This was one of five 200 ml bottles I purchased from my first visit to Cadenhead’s on my first afternoon in Edinburgh in early June. I’ve already reviewed the Glen Ord 13 and the Tullibardine 24 that were part of that haul—I’d not planned to get anything more (I’d also picked up a Worthy Park rum) but couldn’t resist their store casks. They had five casks on the go in the store: one Islay, one Highlands, one Lowlands, one Campbeltown and one rum cask. I purchased 200 ml of the Islay (obviously) and also of the Campbeltown cask (review coming soon). The prices are fixed for all the casks: £14 for 200 ml, £24.50 for 350 ml and £48 for 700 ml. My understanding is that these are all “living” cask vattings, topped up once they get low. This means that the composition can change from week to week—I have no idea how often they top these casks up. I think I was told that the Islay cask as constituted at the time I made my purchase had a fair bit of young Lagavulin in it—but I could be making that up. It is possible to get a taste before you make a decision but I was comfortable trusting that they’d probably be good. I’m happy to say that this trust was well rewarded. I took these notes in Edinburgh itself—my friend Mike and I polished this off at a pretty rapid rate after purchase. Continue reading
A few summers ago I posted a number of recipes for home-made jams. These were not popular with my whisky readership. Do you know what is even less popular with said whisky readership, or whatever remains of it? You guessed it: my reviews of blended whiskies released many decades ago. And interest in them goes down with each one I post, rather than the other way around. Accordingly, I am pleased to present this review of a rather obscure blend. Well, obscure to me. I believe this bottle was from the US market—though I doubt Old Rarity was only released in the US. The source of the sample estimates that the bottle might date from the 1960s. That is the extent of my non-knowledge about Old Rarity. I’ll add only that the name of this whisky suggests that the practices of adding the word “old” to things that aren’t very old and of suggesting things are rare by calling them things like “rarity” are obviously not innovations of our time. Continue reading
Following last week’s old Haig & Haig 12, here is a Haig & Haig 8 yo that is four years younger but may have been released half a decade earlier. Again, I know very little about these old blends and can therefore tell you very little about their antecedents or history. My interest is only in seeing, in the aggregate, what the qualities of whiskies from earlier eras were like. I’m not likely to have much chance to taste single malts released in the 1940s and 1950s, so samples of these old blends are pretty much my only window to the era. It’s true that with many decades spent sitting in bottles—plus the uncertainties of storage—there’s no guarantee that what we are tasting now is very close to what these whiskies were like when consumed upon release, but there’s no solving that conundrum. My limited sample size does suggest, however, that whisky drinkers of the mid-century (synonymous then with blend drinkers) drank much better than current blend drinkers, and that there was much more peat, and likely much more malt whisky in blends of that era. That said, I didn’t like the Haig & Haig 12 quite as much as some of the other old blends I’ve reviewed but I did like it. Let’s see what this 8 year old is like. Continue reading
We’re leaving the UK today to return to Minnesota and my month of reviews of Speyside and Highland whiskies is also almost at an end. Here now is something you don’t see very often: a bourbon cask Mortlach. As you may know, Mortlach is generally associated with heavily sherried whisky. Its whisky also has a pronounced meaty quality, which results from their use of worm tubs for condensation during the distillation process—less copper contact means more sulphur in the spirit. I’ll be interested to see what that manifests as in a bourbon cask. Let’s see how it goes.
Mortlach 17, 1995 (49.1%: Dewar Rattray; bourbon hogsheasd 2437; from a purchased sample) Continue reading
Another distillery whose name starts with “Glen” and another that is quite unsung. Glentauchers is located in the Speyside and is part of Pernod Ricard’s portfolio. I can’t remember if we passed it while in the Speyside a couple of weeks ago—it did feel like we’d driven past every single Speyside distillery—but I don’t believe they have a visitors centre anyway. It’s another distillery that I have very little experience of: I’ve only ever reviewed one other. In that review I noted that I didn’t even know how the name of the distillery was pronounced. Almost five years later, I can proudly tell you that I have a better idea of that. Unless I’m completely confused—happens a few times a hour—it’s pronounced “Glen-tockers”. And if you do a deep dive on Google maps, you’ll see that there is a burn/small river named Tauchers in the Keith/Mulben area—as this is the area in which we coincidentally stayed, it’s likely I suppose that we did pass the distillery. Fascinating, I know. Continue reading
Way back in 2010, when the whisky world was a less complicated place, Highland Park released three vintage bottles to duty-free. There was a 1990, a 1994, and this 1998. All were bottled at 40%—which is the kind of thing we grumbled about then, not knowing that a day would come when Highland Park would replace ages and vintages on their bottles with names of Vikings. I purchased my bottle of the 1998 from World of Whiskies in Heathrow in 2010. It cost $55, which I guess was pretty steep even then for an 11 yo at 40%, considering the regular 12 yo was then available for $32 in the Twin Cities and the 15 yo for a bit less than $55. I cannot remember how much the 1990 and 1994 cost. I finished my bottle a long time ago but saved a large reference sample. I then forgot all about it, and only found it while rummaging around for a Highland Park sample that I might review to mark my visit to the distillery today. I also found a sample of the 1994 that I’d received in a swap a long time ago, but, alas, that sample seemed to have deteriorated a bit in the bottle (perhaps because of the low strength). I’ve consigned the remains of that sample to one of my home vattings and have instead a review of the 1998, which has held up fine. Continue reading
Though I am writing this review well before it will post, when you read it (if you’re in the US), I will have likely just finished touring Aberlour. This is set to be our last day in the Speyside on this trip to Scotland and I’ve been looking forward to visiting Aberlour in particular. I will doubtless have an image-heavy report from the distillery soon enough but in the meantime, here’s a review of an Aberlour 13 released five years ago. This was bottled by the Creative Whisky Co. for their Exclusive Malts label and was an exclusive for K&L in California. This cask is not listed on Whiskybase, by the way—the only Exclusive Malts Aberlour 2000 they have is a sibling cask that was a year younger. This is an ex-bourbon cask—which is a rare but pleasant treat from Aberlour, whose official releases all stress the sherry. I’ve quite liked the other bourbon cask Aberlours I’ve reviewed (relatively) recently and I’m hoping this will keep the streak going. Let’s get to it. Continue reading
Here is the third in my slow motion series of reviews of blended whiskies from earlier eras. (See here for my review of an old Dewar’s White Label, and here for a review of a King George IV bottled in the 1940s or 1950s.). I don’t know much about this Hudson’s Bay brand, except that I think it was made for the US market and that while this particular bottle was released in the 1950s, the brand is still around. And if it ever had a strong reputation, it’s not exactly high-end whisky now: you can get a 1.75 liter bottle of the current Hudson’s Bay for not much more than $20. (I am, of course, assuming it’s the same brand.) Then again, I really liked the older Dewar’s White Label despite finding the current version to be bordering on undrinkable; and so I’m not assuming anything about this one. Well, let’s see what it’s like.
Here is the last of four Total Wine exclusives that I purchased a couple of months ago. In April, Michael K. and I posted simul-reviews of three of these: a Glen Ord, a Caol Ila, and a Laphroaig. The last is this Ben Nevis. Michael K. has a sample of this as well but we didn’t end up setting up a simul-review of this one for some reason. Like the Glen Ord and the Caol Ila, this one was also bottled by Montgomerie’s. Ben Nevis of this age, from ex-bourbon casks can be very fruity indeed and so this has potential; on the other hand, the other Montgomerie’s selections did not exactly set the world on fire. Let’s see where this one falls.
Ben Nevis 19, 1997 (46%; Montgomerie’s; cask 186; from a bottle split)
Nose: Malty, slightly cardboardy to start but below that there’s milk chocolate and orange peel. An unlikely combination but it works. The citrus expands as it sits. A drop or three of water pull out more citrus still and also some cherry. Continue reading
In 2014/2015 there were quite a few Blair Athol 1988s on the market, all in the mid-20s age-wise. Many of these were bottled by Signatory—21 of the 47 Blair Athols listed on Whiskybase are from Signatory*; and another 8 are from van Wees, who source from Signatory, I believe. I’ve reviewed some of these: I really liked this 26 yo bottled for K&L; I also liked this 26 yo and this 25 yo, both from van Wees. Most recently, I thought this 25 yo bottled for LMDW was excellent as well (I could be wrong but I think Signatory was the source of this cask as well—if you know differently, please write in below). All of these casks have proximate numbers, by the way, suggesting perhaps that a big parcel of casks was purchased all together by a broker.
Does that guarantee high quality for this one? Let’s see. Continue reading
And here is the last of my five reviews of recent K&L casks. The score so far is 3-1: I really liked the Bowmore 20 and the Bunnahabhain 25, and thought the Bunnahabhain 28 was solid; it was only the Mortlach 22 that I was not crazy about. Well, this is also a Mortlach and, like the Bunnahabhain 28, it’s also a Faultline. Which way will it go? Let’s see.
Mortlach 28, 1989 (42.5%; Faultline; first-fill sherry hogshead; from a bottle split)
Nose: Raisins, a bit of orange and some oak. With time the orange expands a bit but there’s not much of note happening here. With more time still there’s some toffee. With a few drops of water the fruit expands significantly: orange and apricot.
On Wednesday I posted the first of five reviews of some recentl K&L exclusive casks. I very much liked that Bowmore 20, which was bottled in Douglas Laing’s Old Particular line. Today’s Mortlach is a couple of years older but was bottled under K&L’s own Faultline label. More than any K&L casks, those bottled in the Faultline series have proven the most disappointing. Then again, I had low expectations of Wednesday’s Bowmore as well and those were easily exceeded. Will that be true of this Mortlach as well?
Sherry cask Mortlach—which is the most common version—can be a bit of a bruiser. The distillery produces a meatier, rougher spirit—their production process uses old-fashioned worm tubs for the condensation step, and with lower copper content in worm tubs, the spirit retains more of a sulphurous character. This can be a bit of an acquired taste but once you acquire it, it becomes a very specific pleasure. And a good sherry cask can amplify those pleasures. Let’s see if that has happened here or if this will be a regression to K&L’s cask selection mean. Continue reading
Here is the second of three simul-reviews this month with Michael K. of Diving for Pearls of whiskies that were bottled as exclusives for Total Wine (and here now is his review). Our first was last week’s Glen Ord 18, also bottled by Montgomerie’s. This Caol Ila—which rounds out a week of Islay reviews—is a bit older. The bottle cost $125; I’m not sure if it’s still around—I didn’t notice it at the store I purchased it from when I was in there again briefly earlier this week. Even though this is at 46% and not cask strength, it does seem like a fair price for a 20 year old peated Islay whisky—there are certainly older Caol Ilas from other independents that are going for a lot more in the US; and next Friday we’ll have a simul-review of a younger Laphroaig whose list price was almost $100 more.
A good price relative to age then, but what is it like in the glass? Continue reading
It’s been a while since Michael K. and I did a simultaneous review—in fact, I think, back then Sku may have been blogging for himself and not a liquor store; seems like so long ago now! Anyway, here is the first of three simul-reviews this month with Michael. We’ll be posting them on Fridays. They’re all of whiskies that, I believe, are/were exclusives for Total Wine. This Glen Ord and a Caol Ila 20 (next Friday) were bottled by Montgomerie’s, a brand I’ve not see anywhere except in Total Wine. The third, a Laphroaig 18 (the 27th), was bottled by Berry Bros. & Rudd, and while it doesn’t say anywhere on the label that it is a Total Wine exclusive, I do believe it was listed at the store I purchased these bottles from as a “Spirits Direct” selection, which is a Total Wine thing. By the way, I know nothing about Montgomerie’s other than that their releases are sold at Total Wine, but after purchasing these bottles for a split I coordinated, I noticed that the Montgomerie’s bottles are identical in shape to the distinctive Berry Bros. & Rudd tall bottles. Just a coincidence? Or are they in fact one of BB&R’s private selection lines? If you can confirm or deny, please write in below. As with all Montgomerie’s releases—as far as I’ve noticed—this is at 46%. Continue reading