I look forward to the release of the Laphroaig Cairdeas every year, even though Laphroaig has not consistently been giving me very many reasons in recent years to look forward to it. I liked 2018’s Fino cask finish but last year’s Triple Wood CS and 2017’s Quarter Cask CS were acceptable but not at all special. The distillery seems to have got caught in an endless cycle of cask finishes; a far cry from 2011 and 2012 which saw them release excellent bourbon cask whiskies (neither of which, I realize, I’ve reviewed). And the only truly excellent Cairdeas since then—2015’s 200th anniversary release—was also from bourbon casks. But there’s no excitement in bourbon cask releases, I guess. Will next year be a rum cask? A marsala cask? Or will we see another Frankenwine release like this year’s (a vatting of port and wine casks)? Well, I suppose if the results taste good there’s no point complaining about the high-concept gimmickry. Let’s see if that is indeed the case. Continue reading
So far in August I’ve sandwiched two weeks of brandy and rum reviews between two weeks of single malt whisky reviews. Let’s close the month with a review of a release whose category identity is a little more ambiguous. The Amrut Naarangi—of which this is the 5th batch—is made in a complicated way. Amrut takes casks of sherry, adds Indian oranges to them and lets them macerate. The casks are then emptied, filled with Amrut’s spirit and allowed to mature for an unspecified period of time before it is bottled. In Scotland this could not be labelled whisky. Compass Box’s Orangerie—which is made in a similar manner—is officially a “whisky infusion”. In India, however, genre boundaries are looser—a lot of Indian whisky is, of course, technically rum—and so Naarangi is sold as a single malt whisky. Is this an outrage? I don’t know—a lot of contemporary sherry and wine cask whiskies taste to me like infusions made with far less care. The more interesting question is whether this is any good. Let’s see. Continue reading
It’s been a few weeks since I posted a whisky review. Last week’s booze reviews were all of rums (Caroni, Caroni, Worthy Park); and the week before focused on brandies (Lous Pibous, Dartigalongue, Copper & Kings). It’ll be whisky from now till the end of the month but I’m going to keep this week themed as well: it’ll be all releases of sherried whisky, and all from Glenfarclas. I’ll begin with this 15 yo and then go up in age with each review.
This particular release was bottled for the Whisky Exchange. I’m not sure if it was from a single cask and nor am I sure why no vintage is noted. I suppose it’s possible that it’s a vatting of at least 15 yo casks from a couple of different years, but that seems like a lot of trouble to go to and not mention or mine for marketing reasons. More likely, I’d guess, is that this is just TWE being idiosyncratic. They’ve released other whiskies too that bore no cask or vintage information (such was this Laphroaig 16). I’ve had my eye on this Glenfarclas for a while—almost pulling the trigger a couple of times when friends were coming over from London. The thought of a cask strength version of the excellent 15 yo that is not available in the US was enticing; but there’s no guarantee, of course, that a cask strength version of the 15 yo is what this amounts to. Will I regret that uncharacteristic restraint? Let’s see. Continue reading
Okay, let’s make it two Ardmores in a row. I really liked the 20 yo I reviewed on Monday. Like this one, that was also bottled by the SMWS. Unlike this one, however, that was from a refill bourbon cask. This one very much is not. Well, it started out in bourbon cask but ended up in a red wine cask for some reason. I’m yet to come across any compelling reason to finish whisky in red wine casks. Will this change my mind? Let’s see.
Ardmore 13, 2006 (58.1%; SMWS 66.161; red wine finish; from a bottle split)
Nose: Fairly jumbled with some pickled/acidic notes, some char, some oak, some red fruit. On the second and third sniffs there’s quite a bit of lime. As it sits the smoke takes on a slightly plasticky/acryclic character. The nose settles down with time and air and the plastic/acrylic note recedes. Water brings out a cured meat note. Continue reading
I started last week with a review of a Japanese whisky (this Hanyu); I may as well end this week with a review of another. This one is not a single malt. It was one of a series of limited edition whiskies released by Nikka, all of which were 12 years old and all of which were marked by two key characteristics. I’m a bit fuzzy on whether the idea was/is that these are the whiskies that in some combination go into Nikka’s blends or that they were to be purchased as components for home blending—I do believe they were only available at the Yoichi distillery (please correct me if I’m wrong). I’ve previously reviewed the Yoichi “Peaty & Salty” from the same series, and I quite liked that one. This, however, is a grain whisky, and one distilled in a coffey or two-column continuous still that is commonly used in grain whisky distillation. My track record with grain whisky is not very good but, as always, I live in hope. Maybe this will be the best grain whisky I’ve had in a while. Let’s see.
I know I’d said I’d have a review today of barbecue from Ted Cook’s 19th Hole in Minneapolis but what can I say? I spent last evening watching Basu Chatterjee’s 1974 gem Rajnigandha and a few episodes of Schitt’s Creek and didn’t get around to it. If your primary interest is food, go back and read yesterday’s post on American food media’s relationship with diversity. Or if you want to read about barbecue in the Twin Cities, go back and read my review of Big Daddy’s from a few years ago (but keep in mind that they’ve changed ownership since then). Today I have another whisky review. This is an Auchentoshan, shockingly only the second official Auchentoshan I’ve ever reviewed (the first was the cask strength Valinch). Well, maybe it’s not so shocking: there aren’t that many official Auchentoshans around. I believe this one was released only for the Travel Retail market—I’m not sure if it’s still on the go there. It’s a NAS vatting of spirit matured in ex-bourbon and ex-oloroso casks. Let’s see what it’s like. Continue reading
After a month of reviews of un-sherried whiskies—well, the Glen Scotia 14 probably had some sherry casks in the mix—let’s end with one from refill sherry casks. This is a 10 yo Caol Ila released in Gordon & MacPhail’s Connoisseurs Choice series at some point after the casks in that series started being bottled at 46% with new packaging. I think this was released in the mid-2010s, which would, I think, have been not too long after the revamping of the line. I almost always enjoy Caol Ila from sherry casks—and have a very good memory of this earlier G&M 10 yo from refill sherry casks (though that was in their old Cask Strength line). And I quite liked as well this G&M 10 yo from 2006 (also cask strength but in the new livery for their Cask Strength line). That latter one was from first-fill casks though. Well, as long as it’s better than the last sherried Caol Ila I reviewed—this sherry finished 7 yo that was an exclusive for K&L—I’ll be happy. Let’s see if that proves to be the case. Continue reading
I often say that every distillery is capable of producing high quality malt. But I have to admit that Auchentoshan is one of the distilleries that really tests my faith in this proposition. In my years of drinking single malt whisky I have not yet come across an official Auchentoshan that I have wanted to purchase or even drink again; and, more damningly, I have not also come across any indie releases that have convinced me that owners Morrison Bowmore have been blending quality casks away, whether in the official vattings or in the group’s blends. I’m not denying the possibility that they exist; merely noting that I have not yet randomly encountered one. Of the few I have reviewed, I liked this 23 yo from Archives the best and I gave that 86 points. But hope springs eternal and perhaps this will be the one that rewards my faith. Like some of the other whiskies I’ve been reviewing recently it too was a release from a long time ago—I’ve been sitting on this sample too for a while. Well, let’s get to it now. Continue reading
In the second half of April I went on a long run of reviews of whiskies from sherry casks. Let’s reset the balance a bit in May with a run of reviews of whiskies from bourbon casks. First up is a Balblair 2005. This is the first release. I don’t actually know what that means. I think you have to enroll in special seminars to understand how Balblair’s vintage releases work. Me, I am a simple man and do not dare aspire to such understanding. Now you may be thinking that even I cannot be so simple as to not understand that this must simply be the first release of Balblair’s 2005 vintage. But before you judge me keep in mind that different editions of the first and second releases of Balblair 1999 were released in the same years and that it is entirely possible—nay, likely—that different editions of the same releases were of different ages. Whose head’s hurting now? Let’s agree to not talk about this anymore. At least with changes with Balblair’s lineup this confusion is no longer an issue: they scrapped the vintage releases last year and moved to regular age-stated releases. On the other hand, most of Balblair’s lineup is now unaffordable. Isn’t the world of whisky so fun and not at all alienating? Continue reading
I reviewed a pretty old Armagnac last month, a 40+ yo Le Sablé a Lagrange 1974. That was from a very small producer and bottled by the respected indie outfit L’Encantada. Today’s armagnac is a bit younger, though not very much so at 33 years of age, and was also distilled in the 1970s. It is from an altogether larger producer, Delord, who have a fairly established presence in the US. I’ve previously reviewed their 25 yo, which I found to be just okay. Like that one this 33 yo is also bottled at 40%. As to whether that’s because they diluted a parcel of casks down to stretch the bottling or because they vatted some lower strength casks up past 40%, I have no idea. I do hope at any rate that this won’t taste too washed out. There is no reason, of course, that it should. I’ve had some older malts at similar strengths that were underpowered but I’ve also had others that were quite pleasurable anyway. Where will this fall? Only one way to tell. Continue reading
And here is the last of my reviews of K&L’s 2019 exclusives. (I think it’s the last anyway—I hope there isn’t another sample lurking somewhere.) As with most K&L consignments over the years, I’ve found it to be a bit of a mixed bag. That said this might have been one of the stronger years. None have been bad, none have been great, most have fallen in the drinkable to very good range. Fair enough: that’s where most single malt whiskies fall. And if I still lived in Los Angeles there were a couple I would have liked to have picked up—the Ardmore, in particular, was very well priced relative to its quality. I’m hopeful though that this Glenburgie will be a strong closer, following on last week’s sherry cask Dailuaine which I quite liked even as I didn’t find it very distinctive. Bourbon cask Glenburgies can be very good indeed and as I don’t get too many opportunities to try them in the US I am looking forward to this one. That it’s from a refill hogshead is even better news in my book. Let’s see how it goes. Continue reading
I am almost at the end of my run of reviews of K&L’s recent exclusive casks. This Bunnahabhain 30 is the oldest of them—well, the oldest I acquired a sample of, at any rate. K&L have brought in older Bunnahabhains before. I’ve previously reviewed a 25 yo and a 28 yo. The 25 yo was another Old Particular and the 28 yo was in their own Faultline series (is that still on the go?). Both were from sherry casks and I liked both a fair bit. This one, as with a number of their exclusives in this run, was matured in a refill hogshead. Let’s hope it’ll be closer to the two aforementioned in quality anyway than to the 21 yo from a hogshead they’d put out in 2013/14. That one had seemed like a very good value for the age; I purchased a bottle and was very disappointed.At $99 for a 21 yo in 2013-14, it was, in the abstract a very good value for the age—and these days $350 for a 30 yo is similarly, in the abstract, a good value for the age—but you’re not drinking the age to price ratio, you’re drinking a whisky. Let’s see what this particular one is like. Continue reading
Earlier in the month I began a series of reviews of recent exclusive casks from the Whisky Barrel with a 10 year old Bunnahabhain from a first-fill oloroso hogshead. That one handily surpassed my low expectations. Here now is another 10 yo from a first-fill oloroso hogshead, this time a Balblair. Will this turn out to be as good? I can’t think of any recent sherry bomb Balblairs I’ve had. Anyway, let’s see.
Balblair 10, 2009 (59.4%; The Whisky Barrel; first-fill oloroso hogshead; from a bottle split)
Nose: Big sherry (raisins, orange peel, a metallic note) mixed in with roasted malt and some powdered ginger. As it sits a leafy note develops as well. Water brings out some plum sauce. Continue reading
The Singleton of Glen Ord is the Singleton release Diageo sends to the Asian market. Or at least it used to. Does it still do so? Is the Singleton series still on the go? These are questions for more informed people to answer. I did note that Diageo put a Singleton of Glen Ord 18 on their special release roster last year—though I don’t believe I’ve read any reviews of it. Anyone know what it was like?
I’d planned to review it when I first put it on the possible reviews list a few months ago. But LV33’s comment denigrating it put me off—I am a very impressionable sort, you see. But the sample sat around making sad eyes at me and I was no longer able to avoid it. Here, therefore, with some trepidation is my review.
Another sherried malt after yesterday’s Balblair 21, and another K&L exclusive. However, this is not from the current run of K&L exclusives, of which I’ve already reviewed a few this month (Clynelish 23, 1995, Glen Moray 23, 1995, Allt-A-Bhainne 23, 1995). This was part of last year’s set of exclusive casks, I believe. Sherry-matured Caol Ila can be very excellent indeed. In this case, however, the maturation regime is not very straightforward. This whisky is apparently from something called a “sherry finished butt”. What is a “sherry finished butt”? In this case it is apparently a refill sherry cask that was filled/seasoned with sherry for a while, emptied and then filled with this whisky. If that seems rather bogus it’s because it is but it’s also almost certainly a practice far more rife in the industry than we would hope to be the case (see also Signatory’s “wine treated butts”. It also seems like a recipe for a whisky where the sherry will separate and float free on the palate or finish. Let’s see if that actually happens though. Continue reading
Let’s close out not-single malt Scotch whisky week, and also the month, with a bourbon review. The bourbon in question is the long defunct Old Forester Bottled in Bond. Now, there is a more recent Old Forester Bottled in Bond: the 1897 Bottled in Bond, which was released in 2015. But this is not that one. This is from an earlier period. As per my bourbon informants, the split DSP (Distilled Spirits Plant) numbers marked on the sample label indicates that this was made after 1980—as that was when the bourbon going into Old Forester began to be distilled at DSP 354 (the Early Times distillery). The split DSP, I am told, likely suggests distillation at plant 354 (the 345 marked on the sample label is a typo) and bottling at the old plant 414; and I think I was also told that these split DSP releases began to show up in the late 1980s. At any rate, this could not have been released after 1995 as that is when the old Bottled in Bond release went away. Now, why can’t I just ask the person who organized this bottle split if they know more about it? Well, because I have no memory of who I acquired this from or when. I’ve checked with likely sources and have completely struck out. So, if you have any more insight into this matter please write in below. And now let’s find out if the bourbon in the bottle is worth any of this fuss of trying to establish its provenance. Continue reading
Let’s close out the week with another wine cask-finished whisky, another peated whisky, and yet another Bowmore bottled by Murray McDavid. This was distilled and released a few years after Wednesday’s Viognier finish. And unlike the other Bowmore and Monday’s Port Charlotte 13 the wine casks used for this whisky’s finish had previously held red wine—syrah to be exact. Even though I really liked that Port Charlotte and also thought the Viognier-finish Bowmore was quite pleasant, I am a bit apprehensive about this one as red wine finishes are the source of my prejudice against wine cask finished whisky. Anyway, let’s see what this is like.
Bowmore 10, 1999 (46%; Murray McDavid; bourbon and syrah casks; from a bottle split) Continue reading
As I noted in passing in my review on Monday of a wine cask-finished Port Charlotte, I am not generally a fan of wine cask-finished whiskies. Most of the ones I have had—like that Port Charlotte—have emerged from Bruichladdich. So too in a sense has this Bowmore. It was bottled by Murray McDavid, the indie bottling arm of Mark Reynier-era Bruichladdich, and a label that put out a large number of wine cask- finished or, as they liked to call them, “ACE’d” whiskies. This particular release started out in bourbon casks and ended up in viognier casks. Well, Monday’s Port Charlotte was from French white wine casks as well and I unexpectedly quite liked it. Will the positivity continue with this one? Let’s see.
Bowmore 11, 1995 (46%; Murray McDavid; bourbon & viognier casks; from a bottle split) Continue reading