It’s been a year and a half since my last Amrut review—what kind of an Indian am I? It’s not my fault though: there just isn’t so much Amrut around in the US. The last one I reviewed—the Amaze, a single cask release for an Indian club—was bottled in late 2018. This one came out half a decade earlier. A NAS release (like most Amruts), I purchased it right after it was bottled in 2013. Like most Amruts it’s also been bottled at an eye-wateringly high proof. The bottler is Blackadder. They’ve put out a large number of Amruts, far more than any other bottler—Whiskybase only lists a handful of others and they only seem to have one or two each. I wonder what Blackadder’s connection is. The cask was first-fill sherry. I rather liked the last sherry cask Amrut I had—this PX cask—and their Intermediate Sherry is one of my favourites, if now a little too expensive for my wallet. And so I have high hopes for this one. Let’s see if they’re borne out. Continue reading
I started the month with a review of the then oldest Glenlossie I’d ever had—a 29 yo from a bourbon cask. Here now to close the month is a review of what is now the oldest Glenlossie I’ve ever had—a 35 yo, also from a bourbon cask. This was bottled by the Whisky Agency for Shinanoya in Tokyo. I got a sample of it from my friend Nick in Minneapolis a few years ago and completely forgot about it before finding it last month during my ongoing cull of the vast hoard of samples I’d accumulated over the years. I’ve tasted it before at one of our friend Rich’s whisky gatherings up in the Ciites. I remember liking it a lot but those sessions usually involve a fair number of over-the-top whiskies and others sometimes get a little lost in the shuffle. And so I’m pleased to be able to spend a little bit more time with this one. Let’s see what I make of it now. Continue reading
I keep saying this about most of the minor Scottish distilleries but I have very little experience of Fettercairn. I’ve only reviewed a couple of them before this one and have maybe tried twice as many in total. As such I have no expectations. Of the two I’ve reviewed one did nothing for me and the other was average—which leaves the door open for this one to be the first Fettercairn that will really move me. Okay, so it also leaves the door open for this to be the first Fettercairn I end up pouring into the sink—why do you have to be so negative?
This particular Fettercairn was bottled by Exclusive Malts for K&L in California. Being negative, you might say that this is not a very promising combination but I have had very good whiskies from both. Let’s see if this is another one of those. Continue reading
Let’s make it a full week of reviews of whiskies from closed distilleries. On Tuesday I had a review of a Brora. Here now is a whisky from Diageo’s other once a workhorse, now a cash cow distillery: Port Ellen. Like Brora, Port Ellen was slated for zombification last year. I’m not sure where any of that stands either. This one was distilled in 1982—the year before the distillery was closed—and bottled in 2006, when Port Ellens were available at prices that seemed high then but look like crazy screaming deals now.
Port Ellen 24, 1982 (43%; Signatory; hogshead 1145; from a sample received in a swap)
Nose: Lemon, cereals, bright carbolic peat (Dettol), cottonwool. Sweeter on the second sniff with some seashells and vanilla. The citrus gets muskier as it sits (more lime peel than lemon now) and there are hints (just hints) of faintly tropical notes interlaced with the increasingly acidic smoke. The vanilla gets creamier with a few drops of water. Continue reading
Here’s another review of a whisky from a closed distillery, this time Scottish, not Japanese. Or at least this distillery was closed when this whisky was released, and indeed until a couple of years ago. Brora, as you will recall, was revived by Diageo—along with Port Ellen—a few years ago. When I visited Clynelish briefly in 2018 work was already in progress on the zombie Brora plant; I’m not sure where things stand now—do write in below if you know. God knows what the spirit from zombie Brora will be like but I’m sure Diageo needs its cash cows to produce more milk—they must be close to running out of casks they can charge $3000 per bottle for. Of course, it’s going to take a long time for the new spirit to get to the age of the whisky I’m reviewing today, leave alone the age of the bottles that command the high prices. This is a very young 19 yo by Brora standards—most of its whisky was bottled at higher ages well after the distillery close. Then again, Diagep knows as well as I do that there are a lot of people with a lot of money to burn who just want to have bottles with Brora labels in their cabinets. I am not among them but I can tell you what this one is like. Continue reading
My recent batting average with Ben Nevis is very high. I can’t remember the last one I disliked and most have been very good indeed; in particular a few that were distilled in 1996 (for example, this, this and this). That’s good news because this is a Ben Nevis, 1996 too. Therefore, as per science, this is likely to be very good. Let’s see if that’s the case.
Ben Nevis 18, 1996 (50.7%; Liquid Treasures; bourbon hogshead; from my own bottle)
Nose: Big fruit (sweet citrus mixed in with tinned pineapple and a bit of peach) along with a big malty note as well as some cocoa. In other words, very Ben Nevis. The malt gets yeastier as it sits and some tingling oak emerges as well; the fruit is all still here though. Sweeter and more floral with a few drops of water. Continue reading
Glenlossie is the very definition of a workhorse distillery producing malt for Diageo’s blends; and in their case I don’t believe there even is a mainline blend they are closely associated with. There is no official release of their whisky as single malt, save for the occasional Flora & Fauna bottle (I am still fuzzy on the currency of that series). I have had very little Glenlossie in my time and have reviewed even less; only two others, in fact (this 10 yo and this 22 yo). Which means that this is without a doubt the oldest Glenlossie I’ve ever had (though in a few weeks it may not hold this title anymore). I said rude things about Auchentoshan last week—noting that it was one of the distilleries that seemed to give the lie to my belief that every distillery is capable of producing excellent casks—and it must be said that the few Glenlossies I’ve had have not inspired much confidence in that direction either. Will this much older iteration, distilled in the 1970s, confirm my optimism? I hope so. Continue reading
After a month of reviews of un-sherried whiskies—well, the Glen Scotia 14 probably had some sherry casks in the mix—let’s end with one from refill sherry casks. This is a 10 yo Caol Ila released in Gordon & MacPhail’s Connoisseurs Choice series at some point after the casks in that series started being bottled at 46% with new packaging. I think this was released in the mid-2010s, which would, I think, have been not too long after the revamping of the line. I almost always enjoy Caol Ila from sherry casks—and have a very good memory of this earlier G&M 10 yo from refill sherry casks (though that was in their old Cask Strength line). And I quite liked as well this G&M 10 yo from 2006 (also cask strength but in the new livery for their Cask Strength line). That latter one was from first-fill casks though. Well, as long as it’s better than the last sherried Caol Ila I reviewed—this sherry finished 7 yo that was an exclusive for K&L—I’ll be happy. Let’s see if that proves to be the case. Continue reading
I often say that every distillery is capable of producing high quality malt. But I have to admit that Auchentoshan is one of the distilleries that really tests my faith in this proposition. In my years of drinking single malt whisky I have not yet come across an official Auchentoshan that I have wanted to purchase or even drink again; and, more damningly, I have not also come across any indie releases that have convinced me that owners Morrison Bowmore have been blending quality casks away, whether in the official vattings or in the group’s blends. I’m not denying the possibility that they exist; merely noting that I have not yet randomly encountered one. Of the few I have reviewed, I liked this 23 yo from Archives the best and I gave that 86 points. But hope springs eternal and perhaps this will be the one that rewards my faith. Like some of the other whiskies I’ve been reviewing recently it too was a release from a long time ago—I’ve been sitting on this sample too for a while. Well, let’s get to it now. Continue reading
Okay after two reviews of things that are not whisky, let’s get back to whisky. But this might be barely whisky. It’s a Murray McDavid red wine-bothered Bunnahabhain, and Murray McDavid wine-bothered anything is rarely a good idea (see, for example, this Bowmore from red wine casks and also this Bowmore from white wine casks). The only sign of hope is that this is one of those peated 1997 Bunnahabhains and that kind of heavy, organic peat (as opposed to Bowmore’s more delicate, floral variety) can theoretically stand up more successfully to the depredations of a red wine finish. Will that be the case here though? Let’s see.
This is another sample that I acquired a long time ago—from Jordan of Chemistry of the Cocktail—and am only getting around to opening now. Continue reading
And now a break from bourbon cask whisky and indeed from all whisky. This is a rum—though as I think about it, it’s quite likely it too was matured in a bourbon cask. The distillery in question is Caroni, a very big name in the rum renaissance of the last decade. Caroni has been referred to by whisky geeks as the “Port Ellen of rum”, not least because it too has closed (in 2002). Now you might think that calling something “the Port Ellen of x” would mean that it was being sold at a king’s ransom but that was not true of this cask when it was bottled by A.D. Rattray in 2012. I believe it went for about $50. I’m sure it would be a very different story these days.
Caroni was located in Trinidad. I know nothing about the usual profile of Trinidadian rums—I don’t even know if there is a usual profile in Trinidadian rum—and so I will not be able to tell you if this cask of Caroni is representative or not of Trinidad rum. And as it may well be the first Caroni I’ve had I can’t even tell you how representative it is of Caroni’s own rum. Now that you know just how uninformative this review will be, let’s get to it! Continue reading
Let’s keep the run of bourbon cask reviews going but add one that’s heavily peated. This Laphroaig was bottled for the Whisky Exchange’s annual Whisky Show in 2015 and I purchased it soon after when bottles that survived the show went on sale. It has an attractive “retro” label. I think they put out two of these labels in different years; I think I’ve seen a reference to an 18 yo as well. Well, whether as a mark of its retro identity or not, the label does not specify year of distillation. But given the 2015 bottling I’d hazard that there’s a very good chance it was distilled in 1998. Well, the fact is I’ve enjoyed almost all the Laphroaigs I’ve had from the late 1990s distillations a great deal; particularly those that have expressed an excellent fruity quality along with the signature smoke and phenols. Will this be another such cask (assuming it was indeed a single cask)? Well, there’s only one way to find out. Continue reading
Speaking of independent bottlers allowing us to experience malts that are outside the profile a distillery is officially associated with, and following Monday’s bourbon cask Aberlour, here is a Glendronach from a bourbon cask. It was bottled in the Whisky Galore series that Duncan Taylor put out through the mid-2000s. Usually (always?) bottled at 46% and without added colour or chill-filtration, this label put out a lot of high quality malt at highly reasonable prices. The name was changed later to NC2. As the whisky loch of the 1980s dried up the volume of quality whisky available at reasonable prices dropped dramatically across the board and the current incarnation of Duncan Taylor’s affordable line, Battlehill (often sold at Total Wine in the US) seems to offer fewer hidden treasures. Glendronach itself is, of course, highly identified with sherry cask whisky, especially the alleged “single casks” they began to put out in large numbers in the late 2000s and on. What does their whisky taste like when not from a sherry cask? Well, the results from this virgin oak cask were not encouraging, but virgin oak is a very different beast from ex-bourbon wood. Let’s see what this one is like. Continue reading
Independent bottlers perform many services to whisky aficionados. First and foremost they are usually the only or major sources of single malt releases from workhorse distilleries whose owners all or most of their stock for blends. And for distilleries that do have single malt ranges of their own they offer the opportunity to taste single cask releases and malts at ages other than those at which the official releases are bottled. Finally, they sometimes offer the opportunity to taste expressions of a distillery’s malt that are outside the distillery’s official profile. This is particularly true of distilleries that are associated with sherry cask whiskies. Be it Highland Park or in this case, Aberlour, the independents have long been either the only or the only regular sources of opportunities to see what these distillates are like when matured in ex-bourbon casks. I am a big fan in general of bourbon cask Aberlour (see, for example, this and this) and so when the opportunity arose to purchase this 26 yo at a reasonable price at auction in the UK, I took it. I know nothing about this particular bottler. In fact, the only reference to Cooper’s Gold on Whiskybase is to this cask. And it appears likely that this is a cask that was bottled for a private individual who then decided to sell some of the bottles on. If you know more about the provenance of this release, do write in below. Continue reading