Back in February I’d posted a review of a Glen Grant 23, 1985 and said I’d have more Glen Grant reviews in the weeks to come. Because I am a shameless liar I only posted one more Glen Grant review in the roughly 20 weeks that came after that. But what is time? An illusion, a fog. Here we are now in mid-July and the weeks fall away like magic and we’re returned to that halcyon time when all three people who read this blog regularly were agog at the thought of successive weeks of reviews of Glen Grants that are no longer available and were only available in Europe to begin with. See, dreams can come true.
This was bottled by Maltbarn, a small German independent bottler. This was only their 12th release—I’m not sure what number they’re up to now. The label says “ex-sherry butt” but, as you’ll see, it’s not exactly a sherry monster. Continue reading
This is third of five Cadenhead’s Authentic Collection releases that I purchased in mini form from their Marylebone shop in early May. I’m afraid I did not care overmuch for the first two I’ve so far tried and reviewed: the Pulteney 11 yo I found to be overly sour and yeasty/bready; the Balmenach 12 was better but nothing worth getting excited about. I’m hopeful that this Glen Spey may continue the upward trend and move this series more firmly into the territory of the good.
I’ve not had or reviewed very many Glen Speys so far, only two older ones: the Diageo Special Release 21 yo from a few years ago (which I really liked) and a 25 yo from Archives (which disappointed a bit). Let’s see where this one, which is also from a bourbon cask, falls. Continue reading
[We’re off to Scotland today. In a couple of weeks I’ll have some reports, probably, of the parts of our trip that are whisky-related (not many); but to commemorate my first-ever trip to Scotland I’m also going to post more whisky reviews this week and the next than I have been since I slowed down my pace of whisky reviewing earlier this year.]
Devoted readers will remember that I went to Cadenhead’s in London last month and only purchased five minis. What, you don’t remember?! And why are you sniggering when you read the words “devoted readers”? Anyway, I did buy five minis. I did not enjoy the first of those that I reviewed: an Old Pulteney 11. Here now is a slightly older Balmenach, also from their recent outturn. This was the only one of which full bottles are still available and so if I really like it I might go back and get one. I’ve not had very many Balmenachs but they’re certainly capable of putting out the kind of fruity ex-bourbon cask malt that I really like (see this older one from Signatory); they’re also capable of putting out malt I’m not crazy about (see this other older on from Signatory). Let’s see how this one goes. Continue reading
With this post I complete, as far as I know, a series of reviews of Glenfarclas’ entire basic age-stated range. And it’s a large range. Here are the others, in order of age, if not in order of review: 8 yo, 10 yo, 12 yo, 15 yo, 17 yo, 18 yo, 25 yo, 30 yo and 40 yo. I don’t know if there’s any other distillery that has ever offered such a large range of stops up their maturation ladder—yes, I know the 8 yo and 18 yo weren’t really part of the core range. The 21 yo and 25 yo continue to be available at very reasonable prices relative to the competition—the 21 yo a bit above $100 in many US market and the 25 yo at about $150. Alas, the same can no longer be said about the 30 yo (which never came to the US) and the 40 yo but it’s hard to complain about Glenfarclas in this respect. They’re one of the few Scottish distilleries whose prices seem to have the middle-class whisky enthusiast in mind. The less charitable may note that very few of the releases in their core range ever seem to get very many people excited but not all whisky needs to set off fireworks. Continue reading
Let’s get back into age-stated Glenfarclas. For those who came in late: I’ve recently reviewed the 8 yo, the 10 yo, the 12 yo and the 15 yo. I’ve also previously reviewed the 17 yo, the 25 yo, the 30 yo and the 40 yo. This 18 yo and the 21 yo are all that remain (I think) in rounding out the full range of age-stated Glenfarclas from their core range (there are also the far more expensive Family Casks, but I’m not going to be running through them all any time soon). Well, I suppose this 18 yo isn’t part of their core range either—I think it’s actually a Travel Retail bottle, though I’m not sure if it’s available in all markets. And though I don’t know how much this one costs, Travel Retail these days is unfortunately usually a shorter way of saying “expensive but not very good”. But there are always exceptions to every rule. Will this Glenfarclas be one of them? It’s certainly different from most Travel Retail releases in that it has an age statement and doesn’t have a silly name. Continue reading
I reviewed a SMWS Aultmore 18 a month or so ago and quite liked it. Accordingly, I’d planned to purchase a bottle of the OB 12 yo on my return to the US. But I ended up picking up a bottle from Royal Mile Whiskies here in London instead. I needed a mild, bourbon cask whisky for my cheese/whisky pairing experiments and it seemed like a good idea to kill two birds with one stone. It turns out to be one of those malts that’s actually cheaper in parts of the US than in the UK—I paid £48 for it here in London. On the other hand, it’s actually available in London but not in Minnesota, so I don’t care too much. Well, you might remember that it turned out to be the most versatile of the malts I attempted to pair with various cheeses—but what is it like when not being paired with cheese? Here is my answer to that question. (By the way, if you know what the Foggie Moss bit on the label is about, please write in: as usual I’m too lazy to look it up.) Continue reading
Back to Glenfarclas. I’ve previously recently reviewed the 8 yo and the 10 yo—I found the first to be passable (78 points) and the second a bit better (80 points). Will the 12 yo, with its bump up to 43% abv, continue the incremental improvement/rise in my ratings? Let’s see. This one, like the 10 yo, can be found easily all over the US.
Glenfarclas 12 (43%; from a bottle split)
Nose: As with the 8 yo and the 10 yo, there’s obvious citrus here (orange again) but this is maltier from the get-go and there’s a milk chocolate/cocoa powder note. Less citrus and more malt at first with a few drops of water but then the fruit comes back strong.
Last week I reviewed the Glenfarclas 8—the malt that may or may not be the youngest age-stated malt in their lineup. The confusion stems from the fact that Winesearcher shows it on sale in many places in the EU (it was never available in the US) but Glenfarclas themselves don’t seem to list it on their website. The status of the 10 yo, however, is far clearer. Glenfarclas do not deny its existence on their website and it’s widely available everywhere, including the US. It may then be more accurate to say that this is effectively the entry-level malt in the Glenfarclas portfolio. In Minnesota it can be found in the low $30s but its average price nationally is $46. By the way, if you haven’t done so, you should check out the latest in Michael Kravitz’s annual parsing of production and price trends of Scotch whisky; the final entry in this year’s series lists, among other things, the rate of increase of price of most popular single malts—the Glenfarclas 10’s price has gone up almost 22% in the last 10 years. But what is it like? Continue reading
Last week I reviewed a bourbon cask Glen Grant that was distilled in 1985 and bottled in 2008. This week I have another Glen Grant from that era. This was distilled a year earlier but was bottled quite a bit later, in 2016 by Cadenhead’s. So, it’s not as untimely a review as the previous. It’s also not from a bourbon cask. Despite these important differences I’m interested to see if any obvious throughlines emerge from these two casks from the mid-1980s that might cause me to revise my skepticism about the notion of “distillery character”. I’m also interested to see how long-aged sherry cask Glen Grant from the mid-1980s compares to long-aged sherry cask Glen Grants from an earlier era—such as this excellent older release from Scott’s Selection.
(Cadenhead’s continues to use the -Glenlivet suffix on a number of their Speyside releases. Is this no longer prohibited?) Continue reading
Lochside is one of those closed distilleries that is never coming back. Located in the eastern Highlands—well east of the Speyside and separated by it from most of the distilleries we usually associate with the Highlands—it was closed in 1992 and then demolished in 2004-2005. It was somewhat unusual in that it was set up to produce both grain and malt whisky—though I’m not sure if grain whisky was indeed produced there for its entire history. As with a number of closed distilleries, Lochside’s reputation expanded well after its closure. It is also one of the distilleries that has a magical year of production associated with its name. People go on about Caperdonich distilled in 1972 and BenRiach and Tomatin distilled in 1976, and in the case of Lochside, it’s the 1981 vintage that is said to be the magical one. I haven’t looked into it closely but I suspect the same selection bias is at play as I’ve described for Caperdonich and Tomatin. Feel free to heap coals on my head. It won’t be the first time. Continue reading
I was not planning to review another bourbon this week but news came in earlier on Monday of the passing of Parker Beam. Parker Beam was Heaven Hill’s master distiller from 1975 till his retirement a few years ago after he was diagnosed with ALS. It seemed like an appropriate time to raise a glass of one of the bourbons he made, and I had this bottle of Evan Williams Single Barrel at hand. I did not ever meet Parker Beam and nor am I going to pretend to know very much about him—I’m not a bourbon maven by any means. But even I know enough to know that he was a true giant of the whiskey world, a true master distiller, one of those who shaped modern bourbon. And though I don’t know if it’s true, I’d like to believe that the fact that so many of Heaven Hill’s lineup of very drinkable bourbons are also very, very affordable bourbons has something to do with him. Even now, with everything that’s going on with Elijah Craig, Heaven Hill makes excellent whiskey for everyone—and there are very few distilleries around the world that can say that. Certainly the Evan Williams Single Barrel series has been synonymous with high quality for a very long time and it’s very easily found in the neighbourhood of $20. It may not be the greatest bourbon available from Heaven Hill but it’s an appropriate bourbon to toast him with: here’s to you, Mr. Beam! Continue reading
This Auchentoshan is one of several Scott’s Selection releases from the mid-2000s. While the Longmorns and Glen Grants and the Port Ellens released around the same time have long disappeared—and are now commanding massive premiums on the secondary market—and the Linlithgows, Glen Mhors and Highland Parks have also now mostly been purchased, this and some others continue to languish on shelves around the country. Even as I type, at least three whisky geeks in different parts of the country are looking at bottles of Scott’s Selection Auchentoshan, Bunnahabhain. Glenlivet, Benromach, Craigellachie and Mannochmore in specialist stores and are wondering whether to give in to the temptation to buy them. In a couple of minutes they will decide against the purchase because there’s no information out there on the quality of these bottles. That was me for many years. But then Binny’s recently put a number of these stragglers on major sale and four of us split a bottle each of this Auchentoshan, a Bunnahabhain 1988-2004 and a Glenlivet 1977-2004—Michael K. and Jordan D. will probably review their portions at some point soon (the deplorable, blog-less Florin was the fourth). As I’ve reviewed very few Auchentoshans of any kind I decided to start with this one—I’ll review the other two later this month (or maybe next) as well. Continue reading
Rampur is the latest Indian malt whisky to hit the market, following Paul John and the more established Amrut. Unlike those, Rampur is based in North India. The distillery was established in 1943, before India gained its independence, but it wasn’t until the early 1990s that they started distilling malt whisky—until very recently most of this went into their own blends. The distillery is owned by Radico-Khaitan and produces a mind-boggling volume of neutral spirit from molasses and grain, and also produces and sells a large range of whisky, rum, brandy and vodka (feast your eyes on the company’s romantic website). Most of these are for the Indian market—unlike the Rampur Select, which is only for the international market. This market now includes the United States. This release showed up here earlier this year and is going for anywhere between $60 and $75. Presumably, a large part of this is going to recoup the cost of the ludicrous packaging (each bottle is inside a silk pouch inside a round tin) and whoever they paid to come up with the purple prose of the marketing materials. Among other things, we are told that Rampur is the Kohinoor of single malts—I guess that means that the company will shortly be illegally taken over by the British crown. On the tin we’re also told that the princely state of Rampur rated a 15 gun salute—they’re going to feel really silly when some distillery located in an ex-princely state that rated a 21 gun salute puts their whisky on the market. Continue reading
This is the first Glenlossie I have reviewed on the blog and it may well be the first Glenlossie I’ve ever had. I know very little about the distillery except that it is in the Speyside, is owned by Diageo and produces malt for their blends. As per Whiskybase there have been no official releases other than one each in the Flora & Fauna, Manager’s Dram and Manager’s Choice series and the most recent of those was released in 2009. What this means, of course, is that next year Diageo will put a 37 yo Glenlossie in their annual special release and ask £2000 for it.
There does seem to have been a slight uptick in independent releases in recent years but I’m not sure that I’ve heard or read anyone waxing rhapsodic about Glenlossie. As you will see below, I won’t be waxing rhapsodic about this bottle either but it was a pleasant, easy drinker. Continue reading