Here is the Glen Scotia 14 that I mentioned when I reviewed the Glen Scotia 12 last October. I’m finally drinking my sample hoard down and have begun to make deep inroads into the back catalog. And I mean “back catalog” quite literally: many of the samples I’ve been reviewing of late are from sample swaps from a long time ago: I placed them on my sample shelves and they got obscured by others that came in after them. This one, in fact, might be from a swap from 2011 or so. I received two 1 oz samples of this. My spreadsheet tells me I drank one in 2012 and gave it 85 points. And then I forgot about the other ounce. Which is good since I get to formally review it now. Don’t worry, it’s been in a tightly-sealed, parafilm-wrapped bottle in a cold basement the whole time and the fill-level hasn’t dropped at all. The whisky inside is even older still. As the label notes, the bottling year was 2004. A long way away from the current official Glen Scotia releases—I’m not even sure what their range looks like now—and so unlikely to be any kind of guide. But it’s always fun to drink whiskies released at a time when distilleries were sitting on deep stocks. Let’s see what this one was like. Continue reading
Okay after two reviews of things that are not whisky, let’s get back to whisky. But this might be barely whisky. It’s a Murray McDavid red wine-bothered Bunnahabhain, and Murray McDavid wine-bothered anything is rarely a good idea (see, for example, this Bowmore from red wine casks and also this Bowmore from white wine casks). The only sign of hope is that this is one of those peated 1997 Bunnahabhains and that kind of heavy, organic peat (as opposed to Bowmore’s more delicate, floral variety) can theoretically stand up more successfully to the depredations of a red wine finish. Will that be the case here though? Let’s see.
This is another sample that I acquired a long time ago—from Jordan of Chemistry of the Cocktail—and am only getting around to opening now. Continue reading
And now a break from bourbon cask whisky and indeed from all whisky. This is a rum—though as I think about it, it’s quite likely it too was matured in a bourbon cask. The distillery in question is Caroni, a very big name in the rum renaissance of the last decade. Caroni has been referred to by whisky geeks as the “Port Ellen of rum”, not least because it too has closed (in 2002). Now you might think that calling something “the Port Ellen of x” would mean that it was being sold at a king’s ransom but that was not true of this cask when it was bottled by A.D. Rattray in 2012. I believe it went for about $50. I’m sure it would be a very different story these days.
Caroni was located in Trinidad. I know nothing about the usual profile of Trinidadian rums—I don’t even know if there is a usual profile in Trinidadian rum—and so I will not be able to tell you if this cask of Caroni is representative or not of Trinidad rum. And as it may well be the first Caroni I’ve had I can’t even tell you how representative it is of Caroni’s own rum. Now that you know just how uninformative this review will be, let’s get to it! Continue reading
Let’s keep the run of bourbon cask reviews going but add one that’s heavily peated. This Laphroaig was bottled for the Whisky Exchange’s annual Whisky Show in 2015 and I purchased it soon after when bottles that survived the show went on sale. It has an attractive “retro” label. I think they put out two of these labels in different years; I think I’ve seen a reference to an 18 yo as well. Well, whether as a mark of its retro identity or not, the label does not specify year of distillation. But given the 2015 bottling I’d hazard that there’s a very good chance it was distilled in 1998. Well, the fact is I’ve enjoyed almost all the Laphroaigs I’ve had from the late 1990s distillations a great deal; particularly those that have expressed an excellent fruity quality along with the signature smoke and phenols. Will this be another such cask (assuming it was indeed a single cask)? Well, there’s only one way to find out. Continue reading
Speaking of independent bottlers allowing us to experience malts that are outside the profile a distillery is officially associated with, and following Monday’s bourbon cask Aberlour, here is a Glendronach from a bourbon cask. It was bottled in the Whisky Galore series that Duncan Taylor put out through the mid-2000s. Usually (always?) bottled at 46% and without added colour or chill-filtration, this label put out a lot of high quality malt at highly reasonable prices. The name was changed later to NC2. As the whisky loch of the 1980s dried up the volume of quality whisky available at reasonable prices dropped dramatically across the board and the current incarnation of Duncan Taylor’s affordable line, Battlehill (often sold at Total Wine in the US) seems to offer fewer hidden treasures. Glendronach itself is, of course, highly identified with sherry cask whisky, especially the alleged “single casks” they began to put out in large numbers in the late 2000s and on. What does their whisky taste like when not from a sherry cask? Well, the results from this virgin oak cask were not encouraging, but virgin oak is a very different beast from ex-bourbon wood. Let’s see what this one is like. Continue reading
Independent bottlers perform many services to whisky aficionados. First and foremost they are usually the only or major sources of single malt releases from workhorse distilleries whose owners all or most of their stock for blends. And for distilleries that do have single malt ranges of their own they offer the opportunity to taste single cask releases and malts at ages other than those at which the official releases are bottled. Finally, they sometimes offer the opportunity to taste expressions of a distillery’s malt that are outside the distillery’s official profile. This is particularly true of distilleries that are associated with sherry cask whiskies. Be it Highland Park or in this case, Aberlour, the independents have long been either the only or the only regular sources of opportunities to see what these distillates are like when matured in ex-bourbon casks. I am a big fan in general of bourbon cask Aberlour (see, for example, this and this) and so when the opportunity arose to purchase this 26 yo at a reasonable price at auction in the UK, I took it. I know nothing about this particular bottler. In fact, the only reference to Cooper’s Gold on Whiskybase is to this cask. And it appears likely that this is a cask that was bottled for a private individual who then decided to sell some of the bottles on. If you know more about the provenance of this release, do write in below. Continue reading
Let’s keep the bourbon cask train rolling but with a bit of peat added to the mix. I acquired a sample of this Caol Ila 8 as part of a split of a few bottles of young Caol Ila last year. I’ve already reviewed a 7yo bottled for K&L. That one was a sherry finish and I thought it was just about decent. This one was bottled in 2019 for Douglas Laing’s Old Particular label. As it happens, there was another Caol Ila 8, 2010 bottled by Old Particular for K&L the previous year (I’ve not had that one). This one appears to have been part of a series called “The Elements”, representing “Earth”. Not sure what the other distilleries/releases in this series were–Air? Water? Fire? Or am I thinking of The Last Airbender? Will this actually have any earthy qualities? I tend to associate Caol Ila more with the ocean. Let’s see how it turns out. My opinion of the K&L 7 yo and this elemental business notwithstanding, Caol Ila is usually a very reliable malt. Continue reading
It has been almost three years since my last Glen Spey review and in fact this is only my fourth-ever Glen Spey review. Of three I’ve previously reviewed the only one I liked a lot was the 21 yo that was part of Diageo’s special release slate back when some of the whiskies in their special release slate were priced reasonably—in other words, ten years ago. The other two were solid but unremarkable. I’m hoping this one will even the balance. Let’s see if that proves to be the case.
Glen Spey 12, 1999 (59.8%; Blackadder; from a sample from a friend)
Nose: A big fruity wave off the top (apples mostly, some pear too) along with some mild, toasted oak. Very nice indeed. Maltier as it sits and some citrus emerges to join the orchard fruit. With more time it’s fruitier still—more citrus now and some muskier notes peeping through too (pineapple). A few drops of water seem to mute things a bit—let’s see if it wakes up again with some more air. Continue reading
One last peated-sherried malt to close out the month. This one is unlike the others I’ve reviewed this month. For one thing it’s not from a distillery known for its peated malt, at least not at the time at which this was distilled, back in 1999. While Bunnahabhain now puts out official releases of peated malt, independent bottlers used to be the only sources of peated Bunnahabhain from this era. I’ve had a few 1997s that were peated (see here, here and here) but this will be my first 1999, I think. This is also not a heavily sherried malt—it’s from a refill sherry cask and the colour of the whisky suggests it was a long way from being a first-fill cask. The bottler too has no real reputation. In fact, I’m still not sure who was behind Prime Malt which put out a number of releases in the US in the 2000s. I was under the impression that Duncan Taylor were the source but Whiskybase lists the bottler as Gordon Bonding and I have no idea who they are/were. If you know more about them please write in below. In the meantime let’s get to this whisky. Continue reading
Yesterday I had a review of an excellent teenaged Ledaig from a sherry cask. That was a 13 yo bottled by the Whisky Exchange. Today I have a review of another Ledaig from a sherry cask. This one is a couple of years younger and was an exclusive from another store, the Whisky Barrel. I reviewed three of the Whisky Barrel’s other recent exclusives in March. Like two of those—a 10 yo Balblair and a 10 yo Bunnahabhain—this too is from a first-fill oloroso hogshead. I’m not sure how they got their hands on all these first-fill oloroso hogsheads from different distilleries at the same time. It wouldn’t surprise me if these are all cases of re-racked “single casks” (a la Glendronach) but that’s just speculation. Anyway, howsoever it is that these were matured, I was not a huge fan of the Balblair but liked the Bunnahabhain a lot more. Here’s hoping that this Ledaig will be at least as good as that Bunnahabhain even if it doesn’t quite reach the heights of yesterday’s Whisky Exchange release. Let’s see. Continue reading
Here is another Whisky Exchange exclusive. Unlike with last week’s Glenburgie 21, there is no confusion about who the bottler of this release is. This was an official release but bottled exclusively for the Whisky Exchange as part of the commemoration of their 20th anniversary—for which a remarkably large number of bottles were released, most now sold out. Inchmurrin, as you may know, is one of the various brands produced at the Loch Lomond distillery—a distillery that seems to be in the process of a somewhat unlikely turnaround of their profile. This turnaround—if I am in fact accurate in describing it as such—has a lot to do with the raised profile in recent years of Croftengea, their heavily peated brand. The fruity quality of Croftengea—seen in spades in this earlier Whisky Exchange exclusive that I loved, also a 9 yo—is said to be even more of a hallmark of Inchmurrin. I say “said to be” because I’m not sure that I’ve actually had any Inchmurrin before. Well, if this one lives up to expectations I will make it a point to hunt some of those regular official releases out—they’re available in Minnesota. Let’s see how it goes. (One small mystery though: the label says this was one of 121 bottles. That’s a very small number—where did the rest of this cask go?) Continue reading
I was not very enamored of the Glenburgie 21, 1998 I reviewed on Wednesday. Here now is another Glenburgie 21, 1998. Wednesday’s was bottled by Douglas Laing for K&L in California. This one was also bottled for a store, in this case the Whisky Exchange in London. I’m more than a little unclear on who the bottler technically is, however. The Whisky Exchange has had a number of labels over the years and recently spun off Elixir Distillers as a separate indie bottling concern. In fact, there is another Glenburgie 21, 1998 bottled by Elixir Distillers under the old Single Malts of Scotland label. This Glenburgie 21 and a number of other recent exclusive releases, however, were put out under a Whisky Exchange label. I am a simple man and I find all this very confusing. I guess I could have asked the source of my sample, the estimable Billy Abbott, to clear it all up but I am also an old man and things don’t occur to me at the right time. Billy, if you read this, please explain in the comments. Anyway, let’s get to it. Continue reading
On Friday I had a review of a 9 yo Dailuaine from a sherry butt, bottled by the SMWS. Today I have another sherried Dailuaine. A bit older at 12 years of age, this one was bottled by Douglas Laing in their Old Particular series for K&L. This is one of the very last reviews I have left outstanding from my bottle splits of K&L’s 2019 exclusives. I’m hoping it will turn out to be one of the better ones. I’ve liked some of the others but the most recent one I reviewed—the Bunnahabhain 30—left me a little cold. Hopefully this and the Glenburgie 21—which is the only other one I haven’t gotten to yet—will take this series to a solid conclusion.
Dailuaine 12, 2007 (57.6%; Old Particular for K&L; sherry butt; from a bottle split)
Nose: Quite similar to the SMWS 9 yo off the top; a siimilar mix of orange peel, raisins, metallic notes—a bit more malt here. As with the SMWS, theres salt here too as it sits; the malt expands too. Not much change at first with a few drops of water: salt is still the top note. As it sits again it gets a little richer with toffee and just a hint of tobacco. Continue reading
I’ve only reviewed five Dailuaines in seven years. Let’s up the count a bit this month. Here is the first of two young Dailuaines. This was bottled by the Scotch Malt Whisky Society and given the whimsical name of “Wankers Running Out of Ideas”. Actually, I’m told they named it “Sherry, Sherry Baby!”. Same thing. It’s from a first-fill oloroso butt, which may be bad news. Let’s see.
Dailuaine 9, 2006 (58.7%; SMWS 41.83; first-fill oloroso butt; from a bottle split)
Nose: Orange peel, raisins, dried leaves, copper. On the second sniff there’s a bit of cocoa and a hint of wood smoke; some salt too. A few drops of water and it turns quite salty and dry—almost fino-like.
Palate: Pretty much as promised by the nose plus a big whack of roasted malt. Very approachable at full strength. Salt here too on the second sip, plus some oak (no tannic grip though) and some red fruit. Not much change with time; let’s see what water does. As on the nose, it’s much drier and more acidic with a few drops of water, and the oak is pushed back. Continue reading