As you may know, Bowmore’s 1980s distillate has a very bad reputation, with a lot of the whisky produced from it demonstrating overly perfumed and soapy qualities. I’m one of those who thinks—based on my limited, random sampling—that the problem was mostly worked out by 1989 or so. However, it must be admitted that the soapy/glycerine thing pops up from time to time in the following decades as well. This 10 yo is an example of that. It wasn’t so pronounced when I first opened the bottle last year—it did very well at one of my local group’s blind tastings—but as it stayed open it magnified a little too much on the palate. I don’t mean to set off another round of Bowmore hysteria but I’m curious as to whether anyone else has encountered this elsewhere in early 2000s distillate. It may well be, of course, a case of an off barrel being bottled by an indie—I haven’t had any recent official releases that would have been distilled in this era. Continue reading
Might as well make it all bourbon for this week’s whisky reviews. This is the 2016 release of Four Roses’ annual Small Batch Limited Edition release. In the last four years or so this series has gone from easily findable to not-very easily findable. I purchased a bottle of the 2012 release at a store in the Twin Cities, leaving many on the shelf behind it. Shortly thereafter it was swept up in trophy bourbon hysteria and I’ve not seen a bottle in the wild. I got this one in Europe, without too much fuss, at the original retail price.
This is the first Four Roses Small Batch, Ltd. Ed. that’s entirely the work of Brent Elliott, their current master distiller, who replaced the recently retired legend, Jim Rutledge. Well, “replaced” in a payroll sense: it remains to be seen if he will be able to carve out the kind of career Rutledge did. For his first Small Batch Ltd. Ed. he vatted three recipes: a 12 yo OESO, a 12 yo OBSV and a 16 yo OESK. Having memorized my Four Roses Recipe Roundup reviews, you know that this means that two of the three components are from low-rye recipes and that the yeast strains used are the fruitier O and V and the spicier K. Of course, we don’t know what the ratio of the components are and so it’s hard to predict if higher rye of the OBSV will play a big role or if the older OESK will impart both more fruit and greater oak impact. Anyway, let’s see what it’s like. Continue reading
Henry McKenna is another of Heaven Hill’s brands, and probably one of its least well-known—and some would say it’s one of the best secrets in bourbon. It’s made with the 75% corn/13% rye recipe that is also used to make Evan Williams and Elijah Craig. It comes in two iterations, something called Henry McKenna Kentucky Straight Bourbon Whiskey—which goes for just over $10 in these parts—and this Bottled in Bond version, which goes for just less than $30. I’ve never had the one with the longer name and the lower price—I’m not sure how old it is or how it compares to the similarly priced Evan Williams. The Bottled in Bond version, however, sticks out in the contemporary bourbon landscape like a thumb that is destined to be chopped off without warning: what I mean is that it is sold in single barrel form, at 50% (as all Bottled in Bond bourbon has to be), and most shockingly, it is 10 years old. The regular Four Roses Single Barrel, by comparison, is not only more expensive, it bears no age statement. Continue reading
Rum was my drink of choice in my college and post-college years in India. That’s largely because rum was the only decent spirit available in India in those days. Indian whisky was not worth talking about, unless you managed to get your hands on a bottle of Solan No. 1 (which was hard to get even in the late 1980s)—even as a callow teenager I knew that all those whiskies were largely good for was getting drunk, and even then you’d have to mix them with a lot of soda. There were some decent rums though—Old Monk, for example. Truth be told, we drank Old Monk largely with coke as well but it did not punish you if you drank it neat or with water. (Old Monk is still around and even available in the US as of a few years ago.) And not that I could afford very good taste when I came to the US as a graduate student in the early 1990s, but rums that were widely available then (or even now for that matter) weren’t very much better (either bland white rums or spiced monstrosities). Of late though the situation has begun to change as more esoteric rums from the Caribbean have begun to become available and rum is slowly making the transition from a cocktail ingredient to a sipper in its own right. It’s behind tequila and even mezcal in this regard but it’s getting there. Continue reading
I ended 2016 with a review of a Laphroaig; let’s start 2017 with a review of a Lagavulin. This is the 2013 release of their annual Distiller’s Edition. It comprises malt distilled in 1997, matured for 16 years and then finished for an unspecified period of time in Pedro Ximinez sherry casks. Until the release of the Lagavulin 8 I would have said that officially released Lagavulins were as close to a guarantee of excellence in the Scotch whisky world as you can hope to find; and the Distiller’s Edition has always helped keep that average up. It basically drinks like a more heavily sherried version of the regular 16 yo (dependably excellent in its own right) and is one of the best examples of the marriage of heavy peat and sherry that is widely available—perhaps even the best. I reviewed the 2009 edition three years ago and rather liked it. It’s taken as many years for me to get around to opening this bottle and I can tell you right away that I liked it just as much. It is a liter bottle, purchased in Duty Free (back when good deals on very good whisky were actually available in Duty Free), and I’ve much enjoyed the time it’s taken me to drink it down. And despite being bottled at 43% it has stayed remarkably consistent over the life of the bottle—this review is taken from the bottom quarter. Continue reading
Here to close out 2016 on the blog is Batch 007 of Laphroaig’s 10, CS. I’m not sure if Batch 008 made it to the US—I haven’t seen it in Minnesota, at any rate. This year we got a bit of a scare when word began to make the rounds that the 10 CS was going to be discontinued after Batch 008; the distillery put out statements shortly thereafter to reassure customers that this is not true (I covered all this in my review of Batch 006 earlier this year). Since then, however, I’ve been told by a reliable person that he’d heard first-hand at Feis Ile from a high-up at the distillery that the 10 CS was indeed on the chopping block—so who knows? If it is going out—and I hope it is not—I hope it will go out strong. The series took a big dip with Batch 005. Unlike some others, I thought Batch 006 was a big improvement, and I’m hoping Batch 007 will be further along in that direction. It certainly has been received a lot better than Batch 006 (see here for Grinch Kravitz’s take). Less vanilla and more phenols: that’s what we want. Continue reading
Here is the last installment of my Four Roses recipe roundup—try to contain your excitement. On the advice of more knowledgeable people, I’m ending the series with low and high-rye variations on the K yeast strain, which is said to be their spiciest. Let’s get right to it—I’ll have more comments on the entire exercise at the end.
Four Roses 10, OESK (55.6%; single barrel for Beach Liquors; from a bottle split)
Nose: Toasted oak and cinnamon up top; pine and sour plum below. Gets quite spicy as it sits, with some nose-tingling black pepper and red chilli flakes in there too; some salt too. Softens up with more time and more fruit begins to poke through (apricot) and there’s some light toffee too. Fruitier with water but also more herbal. Continue reading
My first review in November was of a 19 yo Ben Nevis, bottled by Master of Malt in their That Boutiquey Whisky Company series. I did not care for it very much. It was a little too spirity and not generally very good evidence for my repeated claim that Ben Nevis may well become the next big thing among whisky geeks, as the prices of current top line distilleries, especially for sherry casks, continue to rise towards and past the roof. I noted of that one that it was frustrating because everything I like about Ben Nevis was obviously there in it but covered by chemical/artificial notes of one kind or the other. I am happy to say that this one does not suffer from any of those problems. It was bottled by Whisky Import Nederland and this is my second bottle. I went through the first at a pretty rapid rate—I also took it to one of my whisky group’s tastings a few months ago, and it was a hit with everyone there as well. It’s from a refill sherry cask but not a very shy one. Let’s get to it. Continue reading
My planned Four Roses recipe roundup went on an unplanned hiatus after the first three entries in November. I’ll be finishing up now before the year is out. To refresh your memory, I’m reviewing paired single casks of the OE (low-rye) and OB (high-rye) mashbills made with a different yeast strain each time. I started out with OESQ/OBSQ, went from there to the OESV/OBSV, and then to the OESO/OBSO. The original plan had been to do the K strain next and end with the F. However, people who know better recommended I flip the order of the last two, and so here I am now with the OESF/OBSF pair. As with the previous pairs, both of these bottles come from single cask selections made by liquor stores. This series got off to a very good start for me with the Q strain; I liked the V and O a little less. Here’s hoping the F will be closer to the Q casks in quality. The F strain is said to be the most herbal one, and I’m interested to see if that means that this will be the most rye’ish of the recipes. Let’s see how it goes. Continue reading
Kilkerran, as previously explained, is the name of the whisky produced by the Glengyle distillery in Campbeltown. They’re a part of the Springbank family and, as I’ve also noted before, the Kilkerran profile bears lots of genetic markers of the Springbank/Longrow line. This profile has until now been accessible only through a few years worth of “Work in Progress” releases—(not-so) small batches released every year after the distillate got past the legal minimum of three years, showing the progress of the aging barrels. Unlike Bruichladdich with their Port Charlotte line, the Kilkerran WIPs were not put together in complicated ways and were thus likely to be pretty good indicators of what the profile of the eventual regular release would be. I will say that I’ve liked every edition of the WIP that I’ve tried (though I’ve only reviewed a couple so far) and I’ve thus been looking forward to the regular release, which I’d thought would be ready at 10 years of age. Well, the distillery waited till it was 12 years old, which brought us to 2016. Towards the end of the Work in Progress series they started putting out parallel sherry and bourbon wood expressions; it turns out that this 12 yo is a vatting of 70% ex-bourbon and 30% ex-sherry casks. Continue reading
I watched this Benromach 1978 from Scott’s Selection rise in price slowly over nine years at a well-known Twin Cities metro area store. And then this year I finally purchased it. I got it with the idea of doing a bottle split with some fellow whisky geeks but couldn’t find very many people who were interested. I guess people are only interested in 1970s distillate if it’s from a small subset of name distilleries and/or aged well over 20 years. This is either 18 or 19 years old (always hard to know with Scott’s Selection) and Benromach is not a name that sets very many people’s pulses racing. It is one of the Speysiders that uses perceptibly peated malt (Ardmore and the defunct Dallas Dhu are/were two of the others) but it doesn’t really have much of a cult. Maybe things would have been different if it had stayed closed when operations ceased in 1983 (when so many now sought after distilleries closed) but in 1992 Gordon & MacPhail acquired the distillery, and re-opened it at the end of the decade. G&M’s own distillate is now finally online—and I hope to review some of their releases soon (though some of the prices in the US are a little hard to understand). In the meantime please enjoy this blast from an unsexy past. Continue reading
I’ve barely reviewed any Pulteney on the blog, and none from the core age-stated, official range—though I did include the 12 yo in my “well-rounded single malt bar“. Here now is the 17 yo. I believe this is from a bottling from 2012 or so and is a vatting of both bourbon and sherry casks.
Pulteney is in the Northern Highlands—way up in the north of Scotland. Its closest neighbour on the mainland is Clynelish, I believe, and the two Orkney distilleries may be even closer. In terms of profile I usually find it to be close to Balblair (also in the Northern Highlands) and Clynelish—which may say something after all for the notion of regional profiles, which I’m usually suspicious of. Pulteney is the name of the distillery, by the way—Old Pulteney is the name of the whisky produced by the distillery. I believe it used to be the case that independents couldn’t use the “Old Pulteney” name—certainly the case for the older Scott’s Selection and Cadenhead’s bottles I’ve reviewed—but of late I’ve been seeing it on indie labels as well. Continue reading
Here is the third entry in my Four Roses recipe roundup. Already posted this week: head-to-head reviews of OESQ and OBSQ barrels and of OESV and OBSV barrels. I really liked both barrels of the the Q, preferring the low-rye OE selection a little more. I was less excited about both V barrels, preferring the high-rye OB in that case. What will be the story with this pairing, which features the O yeast strain? Four Roses says it imparts rich fruit, light vanilla, caramel and full-bodied texture—that should put it right in my wheelhouse. Let’s see.
Once again, these are both store selections. They’re also both 10 year olds, though the OBSO is at a whopping 60.6% abv to the OESO’s 52.6%!