As per Whiskybase, there have been 44 casks of Blair Athols from 1988 released in the last three years. I guess someone acquired a huge parcel of those casks and sold them on. And given that most of the releases are from Signatory, I’d guess they’re that someone and are the source for many of the other indie releases as well. Given that there were a decent number released just last year, I suspect we’ll continue to see Blair Athol 1988s for a while.
I’ve previously reviewed three other 1988s in the 25-26 yo range. I very much liked this 25 yo from van Wees and this 26 yo from Signatory for K&L; this 26 yo—also from van Wees—I liked a bit less. The one I’m reviewing now was bottled by La Maison Du Whisky, the famed Paris whisky store. It’s part of their “Artist” series—all of which have very pretty labels. As to whether the prettiness of the labels says anything about the contents of the bottles, I don’t know; I do know the bottles are pretty expensive. I didn’t pay for a whole bottle of this one; this was part of a bottle split—which is really a very good way to try a lot more whiskies than would be feasible otherwise. Anyway, let’s see if this is as good as the others. Continue reading →
Glenfarclas’ “Family Casks” series of single cask releases has a very strong reputation among whisky geeks. Here in the US, we see very few of them and so when I saw that Astor Wine in New York City had one as an exclusive bottling, I picked up a bottle. Distilled in 1989 and bottle in 2013 this is either 23 or 24 years old. It cost a fair bit more than the standard 25 yo but I rationalized the purchase given the higher abv and the general reputation of the Family Cask line. Of course, that reputation is largely based on the sherry casks that form of the majority of the series, and this one—though it doesn’t say so on the label—is from a bourbon cask. Still, I was looking forward to opening it, which I did about a year ago for one of my local group’s tastings. While some in the group really liked it, a few of us were unconvinced: the nose was very nice but it seemed over-oaked on the palate. I’d hoped that time and air would fix a lot of that. Let’s see if that’s happened a year later with lots of air and time. Continue reading →
It’s intoxicating, being a blogger who posts reviews of currently available whiskies! After Monday’s Bowmore, here is another Signatory exclusive for The Whisky Exchange. I’d guess they were released at the same time (were there others?). This one is quite a bit cheaper despite being older and despite being from another name distillery and also despite being from a sherry cask. As to whether being from a sherry cask is a good thing for Clynelish is another matter. There are those who believe that Clynelish is Clynelish only when matured in bourbon casks. Me, I like to keep an open mind. I’ve previously liked my fair share of ex-sherry Clynelish—including this one that was also distilled in 1995—and I’ve also had ex-bourbon Clynelish, including those from the alleged, magic year of 1997 that did not get me too excited. And even if it isn’t very Clynelish I’m not going to be too disappointed as long as it’s at least a good whisky. Continue reading →
Since I am the kind of blogger who regularly posts reviews of whiskies that are currently available (see my recent reviews of the Ardbeg 10, the Lagavulin 12 CS, the Highland Park “Full Volume”, Old Weller Antique etc.), here is a review of a Bowmore 15 that is still available. It’s true that it’s only available from The Whisky Exchange in London, but how much do you want from me?! Does nothing satisfy you?!
This is an exclusive bottling for TWE by Signatory and it costs a pretty penny. 16,000 pretty pennies, to be exact—which may seem to you—as it does to me—like a lot of pennies for a 15 yo Bowmore from an ex-bourbon cask (not, in the abstract, such a rare commodity). However, the price is said to be justified by its fruity quality and so when the opportunity to split a bottle with a few people arose, I jumped at it. At this price, you want to try before you buy. Well, let’s try it now. Continue reading →
My last two reviews have been of long-forgotten samples of bourbon cask whiskies released in 2010-2011 and, given how much I enjoyed those Aberlours (here and here), I figured I might as well keep that trend going. Here now is a review of a Bladnoch 18, distilled in 1992 and bottled by Chieftain’s in 2011 for my old friends in California, K&L. This was a more innocent time at K&L: Driscoll’s hype machine had not been cranked up to 13 yet and the hit rate for their cask selections was pretty good. It’s probably the case that the latter was true largely because more quality casks were available to independents then; and it’s also probably the case that the former was true because the latter was true. That is to say, the noise seems to have increased steadily over the years in inverse proportion to quality and value. Anyway, this Bladnoch, distilled before the Armstrong era at Bladnoch (now also ended), was rather good indeed and at $89.99 it was an excellent value. I’d meant to buy a second bottle but never got around to it. Thankfully, I saved 6 ounces from the middle of the bottle for future reference. Even more thankfully, that sample did not go flat in the intervening years. Let’s get to it. Continue reading →
I was recently mock-praised for reviewing something released as recently as a year ago. As even mock-praise makes me uncomfortable, I have in response a review of a whisky released five years ago: a sherry cask Kilchoman bottled for K&L in California.
Kilchoman was not quite new at the time but they weren’t quite as established and didn’t have as much of an identity as they do now. But they were already producing whisky that belied its (young) age. I think the very first Kilchoman I had was a 3 yo bottled for Binny’s in 2010 (I don’t think I reviewed it, but I do have a large reference sample saved…) and it was way better than any 3 yo whisky has any right to be. Most of the ones that I have reviewed have been just a bit older (including another K&L cask, this one ex-bourbon, and a PX cask bottled for WIN in the Netherlands). I’ve generally liked them all. And I can tell you before you get to the review that I liked this one—which was probably distilled at around the same time as that Binny’s ex-bourbon cask a lot. A more detailed accounting follows. Continue reading →
Jim Murray has apparently deemed a Glendullan to be the best something or the other. This is not that Glendullan. This is also not the Singleton of Glendullan, the 12 yo from that distillery that used to be the most ubiquitous, or more accurately, the only ubiquitous Glendullan in the US. No, this is a single cask bottled by Gordon & MacPhail for Binny’s in 2012 or thereabouts. In other words, this is an extremely untimely review: I doubt anyone at Binny’s or Gordon & MacPhail even remembers this whisky. But that’s what I’m here for: to make sure we never forget these one-off releases from Scotland’s third and fourth tier distilleries, to resist the relentless pressure of the now. Or maybe I just randomly review whatever’s at hand. Can you tell that I have nothing to say about this distillery, which mostly produces for Diageo’s blends? I’ve only ever reviewed one other—a Cadenhead’s release from a couple of years ago that was nice enough. Let’s see what this one is like. Continue reading →
Here’s a whisky review on a Thursday for a change. And it’s another Caol Ila—roughly the same age as the previous Caol Ila I reviewed, but distilled just about a decade later. This was bottled by Signatory for K&L in California. As I am generally a sucker for bourbon cask Caol Ila, I was intrigued by it when it was announced, but the high asking price ($150 or so) took care of that. Fortunately (for me, at least), Florin (Slovenian supermodel and future First Lady) purchased a bottle and shared samples with a few of us—see Jordan D’s review of a sample from this same bottle from a year ago. Jordan didn’t care for it overmuch, and nor did Florin (see his comment on Jordan’s review). But there are others who rave about it. Anyway, the easiest way to find out is to pour the sample and drink it. Here goes. Continue reading →
Another 15 yo whisky, and another that may still be available: I’m in severe danger of losing my “untimely reviews” edge. This was bottled by the distillery for the Nectar, a store in Belgium. It’s a single cask release (though the cask number is not mentioned) of a total of 198 bottles. And that single cask was a fresh rum cask. Now, of course, this doesn’t tell us anything about how many years the rum that had previously been in there had spent in that cask or what kind of rum it was (which, of course, is the same with bourbon cask maturation as well). I assume it would have been an American oak cask. I’m not sure what the story is with the low abv (relatively speaking). As it happens, the last rum cask Springbank I reviewed (this 1998-2014 release from Malts of Scotland) also had an abv below 50% (just a coincidence, I’m sure). I wasn’t hugely taken with that one. Let’s see what this one is like. Continue reading →
At the risk of lapsing into relevance, here is a review of another whisky that is still available. It is an exclusive for the Whisky Exchange, who had it as the first release in their somewhat confusingly conceived series called “Time”. Confusing because, as I noted while reviewing the second release in this series (this Benrinnes 20), it’s not clear how drinking whiskies of different ages from different distilleries is supposed to give you much sense of time as a variable—which I think is the rationale of the series. More importantly, however, this is a very good whisky. I was a little surprised to discover today that it’s still available. Perhaps the fact that there’s no distillery name on the bottle has something to do with it? Though you’d think most whisky geeks would just assume this is a Glenfarclas. That’s what I had assumed as well, and my initial pours had borne out that assumption. However, as the bottle has gone on, I could just as easily swear that it is a Balvenie (also a family owned distillery). The language of the TWE listing probably indicates it’s a Glenfarclas: Balvenie is not thought of as being “classically sherried”. Anyway, while I’ve liked this a lot from the get-go, it’s the second half of the bottle that’s really been great—and it’s from that part of the bottle that these notes were taken. Here they are. Continue reading →
Okay, here’s a geographically appropriate review for a change from my ongoing visit to Scotland. I previously posted reviews of a Speysider on the day we left for Glasgow, an Old Pulteney while leaving Drumnadrochit for Skye, and a Highland Park while leaving Skye for Islay. We’re still on Islay and this is a Caol Ila.
I’m not sure if I will make it to Caol Ila on this trip though I would like to at least see the outside of the distillery. I’d thought this would happen as our ferry arrived in Port Askaig from Kennacraig on Monday evening but apparently views of the distillery are only available from the ferry from/to Colonsay. Nonetheless, here’s a Caol Ila. This was bottled by Gordon & MacPhail for the Whisky Exchange and I purchased a bottle on one of my visits to their Covent Garden store. I drank it down before leaving London—the notes below were taken well before this preamble was written. Continue reading →
I have been accused before of reviewing too many long-gone bottles that were never released in the US to begin with. Accordingly, here is a review of a bottle that was a US exclusive and which is no longer available. You’re welcome!
This Inchgower was selected by K&L in California and was released last year (I think). I don’t really put much stock by K&L’s reviews of their own bottles. Driscoll’s notes on Spirits Journal contain a lot of words that are often used to describe whisky but they very rarely seem to describe the specific whisky he is flogging. I’ve been burned once too often by what seemed like good values based on his gushing. These days, therefore, I wait till trustworthy sources report on bottles they’ve purchased. If this means I miss on the occasional quality bottle which sells out before I get a positive report I trust, so be it. Anyway, in this case the positive report I trust came from Michael K. at Diving for Pearls. Michael really liked it. I opened my bottle a few months ago for one of my local group’s tastings but have only just gotten around to reviewing it*. Continue reading →
I was not a big fan of the last Glenburgie I reviewed. That one, a 21 yo and also bottled by Signatory, was part of K&L’s uninspiring lot of single casks from late 2016. This one was bottled for Binny’s in Chicago—in 2014, I believe—and is in fact a sibling of another K&L cask, also 19 years old and from 1995 (K&L got cask 6449 and Binny’s got 6450). Well, I always say that when it comes to bourbon cask whisky I trust the Binny’s selection process far more than that of any other store in the US, and when first opened this bottle bore that out in spades: it was a perfect mix of oak and big fruit with tropical accents. I’d opened it for one of my local group’s tastings and it handily thumped the competition that night. Alas, with time and air in the bottle the fruit seems to have subsided somewhat on the palate—my last couple of small pours did not feature that explosion of fruit. Well, who knows, maybe it will come back again as the bottle sits [foreshadowing]. Continue reading →
As I made clear in my review of the Hampden 6 yo, I know nothing about Jamaican rum. I know even less about Demerara rum. And so I have nothing to say by way of introduction to this 25 yo rum from the Enmore distillery in Guyana except that it was bottled by K&L in California for their Faultline label and is long sold out. If you know more, please write in below.
Enmore 25, 1989, Demerara Rum (51.3%; Faultline; from a sample from a friend)
Nose: Overripe bananas with brown sugar and caramel. Spicier on the second sniff with cinnamon and clove. Gets a little varnishy as it sits and there’s some dried paint in there too. Caramel is the top note with time and there’s a mildly smoky/leafy note too now. A little sweeter with water. Continue reading →