Alright, after a week of peated Islay whiskies followed by a week of rums, let’s do a week of older whiskies; specifically a week of 25 yo and over whiskies. First up is a Ben Nevis distilled in 1991 and bottled in September 2016 by Signatory from a sherry butt. As regular readers of the blog know, I am a big fan of the idiosyncratic malts made by Ben Nevis. Always fruity, Ben Nevis usually gets even more so with age. The last Ben Nevis I reviewed was a 23 yo from a refill sherry butt and I loved it. I also really liked this 22 yo from 1997—also from a sherry butt—and this 21 yo from 1996 from a refill sherry butt. And for that matter I’ve previously reviewed three other sherry cask Signatory 1991 Ben Nevises—a 26 yo, a 24 yo and a 22 yo—and liked them all very much (though I do note that I liked the 26 yo the least). I guess what I’m saying is that sherry cask maturation rarely seems to get in the way of the pleasures of Ben Nevis’ distillate. Anyway, let’s see what this one is like. Continue reading
I started this week of reviews of Islay whiskies at Bowmore on Monday for a 17/18 yo bottled by the Whisky Exchange in 2013. Wednesday saw a stop at Caol Ila for a 13 yo bottled by the SMWS in 2019 or 2020. Here to close the week now is a 28 yo bottled by Signatory and released this year. Alas, I cannot tell you which distillery it is from as it’s not listed. Signatory released a few of these this year and on Whiskybase at least they’ve all received rave reviews. There seems to be disagreement about what distillery these are likely from—and, of course, they may not all be from the same distillery. They’re none of them single casks, by the way. Instead they’re all vattings of bourbon barrels. Refreshingly, the label notes this and also notes the number of the final vatting cask. If only more producers would do this instead of pretending that vatted casks are single casks. Anyway, this particular release—from vatting cask 6768—is said to be a Lagavulin. The sceptical response to this speculation is that everyone selling an unnamed Islay probably wants buyers to think it’s a Lagavulin. Well, whatever it is, let’s see what it’s like. Continue reading
Clynelish week began on Monday with a 23 yo second-fill oloroso butt bottled by the American outfit, Single Cask Nation. That was just excellent. Here now is a 21 yo refill sherry butt bottled by Signatory. Given my stated cask preferences for Clynelish—ex-bourbon and refill sherry over heavier sherry influence—you might expect I’d be likely to like this one even more. But individual casks easily buck trends/preferences. I liked that 23 yo quite a bit more than another Signatory-bottled Clynelish 21, 1995 that I reviewed a few years ago. Where will this one fall? Let’s see.
Clynelish 21, 1995 (51.2%; Signatory; refill sherry butt 8688; from a bottle split)
Nose: Very similar to the 23 yo with leafy notes mixed in with citrus (lemon, makrut lime) and salt. Ginger shows up on the second sniff along with malt and this too has a big Ben Nevis crossover going on. Gunpowder on the third sniff and then some sweet fruit begins to poke out as it sits (peach). Water brightens it up and pushes back the leafy notes; it does also emphasize the (savoury) gunpowder. Continue reading
Sherry Cask Week comes to an end with this 21 yo Mortlach distilled in 1990 and bottled by Signatory for Binny’s in Chicago in 2012. Yes, I’ve sat on this bottle for almost 10 years, and no, I cannot begin to tell you why. Back in the day, Binny’s had one of the best cask exclusive programs in the US, if not the very best. Brett Pontoni and his team selected casks of a good quality and sold them for good prices without too much hoopla. Those days are long gone as no one seemingly is able to find good casks at good prices anymore and some don’t even seem able to reliably find acceptable casks at good prices. Hopefully the wheel will turn sometime soon. It’s sad to think of how much harder it is now for someone just entering the hobby to truly experience the full range of single malt whisky than it was a decade ago. Will the industry at some point price itself into a dead-end and have to retrench? Or will marketing win out? When you look at what is happening on social media with not just single malt whisky but also bourbon (and increasingly brandy), it seems hard to be hopeful that sanity will return anytime soon. The producers and marketers have whipped customers into a frenzy and all too many people seem excited to pay high prices for marginal bottles. Anyway, let’s go back to 2012 when this 21 yo sherry cask Mortlach cost $99. Continue reading
I began this week of reviews of Speyside whiskies on Monday with a Glenburgie distilled in 1997 and bottled in 2012. On Wednesday I jumped back in time to review a Mannochmore distilled in 1978 and bottled in 1998. Let’s close the week with a Glen Grant distilled just a few years before the Glenburgie and only bottled in 2019.
This was bottled by Signatory for the Nectar in Belgium and, like the other two whiskies this week, it’s from a bourbon cask, in this case a bourbon barrel (Signatory have always been more forthcoming with cask information than Scott’s Selection, the bottlers of Wednesday’s Mannochmore, ever were). I’ve liked a lot of the bourbon cask Glen Grants I’ve had, including the official Glen Grant 18, which I reviewed earlier this year. Well, I don’t know if that’s listed specifically as being from bourbon casks but that seemed very obviously to be the case. And I did very much like the last one I reviewed that was unambiguously from a bourbon barrel—this 22 yo, 1992 from Single Malts of Scotland. So the odds are good. But the proof is in the glass. Let’s get to it. Continue reading
On Monday I had a review of a Benrinnes 22, 1995. Here now is a review of another Benrinnes 22, 1995. Though Monday’s was bottled by the Paris store, La Maison du Whisky and today’s was bottled by Signatory, there is a pretty good chance that the source is the same. I don’t mean the distillery but Signatory themselves—as I noted on Monday, I’ve read before that they are the sources of LMDW’s casks (and also of some other EU stores and bottlers). At any rate this cask is just a few numbers away from Monday’s: that was hogshead 9063 and this is hogshead 9065. You may recall that I really liked Monday’s whisky. If this one is as good I will be very happy no matter what the nature of their sourcing may have been in reality. I believe this cask was bottled for the Nectar, a Belgian importer and wholesaler whose Daily Drams series is well-regarded (and from which I’ve previously reviewed a few releases). All signs point to a good outcome. Let’s see if that proves to be the case. Continue reading
Let us bring Ben Nevis week to a close. To recap, three sherry casks filled in 1991 and bottled by Signatory at the ages of 22, 24, and 26. I thought the 22 yo was a gem and then liked the 24 even more. Do I dare hope that the 26 will be better still? Of course, we know that age is no reliable predictor of quality—a few extra years can take a cask past its prime just as easily as they can add further depth. I am hoping for good things though as the colour of this sample suggests that this too was not an over-active sherry cask. Hopefully, that funky, fruity Ben Nevis character will be front and center here as well. Let’s see if that’s the case.
Ben Nevis 26, 1991 (57.3%; Signatory; sherry butt 2377; from a sample from a friend)
Nose: That familiar mix once again of musky citrus, powdered ginger, malt and yeast. On the second sniff the powdered ginger moves in the slightly rubbery direction of old-school medicine bottles. With time and air the sweeter fruit from the palate (peach nectar) joins the musky citrus. A few drops of water and there’s more malt and some very milky cocoa to go with all the rest. Continue reading
Here is the second of three Ben Nevis 1991s this week. Like Monday’s 22 yo, this 24 yo was bottled by Signatory from a sherry butt. I loved the 22 yo—will this one be as good? Let’s see.
Ben Nevis 24, 1991 (55.7%; Signatory; sherry butt 3834; from a sample from a friend)
Nose: A very obvious relative of the 22 yo but here the roasted malt and nutty notes are on top of the citrus (which is brighter/more acidic: lime). On the second sniff the citrus is muskier (makrut lime peel) and here’s the powdered ginger too now. Continues in this vein. A few drops of water and there’s a big hit of citronella and then the fruit begins to get first sweeter and then savoury: peach nectar laced with lime juice and a bit of salt. Continue reading
Here starts a week of reviews of sherry matured whiskies from Ben Nevis. All three of this week’s whiskies were distilled in 1991 and were bottled by Signatory. Signatory, by the way, have bottled 31 of the 42 releases of 1991 Ben Nevis listed on Whiskybase. They’ve all but cornered the market on that vintage. My reviews start with this 22 yo; on Wednesday I’ll have a review of a 24 yo; and Friday I’ll have a review of a 26 yo. Assuming the casks were of similar character/quality this may shed some minor light on the effects of a few more years of aging past the 20 year mark. All these samples, by the way, came to me from the excellent Michael K. of Diving for Pearls. Last week he reviewed all three and added on two others for good measure—a 23 yo and a 25 yo. So if you’re interested in that question of the incremental effects of aging you can find more specific data on his blog. I have avoided looking at his reviews so as to not be overly influenced by his silken tones. Continue reading
Let’s make it a full week of reviews of whiskies from closed distilleries. On Tuesday I had a review of a Brora. Here now is a whisky from Diageo’s other once a workhorse, now a cash cow distillery: Port Ellen. Like Brora, Port Ellen was slated for zombification last year. I’m not sure where any of that stands either. This one was distilled in 1982—the year before the distillery was closed—and bottled in 2006, when Port Ellens were available at prices that seemed high then but look like crazy screaming deals now.
Port Ellen 24, 1982 (43%; Signatory; hogshead 1145; from a sample received in a swap)
Nose: Lemon, cereals, bright carbolic peat (Dettol), cottonwool. Sweeter on the second sniff with some seashells and vanilla. The citrus gets muskier as it sits (more lime peel than lemon now) and there are hints (just hints) of faintly tropical notes interlaced with the increasingly acidic smoke. The vanilla gets creamier with a few drops of water. Continue reading
Here’s another review of a whisky from a closed distillery, this time Scottish, not Japanese. Or at least this distillery was closed when this whisky was released, and indeed until a couple of years ago. Brora, as you will recall, was revived by Diageo—along with Port Ellen—a few years ago. When I visited Clynelish briefly in 2018 work was already in progress on the zombie Brora plant; I’m not sure where things stand now—do write in below if you know. God knows what the spirit from zombie Brora will be like but I’m sure Diageo needs its cash cows to produce more milk—they must be close to running out of casks they can charge $3000 per bottle for. Of course, it’s going to take a long time for the new spirit to get to the age of the whisky I’m reviewing today, leave alone the age of the bottles that command the high prices. This is a very young 19 yo by Brora standards—most of its whisky was bottled at higher ages well after the distillery close. Then again, Diagep knows as well as I do that there are a lot of people with a lot of money to burn who just want to have bottles with Brora labels in their cabinets. I am not among them but I can tell you what this one is like. Continue reading
As I said in my post looking ahead to this month’s reviews, I recently participated in a split of a large number of bottles from K&L’s recent run of exclusive casks. In so doing I broke a promise to myself that I would not fall anymore for the promise of these exclusive casks, very few of which have in the past delivered for me. But I have poor impulse control. Hence this Clynelish which is being sold for $250 before tax, accompanied by K&L’s usual mix of over-the-top lyricism and incoherence. I don’t really spend this kind of money on any whisky anymore but I couldn’t resist 2 ounces to see if it could possibly live up to the breathless descriptions of it as a “legendary cask” of “superlative quality”, “deep and profound like the ocean itself” posing questions to the unprepared drinker such as “if you were a hotdog would you eat yourself?” and so on. Of course, what they don’t say is that there have been a large number of these sherried Clynelishes hitting the market in the last couple of years, getting more expensive each year—I reviewed a 21 yo, 1995 almost exactly two years ago, a Signatory exclusive for the Whisky Exchange that went for £120. Will this cask, two years older, really be so different from the sherried mean? Let’s see. Continue reading
After a week of reviews that featured whiskies distilled in the 1960s, 1970s and 1980s (a Strathisla, a Ledaig, and two Karuizawas), let’s do a week of whiskies distilled in the 1990s. First up, is a Laphroaig 19 bottled by Signatory in 2009 or 2010. This is cask 89. Signatory had bottled cask 90 for Binny’s in Chicago—and that was a whisky I absolutely loved. And so when I had the chance to get a sample of the sibling cask in a swap, I went for it (this was not bottled for Binny’s but for the EU market). But I obviously didn’t get around to actually drinking it: I’ve held on to this sample for the better part of a decade now. But I’m on a mission these days to work through my extensive library of forgotten whisky samples; and so here I am finally with notes on this Laphroaig. And this reminds me that I have a second bottle of cask 90 sitting on my shelves too. Maybe I’ll open that one in December and see if I still like it as much as I did the first bottle almost 10 years ago. Continue reading
I’ve reviewed very little Benrinnes on the blog and have not had very many more than I have reviewed. All the ones I have reviewed have been in their 20s, the oldest being this 23 yo distilled in 1988. Today’s is a year older than that but was distilled much earlier, in 1972. The early 1970s mark for many whisky geeks a boundary of sorts between eras. Whiskies made at a number of distilleries through 1972 or so have a greater reputation than anything they’ve made since (and in some cases, before). Such, for example, are Longmorn and Caperdonich. I somewhat doubt that there are any golden age narratives for Benrinnes, a distillery with not much of a reputation of any kind but I am interested to see what continuity, if any, there may be between Benrinnes of this era and more recent examples of its malt. Both the Whisky Exchange and Signatory 20 year olds I’ve reviewed had a bracing mix of lime peel and mineral notes with palpable peat. Let’s see if this one is in the same family (despite being from a sherry butt). Continue reading
After Monday’s Game of Thrones Lagavulin 9 and yesterday’s not-very-sherried G&M Caol Ila 11, let’s make it three Diageo whiskies in a row. We go from the shores of Islay to the Highlands; from two iconic distilleries to one that is rather anonymous. Well, you might have said that about Glendullan as well, before Diageo made it part of the Singleton family and then assigned it to one of the Game of Thrones Houses (even if it’s only lame House Tully). No such recognition for Teaninich, who continue to produce large amounts of whisky for the group’s blends. As I say whenever I review a Teaninich, I have not had very much from this distillery. This is not the oldest Teaninich I’ve had (see this 39 yo bottled by Malts of Scotland); it is, however, the best Teaninich I’ve yet had. It was distilled a decade after that Malts of Scotland cask, in 1983, a year of major closures in the industry, and bottled three decades later by Signatory. My friend Pat brought this bottle to a tasting at our friend’s Rich’s place in St. Paul last November and it was a wonderful surprise. I can’t say how unlike other Teaninich of similar age and vintage it is but, thanks to Pat giving me a sample to take with me, I can tell you what it is like. Continue reading
This is only the third Glentauchers I have reviewed in the almost six years that I’ve been writing this blog. During that time I have not acquired any greater knowledge of the distillery than I had at the time of the first review, where I said I knew nothing about the distillery. Like many distilleries it is owned by Pernod Ricard and like most of their distilleries its primary, secondary and tertiary purpose is to produce whisky of a certain mild style to use in the group’s blends—see also Miltonduff, Braeval and Alt-a-Bhainne. But lots of very good whisky comes out of single casks from anonymous distilleries—let’s see if this is another such cask.
Glentauchers 20, 1997 (50.4%; Signatory; bourbon barrels 4168+4170; from a bottle split)
Nose: Fresh and fruity (apple, pear, a touch of lemon) and malty. The fruit gets a little more intense as it sits and a bit of pepper emerges too along with a mild grassiness. A few drops of water make the fruit a little muskier and brings out some sweeter floral notes as well. Continue reading
On Wednesday I had a review of an 11 yo Orkney/Highland Park bottled at a ludicrous strength of 63.7%. Here now is a review of an 11 yo Deanston bottled at an even more ludicrous strength of 64.7%. I have to admit I have never understood the appeal of whisky bottled at such strengths—they are almost always too hot, in my experience, and there is not one that I have not found improved radically by bringing it down closer to 55% or less. This is also true of bourbon, a category in which you see these strengths more often, and whose aficionados tend to be more committed to drinking at full strength. To each their own, I suppose, but my recent experiences of young, high strength Scotch whisky is beginning to make me wonder if bottlers are not making a bet that a very high strength may be a selling point in and of itself; a sort of whisky machismo mixed in with notions of cask strength “purity”. Anyway, let’s see what this is like. Continue reading
Back again to the combo of big sherry and big peat. This Ballechin was/is an exclusive for the Whisky Barrel. It was bottled by Signatory and as Signatory owns Edradour—whose peated malt Ballechin is—it seemed a pretty good bet that this would be a good cask. Also relevant: I quite liked the old limited edition Ballechin 4 which was from oloroso casks (or finished in oloroso casks, I can’t remember). I got this sample as part of a bottle split and indeed liked it so much (spoiler alert) that I purchased a couple of bottles. I was surprised to see later that Serge didn’t rate it very highly. This may explain why this is still available from the Whisky Barrel. I think it’s one that requires some time and then water to reveal all its charms. Anyway, I do recommend it highly, especially if you like that combo of big sherry and big peat.