I know very little about Irish whiskey and I’ve not had very good luck with most of the Irish whiskies I’ve tried (and reviewed). I don’t know much about the Cooley distillery but am hoping this 21 yo will continue my recent positive Irish experience with the Redbreast 15 and be better than the last product of the Cooley distillery that I’ve reviewed (this Teeling). Okay, what do I know about Cooley? I know they make Tyrconnell and Connemara and are the source of a terrible whiskey with a Minnesota connection: 2 Gingers. Connemara is their peated line and presumably this Cooley 21 is basically what would be super-aged Connemara if released officially. I say this because I’m not aware of the distillery itself releasing whiskey under a Cooley brand. This one was bottled by the estimable Cadenhead of Campbeltown, Scotland. It was bottled in 2013 from a single bourbon barrel and was very well-received. Let’s see what it’s like. Continue reading
This Cadenhead’s cask sample was purchased at the same time as Monday’s Caol Ila, in Cadenhead’s Edinburgh shop in June. It was not purchased by me though. I was there with my friend Mike and while we both grabbed a 200 ml bottle each of the Caol Ila, he took the last Ledaig, the bastard. Later in more gentlemanly fashion he saved me a good size sample from the bottle. I think Mike liked this better than the Caol Ila. Let’s see if that holds true for me as well.
Ledaig 19 (53.7%; Cadenhead’s Manager’s Cask Sample; single bourbon barrel; from a friend’s bottle)
Nose: Big rubbery smoke mixed with that very Ledaig smell of death (a rodent in wet undergrowth). Some fruit struggles to make its way past the big notes (citrus, maybe plum). With more time the overpowering notes burn off (or maybe my nostrils adjust) and the fruit is more apparent, along with sweeter notes (vanilla). Brighter, sharper, ashier with a drop of water and the fruit’s more pronounced now. Continue reading
I purchased this 200 ml bottle of Caol Ila 14 at the Edinburgh Cadenhead’s shop this June. It is one in their popular series of “cage” cask samples. Limited numbers of these 200 ml bottles show up in the Cadenhead’s shops every week and sell out immediately (from what I can make out). I’m not sure what the story behind these is. Are they true cask samples? Leftover bits from their single cask or small batch releases? A bit from column A and a bit from column B? If you know more, do write in below. All I know is that these are very enticing indeed and priced very fairly and entirely by age range, regardless of distillery of origin. I’ve gone so far on Twitter as to say that if I lived in Edinburgh I’d probably stop buying full bottles and just pick up a few of these 200 ml bottles each week. You can take that as confirmation that I quite liked the first one I picked up. Here are my notes. Continue reading
I have not had very many old Glenlivets. And unless you’re a member of the whisky illuminati chances are you’ve not either. The few I’ve had have been very good indeed. The best of the lot was probably a Glenlivet 38, 1974 bottled by Berry Bros. and Rudd for the Whisky Exchange in 2012, and which I emptied a few weeks before starting this blog (hmm I should check to see if I saved a sample from that bottle as was my usual practice in those days). This old Glenlivet was also bottled for the Whisky Exchange but by Signatory. It’s also, unlike the BB&R bottle, from a sherry cask. And as this is 2018 and not 2012, it costs more than three times as much. These are the times in which we live. Not so long ago a bottle like this would have been within reach of regular punters looking to make a splurge; now it’s only for the rich. But what is it like? Courtesy Billy Abbot, who passed on a sample to me when we met for drinks in June at the Scotch Malt Whisky Society’s London tasting rooms, I can give you my answer. Continue reading
This is the fourth Littlemill I’ve reviewed this year. The first was the old Littlemill 12, which was, as I said then, as unloved an OB whisky as you could hope to find. The other two were much older, part of the revival of Littlemill’s reputation that got underway in the early years of this decade as a number of casks bottled in the late 1980s came to market that had been matured to a far greater age than was probably intended for them at time of distillation. One of of those I really liked—the Archives 22 yo distilled in 1989. The other—a Berry Bros & Rudd 21 yo bottled distilled in 1992—was quite good but nothing so very special. This one from the Creative Whisky Company, under their Exclusive Malts label, is older than both of those and distilled the earliest. That might lead you to think that it’s got a good chance of being the best of the lot but things don’t always work out that way with whisky: the idiosyncrasies of individual casks are hard to predict and not all bottlers can be relied on for consistency. Anyway, let’s see what this is like. Continue reading
This Campbeltown cask at Cadenhead’s represents my greatest whisky regret from our recent trip to Scotland. This is not because it was a disappointment; quite the opposite. I purchased a 200 ml bottle at Cadenhead’s on my first day in Edinburgh (along with their Islay cask, a Glen Ord 13 and a Tullibardine 24). I opened it on the second or third night and loved it; considered getting a full bottle but didn’t want to lock myself out of potential distillery-only purchases on our upcoming sojourn in the Speyside and Highlands (given limited luggage space). If that didn’t pan out, I figured I’d get a bottle in between returning our car and heading to the airport on our way back.
This plan suffered a mighty blow first when Aberlour turned out to not have any distillery exclusives available on the day I visited, and then a fatal blow when I realized that our flight to London was an hour earlier than I’d thought it was. And so, no full bottle of the Cadenhead’s Cambeltown cask for me. But this wasn’t all to the bad: it left room for an unplanned purchase of the TWE Croftengea in London, of which more soon. Continue reading
This was one of five 200 ml bottles I purchased from my first visit to Cadenhead’s on my first afternoon in Edinburgh in early June. I’ve already reviewed the Glen Ord 13 and the Tullibardine 24 that were part of that haul—I’d not planned to get anything more (I’d also picked up a Worthy Park rum) but couldn’t resist their store casks. They had five casks on the go in the store: one Islay, one Highlands, one Lowlands, one Campbeltown and one rum cask. I purchased 200 ml of the Islay (obviously) and also of the Campbeltown cask (review coming soon). The prices are fixed for all the casks: £14 for 200 ml, £24.50 for 350 ml and £48 for 700 ml. My understanding is that these are all “living” cask vattings, topped up once they get low. This means that the composition can change from week to week—I have no idea how often they top these casks up. I think I was told that the Islay cask as constituted at the time I made my purchase had a fair bit of young Lagavulin in it—but I could be making that up. It is possible to get a taste before you make a decision but I was comfortable trusting that they’d probably be good. I’m happy to say that this trust was well rewarded. I took these notes in Edinburgh itself—my friend Mike and I polished this off at a pretty rapid rate after purchase. Continue reading
I am back in Minnesota. Our two weeks in Scotland were great, as were the 10 days that followed in London. I’ll have a number of reports on distilleries (and food) soon. But first, let me wind up my month of reviews of malts from Speyside and Highland distilleries. I’m sorry to say that few of the Speyside whiskies I reviewed in this series this month turned out to be appropriate for my commemorative purpose. Other than a Dailuaine and a Longmorn, it’s been a steady stream of mediocrity. Accordingly, I am going to end the series with a heavy hitter, the oldest single malt I’ve yet reviewed: a 46 yo Longmorn distilled in 1964 and bottled in 2011 as part of Gordon & MacPhail’s now legendary quintet of very old sherry cask Longmorns for van Wees in the Netherlands. The 1969 in this series is the best whisky I’ve ever had and the 1972 and 1968 were no slouches either. Only the 1966 showed some signs of extreme age. Will this one—two years older still—be even more over-oaked? Let’s see. Continue reading
We’re leaving the UK today to return to Minnesota and my month of reviews of Speyside and Highland whiskies is also almost at an end. Here now is something you don’t see very often: a bourbon cask Mortlach. As you may know, Mortlach is generally associated with heavily sherried whisky. Its whisky also has a pronounced meaty quality, which results from their use of worm tubs for condensation during the distillation process—less copper contact means more sulphur in the spirit. I’ll be interested to see what that manifests as in a bourbon cask. Let’s see how it goes.
Mortlach 17, 1995 (49.1%: Dewar Rattray; bourbon hogsheasd 2437; from a purchased sample) Continue reading
Back to the Speyside, and back to another distillery that does not have a visitor’s centre and one of the few, seemingly, that I did not at some point drive by: Dailuaine. It is owned by Diageo and, other than in the Flora & Fauna series, it sees no regular release. This is a shame—I’ve quite liked the few I’ve tasted and reviewed (two older ones—here and here—and this 12 yo). A decent number show up from the independents every year, though we don’t see very many in the US. This one was bottled by Gordon & Company—no relation to Gordon & MacPhail—a bottler I know nothing about. I bought these samples a long time ago; the whisky itself is long gone—and so these notes will have no utility to anyone. But being of no use to anyone is my core competency anyway.
By the way, this came from a cask that yielded 312 bottles. That’s a strange number for a whisky at cask strength from a single cask—a few too many bottles, seemingly, for a bourbon hogshead, and quite a few too few for a sherry butt (and as you’ll see, this does not seem like a sherry cask to me). Continue reading
Another distillery whose name starts with “Glen” and another that is quite unsung. Glentauchers is located in the Speyside and is part of Pernod Ricard’s portfolio. I can’t remember if we passed it while in the Speyside a couple of weeks ago—it did feel like we’d driven past every single Speyside distillery—but I don’t believe they have a visitors centre anyway. It’s another distillery that I have very little experience of: I’ve only ever reviewed one other. In that review I noted that I didn’t even know how the name of the distillery was pronounced. Almost five years later, I can proudly tell you that I have a better idea of that. Unless I’m completely confused—happens a few times a hour—it’s pronounced “Glen-tockers”. And if you do a deep dive on Google maps, you’ll see that there is a burn/small river named Tauchers in the Keith/Mulben area—as this is the area in which we coincidentally stayed, it’s likely I suppose that we did pass the distillery. Fascinating, I know. Continue reading
I noted in Monday’s review that Tullibardine is in the general vicinity of Glenturret; here now is a review of a Glenturret. This is my first Glenturret review and it may well be the first Glenturret I’ve ever tried, I purchased it in 2014 when 33 year old whiskies from unsung distilleries could still be had for very reasonable prices, and pretty much for that reason. I knew/know nothing about Glenturret’s general profile, but a long time in a refill hogshead is usually good news for whisky from any distillery. It was bottled by the Whisky Agency and sports one of the whimsical labels they were doing at the time. Well, I guess they might still be doing whimsical labels—I just can’t afford to buy Whisky Agency releases anymore. I opened this for my local group’s premium tasting earlier this year and it was very popular. I’ve been enjoying drinking the bottle down ever since and look forward to finishing it when I’m back in Minnesota next week*. Continue reading
Our trip to Scotland is now over (we’re still in the UK for another 10 days though). As we spent most of our time in the Speyside and in the highlands and Orkney, my reviews this month have all been of whiskies from distilleries in those regions. This is true as well of this review, of an older Tullibardine. The distillery is located in Perthshire—just a little north-east of Sterling, in the relative vicinity of Deanston and Glenturret. I did not visit it. I did, however, purchase this whisky from Cadenhead’s in Edinburgh on this trip (as I did Friday’s Glen Ord); and so this is also my third review in a row of a whisky purchased and consumed on this trip (the Skara Brae Orkney malt was the first).
Tullibardine is a relatively young distillery. They’ve been in business since 1949. Amusingly, if you look at their website they try to fudge this with talk of a story that begins in 1488 and sees a royal charter granted for a brewery on the grounds in 1503; “our story” then jumps to 1947 when the founder apparently began converting “this original brewery” into a distillery. The age of this malt—bottled by Cadenhead’s—is more clear-cut: it is 24 years old, which is these days a pretty old age for a malt, and one for which no dubious narratives are needed. I finished this with a friend over a couple of days after purchasing it on our first day in Edinburgh. Here now are my notes. Continue reading
We are leaving Orkney today and as we’ll be spending the night in the Highlands before heading down to Edinburgh tomorrow, I figured I’d post a review of another Highland malt. This is from a distillery not too far from where we’ll be putting up: Glen Ord. I’d had no plan to visit Glen Ord on this trip but when Aberlour disappointed me with the complete lack of a “distillery only” cask, I started grasping at straws for distilleries along the way to Dornoch that might have one. Accordingly, I called the Glen Ord visitor centre and asked if they had an exclusive. The person answering the phone helpfully informed me that all their whiskies are exclusive as they’re sold only in Southeast Asia and at the distillery; yes, I said, but do you have a cask that’s only available to visitors at the distillery. She repeated her information about the exclusivity of all Glen Ord bottles. Thinking that perhaps we had a case of battling Scottish and Indian/American accents on our ears, I handed the phone to a Canadian who has lived in Edinburgh for a year. She was met with the same response. All this to say that I did not go to Glen Ord after all. But this review is still trip-specific: it’s of a Glen Ord 13 that I purchased 200 ml of at Cadenhead’s in Edinburgh last week. It didn’t take long to disappear and I took notes as it did. Continue reading