Another sherried malt after yesterday’s Balblair 21, and another K&L exclusive. However, this is not from the current run of K&L exclusives, of which I’ve already reviewed a few this month (Clynelish 23, 1995, Glen Moray 23, 1995, Allt-A-Bhainne 23, 1995). This was part of last year’s set of exclusive casks, I believe. Sherry-matured Caol Ila can be very excellent indeed. In this case, however, the maturation regime is not very straightforward. This whisky is apparently from something called a “sherry finished butt”. What is a “sherry finished butt”? In this case it is apparently a refill sherry cask that was filled/seasoned with sherry for a while, emptied and then filled with this whisky. If that seems rather bogus it’s because it is but it’s also almost certainly a practice far more rife in the industry than we would hope to be the case (see also Signatory’s “wine treated butts”. It also seems like a recipe for a whisky where the sherry will separate and float free on the palate or finish. Let’s see if that actually happens though. Continue reading
Let’s close out not-single malt Scotch whisky week, and also the month, with a bourbon review. The bourbon in question is the long defunct Old Forester Bottled in Bond. Now, there is a more recent Old Forester Bottled in Bond: the 1897 Bottled in Bond, which was released in 2015. But this is not that one. This is from an earlier period. As per my bourbon informants, the split DSP (Distilled Spirits Plant) numbers marked on the sample label indicates that this was made after 1980—as that was when the bourbon going into Old Forester began to be distilled at DSP 354 (the Early Times distillery). The split DSP, I am told, likely suggests distillation at plant 354 (the 345 marked on the sample label is a typo) and bottling at the old plant 414; and I think I was also told that these split DSP releases began to show up in the late 1980s. At any rate, this could not have been released after 1995 as that is when the old Bottled in Bond release went away. Now, why can’t I just ask the person who organized this bottle split if they know more about it? Well, because I have no memory of who I acquired this from or when. I’ve checked with likely sources and have completely struck out. So, if you have any more insight into this matter please write in below. And now let’s find out if the bourbon in the bottle is worth any of this fuss of trying to establish its provenance. Continue reading
Let’s close out the week with another wine cask-finished whisky, another peated whisky, and yet another Bowmore bottled by Murray McDavid. This was distilled and released a few years after Wednesday’s Viognier finish. And unlike the other Bowmore and Monday’s Port Charlotte 13 the wine casks used for this whisky’s finish had previously held red wine—syrah to be exact. Even though I really liked that Port Charlotte and also thought the Viognier-finish Bowmore was quite pleasant, I am a bit apprehensive about this one as red wine finishes are the source of my prejudice against wine cask finished whisky. Anyway, let’s see what this is like.
Bowmore 10, 1999 (46%; Murray McDavid; bourbon and syrah casks; from a bottle split) Continue reading
As I noted in passing in my review on Monday of a wine cask-finished Port Charlotte, I am not generally a fan of wine cask-finished whiskies. Most of the ones I have had—like that Port Charlotte—have emerged from Bruichladdich. So too in a sense has this Bowmore. It was bottled by Murray McDavid, the indie bottling arm of Mark Reynier-era Bruichladdich, and a label that put out a large number of wine cask- finished or, as they liked to call them, “ACE’d” whiskies. This particular release started out in bourbon casks and ended up in viognier casks. Well, Monday’s Port Charlotte was from French white wine casks as well and I unexpectedly quite liked it. Will the positivity continue with this one? Let’s see.
Bowmore 11, 1995 (46%; Murray McDavid; bourbon & viognier casks; from a bottle split) Continue reading
Glenfarclas don’t usually allow independent bottlers to release casks of their whisky with the distillery’s name on it. As to whether they also require that said bottlers kiss their asses by using names like “Probably Speyside’s Finest” or whether it drives them insane with rage that they don’t go with “Absolutely And Indubitably Speyside’s Finest, You’d Have To Be An Idiot To Not See It”, I don’t know. (As always, there are exceptions: see this Cadenhead bottling of a 33 yo.) Some say this is because most indie Glenfarclas is bourbon cask and the distillery doesn’t want their sherry maturation branding disturbed by this. Of course, there have been official ex-bourbon releases as well; for example, this one in the “Family Casks” series, which I was not very enthused by. This particular cask was bottled as an exclusive for Binny’s by whichever part of the Laing family it is that now owns the Old Malt Cask label. There was a time when Binny’s picks were very reliable and this cask dates from that time. Let’s see if my faith is rewarded. Continue reading
Ah, Glen Scotia: forever labouring in the shadow of Springbank in Campbeltown. I’d love to say that I’ve always been a champion of this underdog but, as I always note when posting a review of a Glen Scotia, I’ve had very little Glen Scotia in my time. When I first started drinking single malt whisky there wasn’t a whole lot of it around and nothing I read led me to want to seek it out. Since then I’ve had a couple of older Glen Scotias that I really liked (two 20 yo releases from Archives and Wilson & Morgan and one 40 yo from Malts of Scotland) and two younger ones that I did not care for very much (one indie released in the mid-2000s and one more recent official release, the Double Cask). The official line has been revamped a couple of times in recent years and there are now at least a couple of teenaged releases out there along with the NAS Double Cask. This 12 yo dates from the early-mid 2000s, I think, before their bizarre disco cow bottle design. I *think* I might also have a sample of the older 14 yo knocking about somewhere (unless in my addled state I am confusing it with a sample of Scapa—another distillery labouring in the shadow of a more famous neighbour). Let’s see if this one leads me to want to track it down. Continue reading
About four years ago, Sku sent me a sample of an American brandy named Butchertown by a new Kentucky-based craft outfit named Copper & Kings. The distillery was being hyped at the time by David Driscoll at the K&L blog (remember him? I wonder if he’s helped cure cancer yet) and that was good enough reason for many to be skeptical. Then Sku gave it a very strong review, which led me to open and taste my sample. I remember finding it interesting but nothing so very special but as I was not reviewing brandy at the time, I didn’t bother taking notes. I did, however, mention in the comments on Sku’s blog that I had found a strong anise note in the brandy and this led to the proprietor of Copper & Kings becoming very excited. Not very surprising behaviour perhaps from one who apparently plays loud rock music to his casks. Speaking of “his casks”, Butchertown is sourced brandy, not distilled by Copper & Kings. They only started distilling their own brandy in 2014—I assume some of it will come online soon. Continue reading
In August I reviewed Lagavulin’s 2015 Feis Ile release. Here now is Bunnahabhain’s 2015 Feis Ile release, or at least one of them. This is an 11 yo with a long Gaelic name and is composed of spirit matured full-term in two Manzanilla sherry butts. You don’t often see Manzanilla-matured whisky around and so this is intriguing. Or at least so I thought at the gathering in St. Paul to which my friend Pat brought the bottle from which this sample was poured. However, I didn’t think very highly of it at the time. It’s true that we tasted it at the end of the evening on the heels of some rather impressive older malts and so it is possible that the juxtaposition was not in its favour. True to form I then forgot about this sample for a long time. As it happens, I’ve not reviewed much Bunnahabhain recently—in fact, I’ve not reviewed any this year so far—and so it’s a good job I happened on this jar while trying to organize my backlog of sample bottles last month. Anyway, let’s see what I make of it tonight as I give it my full attention. Continue reading
It has been almost nine months, apparently, since I last reviewed an American whiskey. To make up for that I’m going to make this a week of bourbon reviews. First up, a sample of Heaven Hill’s 6 yo Bottled in Bond release that I got from Michael K. a couple of years ago and have never gotten around to opening. Of course my timing is perfect as it turns out that this whiskey has been discontinued. Or to be more accurate, the 6 yo has been discontinued and is being replaced by a marginally older whiskey that will cost a lot more. This one did not cost much at all, as it happens, being available for not very much than $10 for a long time. On the other hand, it was never easy to get outside of Kentucky—I don’t know that I’ve ever seen a bottle on a shelf. It’s always had a good reputation though and so I’m pleased to finally get to taste, even if I will never get to taste it again, leave alone buy a full bottle, if I like it a lot. Continue reading
I reviewed the (then) new Ben Nevis 10 early last year and really liked it. In fact, I asked—largely rhetorically—if it was the best entry-level malt whisky on the market (and it was very fairly priced too). In response it promptly went off the market. The distillery apparently ran out of stocks that would have allowed them to continue to make it to the same specifications—there’s an account of this in a review on Whiskybase or you could take a look at Michael K.’s recent review which summarizes matters. Rather than go completely off the market the distillery formulated this one-off cask strength release, which is a vatting of ex-bourbon, ex-sherry and ex-wine casks. And it is a vintage release from 2008 distillate. Since then the regular 10 yo has indeed come back on the market. This is good news, but it must be said that I have not read any reviews of the new release and am therefore only hopeful that it will be very similar, if not identical to the batch I really liked. This cask strength release I can tell you—spoiler alert—I don’t like as much, I opened it not too long after buying the bottle some months ago and thought it was just okay. I then took it to one of my local group’s tastings and it did quite well there. The bottle has since sat at below the halfway mark for a couple of months—I’m curious to see if it has improved further. Continue reading
Here’s another 2019 Campbeltown release. I’ve previously reviewed the Springbank 21 and the new Kilkerran Heavily Peated. I liked the Springbank a lot, the Kilkerran less so, but neither got me very interested in purchasing a bottle: the KIlkerran because it just wasn’t very interesting, the Springbank because it’s way too expensive for what it is. Next week I’ll have a review of the Longrow 18 released at the same time. Here now is the fourth from the stable: a Hazelburn, the triple-distilled, unpeated whisky distilled at Springbank. I’ve not had very many Hazelburns before and I don’t recall having had a heavily sherried one. And that is what this is: a large batch of 9900 bottles from oloroso sherry casks. As to whether they were full-term or only partially matured in the sherry casks, I do not know. If you do, please write in below. I’m interested to see what this is like at any rate. Let’s get right to it. Continue reading
On Tuesday I reviewed the 2019 release of the Springbank 21. Here now is another recent Campbeltown release: a new NAS heavily peated whisky from Kilkerran. I don’t really pay attention to whisky news anymore and so I had no idea that this had been in the works. Like most optimistic idiots I’d assumed that once Kilkerran aged their stocks up they’d be putting out whiskies with age statements. And given how good the 2016 release of the Kilkerran 12 was I’d assumed they were just continuing on that path. But here’s a heavily peated NAS release. What is the impetus for this? To capture some more of the heavily peated market? Doesn’t the NAS Longrow already aim to do that for the group? I do hope they’re not going to do a Kilchoman-like pivot to a series of NAS malts. They put out an 8 yo at cask strength not too long ago; I’m assuming this one is a year or two younger than that. And that one I thought was rather unremarkable. That doesn’t seem to bode well for this. But the proof will be in the glass. Let’s see. Continue reading
You think watching the last season of Game of Thrones was hard? You should have tried watching the last season of Game of Thrones *and* reviewing all eight of Diageo’s Game of Thrones malts. Sure, only a couple have been completely dull but only a couple so far have been better than decent (the Lagavulin and the Clynelish). Nor have very many of the pairings made much sense: House Lannister (built on gold mines) got the smoky Lagavulin while the dragon-riding Targaryens got the Cardhu Gold. The Night’s Watch being assigned Oban makes very little sense as well. The Night’s Watch is at the very north of the known world of Westeros; shouldn’t they have been matched with one of the northernmost distilleries? If you ask me, House Stark should have been given Glen Ord or Teaninich instead of Dalwhinnie (which should have gone to House Tyrell), and the Night’s Watch should have got Clynelish. I’m upset about this because none of it matters. On to the whisky. Continue reading
Longrow, as you know, is the name of the more heavily peated malt made by Springbank (there are other differences in the production process as well). Most of the bourbon cask Longrows—or ex-bourbon heavy releases—I’ve had have been very good, and those are most of the Longrows I’ve had. Indeed, it has been a long time since I’ve had a Longrow matured in sherry casks, and I don’t think I’ve reviewed any on the blog. I have reviewed a couple of wine cask Longrows, however. I did not care very much for the 14 yo Burgundy Wood release from 2012 or so which had a bit too much sulphur for my taste. I liked the 11 yo port cask Longrow Red better. Of course, none of this may have any bearing on this single first fill sherry cask which was bottled for the German market. The general stereotype (fact?) goes that German drinkers in general are fairly sulphur-positive or at least more so than most others. Will this cask play to that (possible) preference? Let’s see. Continue reading