sour butter to parmesan rind all the way to more vomitous associations, this quality is not my favourite. I find it more pronounced, ususally, in the unpeated Bruichladdich line. In the heavily peated Port Charlotte the peat and smoke tend to neutralize it after a while. In the case of this release, a 13 yo bottled by an indie outfit named Rest & Be Thankful, there is also a wine cask involved. This is rarely good news when you’re dealing with Bruichladdich who’ve made a lot of wineskys. I had not heard of Jurançon wine before looking this cask up. Jurançon is a French AOC that produces white wines, dry and sweet, apparently known for their tropical fruity character. I’ve no idea which kind of Jurançon wine this cask had previously held but a) I’m glad this is not from a red wine cask and b) I’m intrigued by the theoretical promise of fruit. Let’s see how it goes in practice. Continue reading
Glenfarclas don’t usually allow independent bottlers to release casks of their whisky with the distillery’s name on it. As to whether they also require that said bottlers kiss their asses by using names like “Probably Speyside’s Finest” or whether it drives them insane with rage that they don’t go with “Absolutely And Indubitably Speyside’s Finest, You’d Have To Be An Idiot To Not See It”, I don’t know. (As always, there are exceptions: see this Cadenhead bottling of a 33 yo.) Some say this is because most indie Glenfarclas is bourbon cask and the distillery doesn’t want their sherry maturation branding disturbed by this. Of course, there have been official ex-bourbon releases as well; for example, this one in the “Family Casks” series, which I was not very enthused by. This particular cask was bottled as an exclusive for Binny’s by whichever part of the Laing family it is that now owns the Old Malt Cask label. There was a time when Binny’s picks were very reliable and this cask dates from that time. Let’s see if my faith is rewarded. Continue reading
Earlier in the month I had a review of a dark sherry cask 17 yo Longmorn released in 2013. I liked it quite a lot but didn’t find anything very distinctive about. Today’s Longmorn was also released in 2013 but is more than twice as old and is from a bourbon cask. As you may know, older Longmorns from the late ’60s and early ’70s have a very strong reputation for an intensely fruity character. It will be interesting to see if this is manifested in this malt distilled in 1976. Certainly, some of those who have left notes for it on Whiskybase mention tropical fruit. However, the other 1976 Longmorn I’ve had, a 34 yo also bottled by Malts of Scotland, was no fruit bomb—and nor, for that matter, was the 31 yo from 1978 bottled by the Whisky Exchange. And so my expectations for fruit are in check—it may be the case that production process changes had happened by the mid-70s that reduced that aspect of the malt’s character. That said, if this is as good as that Whisky Exchange bottle, a happy mix of fruit, oak and malt, I’ll be very pleased. Let’s see. Continue reading
Here is my first and quite possibly last review of a whisky from a Dutch distillery. It was distilled at the small Zuidam distillery. The distillery started up in the mid-1970s. A family-run concern it operates on a very small scale, making gin, genever, rum and whisky in a pot-still. Whisky has been produced at the distillery since the mid-1990s. They currently put out a handful of single malt releases from 5-14 years of age from a number of different cask types, and a 100% rye whisky. The rye is said to be at least 8.5 years old but as per the source of this sample, Florin—stunt double for Lionel Richie in the “Dancing on the Ceiling” video—this particular release was an 11 yo, distilled in 2004 and bottled in 2015. It was matured entirely in new American oak casks, which continues to be the norm for the Millstone rye. Perhaps to stick with the “100” branding they also bottle this at 50% abv. I remember when this first came on the market in the middle of the decade. I was very tempted to buy a bottle but for one reason or the other never got around to it. Florin sent me the sample in 2016 and as is my wont I promptly forgot about it as well. But I recently dug it out and here, finally, are my notes. This is not an entirely irrelevant review, however: Millstone rye appears to now be available in the US. Continue reading
Ah, Glen Scotia: forever labouring in the shadow of Springbank in Campbeltown. I’d love to say that I’ve always been a champion of this underdog but, as I always note when posting a review of a Glen Scotia, I’ve had very little Glen Scotia in my time. When I first started drinking single malt whisky there wasn’t a whole lot of it around and nothing I read led me to want to seek it out. Since then I’ve had a couple of older Glen Scotias that I really liked (two 20 yo releases from Archives and Wilson & Morgan and one 40 yo from Malts of Scotland) and two younger ones that I did not care for very much (one indie released in the mid-2000s and one more recent official release, the Double Cask). The official line has been revamped a couple of times in recent years and there are now at least a couple of teenaged releases out there along with the NAS Double Cask. This 12 yo dates from the early-mid 2000s, I think, before their bizarre disco cow bottle design. I *think* I might also have a sample of the older 14 yo knocking about somewhere (unless in my addled state I am confusing it with a sample of Scapa—another distillery labouring in the shadow of a more famous neighbour). Let’s see if this one leads me to want to track it down. Continue reading
I couldn’t remember where my sample of the Benriach Heredotus Fumosus came from, but there is no mystery with this sample. The presence of the infernal black tape around the cap means it came from Michael K. (of Diving for Pearls). I guess I should be thankful he’s not dipping sample bottles in wax. Yet.
Everything I could tell you about the provenance of this NAS retro Ben Nevis would be stolen from Michael’s review, so you may as well go and read it first if you’re interested in that kind of thing. I’m not sure if new versions of this are still being made, or what really the status of Ben Nevis’ current official releases is. The new 10 yo—which was great—went away and then came back (is the returned version as good as the previous?). In between there was another batch release 10 yo which I did not care for very much. Hopefully, this will be better. Let’s see. Continue reading
In 2013’ish van Wees bottled a number of sherry casks of Longmorn 1996. We didn’t know it then but that was right at the end of the era of reasonable prices for teenaged whiskies. Even with the higher Euro/USD exchange rate of the time these casks went for about $65. That’s for 17 year old sherry cask whisky. Can you imagine such a thing now? Anyway, these casks were very popular—all have very high scores on Whiskybase—but because the whisky world had not gone crazy yet they didn’t all sell out immediately. I purchased a bottle from cask 72315 and my friends Rob and Clara purchased a bottle from cask 72324. They opened theirs right away. I got a sample from their bottle and promptly forgot all about it and my own bottle. Here now more than five years after we purchased our bottles, and in a far less innocent time, is my review of the sample from their bottle. If I like it a lot, as I am expecting to do, I will open my own bottle next month. Continue reading
I’ve had variable luck with the official Benriachs I’ve recently reviewed. I thought this 29 yo from 1986, peated with an oloroso finish was good but nothing very special. On the other hand, I did not care very much at all for this 18 yo from 1998, which was not peated but had a PX sherry finish applied to it. As it happens, this Benriach 12—which dates from the period when Benriach were issuing whiskies with stupid faux-Latin names—is peated with a PX finish. So, will it fall between the other two or will it go past them and approach the wild glory of the 21 yo Authenticus? Only one way to find out.
By the way, I’ve no memory of how/where I received this sample. Normally, I would have suspected Jordan D. (who has reviewed it) and Michael K (also) of being likely sources, but the ugly scrawl on the label is mine. While I used to save reference samples from my own bottles once upon a time, I’ve never owned a full bottle of this. I think that might indicate that I filled it from a bottle someone brought a couple of years ago to one of my friend Rich’s “sherryfest” tastings in St. Paul. Yes, I know, not a very interesting mystery. Continue reading
A Bowmore to close out the month. I took this sample of a 16 yo bottled by the SMWS with me to our trip to the North Shore in July. But my dreams of drinking it on the deck while listening to Lake Superior crash on the rocks in front of the cabin were dashed or rather punctured by the swarms of mosquitoes that made it all but impossible to be outside the cabin unless covered in deet. I did manage to taste it inside the cabin though. I might not have been able to hear Lake Superior (the screens on the windows sucked and so they had to be kept closed at all times) but I could at least see it. None of this has anything to do with Bowmore really, except that the distillery is also located by the side of a large body of cold water. Anyway, I’ve held on to these notes for a long time for no good reason. So, now that summer is well and truly done in Minnesota and even the mosquitoes are finally on the run, let’s get to it. Continue reading
As I’ve mentioned on numerous occasions, I run a small whisky tasting group in our town. We’ve been meeting for near-monthly tastings for going on a decade now. Our focus is almost entirely on single malt whisky but from time to time we have been known to drink bourbon as well. For a while now I’ve harboured a fantasy of bottling a private cask of single malt whisky for our group. Alas, living in the U.S it is all but impossible to do this. I mean, you could, but getting the bottles to the US legally would be difficult to say the least, and the cost would be prohibitive. However, bottling a private barrel of bourbon is not as much of a challenge. That’s not to say it’s easy. Private citizens cannot buy directly from distilleries here; so you have to work through a store that has a private barrel program of their own and is willing to assist you. If you know such a store and if you have enough takers, you are in business. I eventually gave up my single malt cask fantasy and realized that I might know such a store*. Herewith the saga of actually getting to the point of writing this post. Continue reading
About four years ago, Sku sent me a sample of an American brandy named Butchertown by a new Kentucky-based craft outfit named Copper & Kings. The distillery was being hyped at the time by David Driscoll at the K&L blog (remember him? I wonder if he’s helped cure cancer yet) and that was good enough reason for many to be skeptical. Then Sku gave it a very strong review, which led me to open and taste my sample. I remember finding it interesting but nothing so very special but as I was not reviewing brandy at the time, I didn’t bother taking notes. I did, however, mention in the comments on Sku’s blog that I had found a strong anise note in the brandy and this led to the proprietor of Copper & Kings becoming very excited. Not very surprising behaviour perhaps from one who apparently plays loud rock music to his casks. Speaking of “his casks”, Butchertown is sourced brandy, not distilled by Copper & Kings. They only started distilling their own brandy in 2014—I assume some of it will come online soon. Continue reading
I last reviewed a Linkwood exactly two years ago. The time is right for another review. Here it is. This Berry Bros. & Rudd cask is a bit of a mystery. Whiskybase lists the same cask at cask strength whereas this is at 46%. Normally, I would put this down to shenanigans on the part of the source of my sample, the diabolical Florin. However, Michael K. who also received a sample of this reports that this 46% version was indeed sold at Total Wine back in the day. Same cask, two releases at different strengths? Maybe. Anyway, here is my take on it (read Michael’s review from earlier this year here).
Linkwood 1991-2011 (46%; Berry Bros. & Rudd; cask 10343; from a sample from a friend)
Nose: Oh this is nicely fruity—tinned fruit (a blend of peach, pineapple and mango) and also the tin. It’s not a fruit bomb—the fruit is not intense, but it is there. After a couple of minutes there’s a bit of prickly oak as well. As it sits the fruit expands a bit and there’s some citrus in there too now. A couple of drops of water push the metallic and oaky notes back. Continue reading
In August I reviewed Lagavulin’s 2015 Feis Ile release. Here now is Bunnahabhain’s 2015 Feis Ile release, or at least one of them. This is an 11 yo with a long Gaelic name and is composed of spirit matured full-term in two Manzanilla sherry butts. You don’t often see Manzanilla-matured whisky around and so this is intriguing. Or at least so I thought at the gathering in St. Paul to which my friend Pat brought the bottle from which this sample was poured. However, I didn’t think very highly of it at the time. It’s true that we tasted it at the end of the evening on the heels of some rather impressive older malts and so it is possible that the juxtaposition was not in its favour. True to form I then forgot about this sample for a long time. As it happens, I’ve not reviewed much Bunnahabhain recently—in fact, I’ve not reviewed any this year so far—and so it’s a good job I happened on this jar while trying to organize my backlog of sample bottles last month. Anyway, let’s see what I make of it tonight as I give it my full attention. Continue reading
Here is the first of two Glen Ord 15s bottled by the Whisky Agency under their Liquid Sun label. This is a year older than the one I reviewed last month. I really liked the classic Ord mix of fruit and austere notes that one presented. Will this be as good? Let’s see.
Glen Ord 15, 1997 (49.9%; Liquid Sun; bourbon hogshead; from a bottle split)
Nose: Bright fruit (apples, lemon, pear) mixed in with musky malt and some bready/yeasty notes. Very Glen Ord, in other words. With time that malty note moves a bit in the direction of putty. Water pulls out more of the malt and the smoke from the palate shows up here too now (a sooty, waxy outline around the malt).