On Monday I posted a review of an official Clynelish released a decade ago. Today I have another Clynelish, doubtless much older than the NAS distillery exclusive bottle, but released a few years later. This was bottled by the Belgian independent, Thosop Import, known both for the quality of its releases and the handwritten labels on the bottles. Thosop was originally set up by one-time Malt Maniac, Luc Timmermans, but I believe he quit the business a while ago. I think I recall that someone else took over the series. I’m not sure if it’s still a going concern—I suspect not, as Whiskybase doesn’t list anything from them after 2013. This particular Clynelish has a very strong reputation. I’ve not had too many older Clynelishes from the late 1980s, but the only other I’ve reviewed—a 22 yo from Malts of Scotland, also from 1989—was very good indeed. If this is at least as good, I’ll be happy. Let’s see. Continue reading
After a disappointing special release Bunnahabhain on Monday let’s move on to another special release from elsewhere on Islay. The Lagavulin 12 Cask Strength is a fixture on Diageo’s annual special release slate, and it is also always one that is guaranteed to be excellent—unlike, say, Ardbeg’s annual releases (see, for example, this year’s Grooves). I’ve recently reviewed the 2017 release and in the past I’ve reviewed the 2009, the 2010, the 2011, the 2012 and the 2013. Here now is my review of the 2016 release, which was also part of Lagavulin’s commemoration of its 200th anniversary. I opened it a month ago for my local group’s March tasting and it was very popular—though I think it might have been beaten by an Amrut Peated CS for overall honours on the night. I’ve been drinking the bottle down steadily since. These notes were taken at the halfway mark but I can tell you it’s been remarkably consistent as the level goes down. Continue reading
On Saturday, to mark the fifth anniversary of the blog, I posted a review of the second release of the Bowmore Devil’s Casks. That official sherried Bowmore ended up being a bit too sulphurous even for my generally sulphur-tolerant palate. It was a good whisky, I thought, but it could have been a lot better. Today, I have a review of another heavily sherried Bowmore. This one was bottled by the Scotch Malt Whisky Society, and I believe it was bottled for the 2015 edition of Feis Ile. I purchased my bottle a couple of years ago at auction in the UK. It wasn’t cheap—though much cheaper than it is now—but I am a big fan of Bowmore and few propositions in whisky are more enticing to me than high-quality sherried Bowmore. The early reviews certainly made this out to seem like one of those. Spoiler alert: when I opened the bottle I found it to indeed be a high-quality sherried Bowmore. The bottle is now sadly empty. Here are my notes (taken when only about a quarter of the bottle remained). Continue reading
A third 25 yo whisky to end the week and this is an official release with a rather big reputation: a Glendronach distilled in 1968 and bottled in 2003. I’ve had small pours of it on a couple of occasions before; this large sample came to me from the ever-generous Sku. This is a throwback to Glendronach’s past, distilled and bottled before the Billy Walker era (which itself ended last year). Indeed this whisky was bottled when the distillery was still owned by Allied Distillers and before it was mothballed in 1996. It’s an old-school sherry monster that does more at 43% than most others of its kind do at cask strength, and I’m looking forward to making its acquaintance again.
By the way, the usually restrained Johannes van den Heuvel gave this whisky 97 points! I’m not sure when in his whisky tasting career he rated this or what he would make of it now. Anyway, let’s get to it. Continue reading
Here’s a very untimely review to start the week and it takes me back to the time when my interest in single malt whisky had just gone from enthusiasm to pathology. I’d joined the then-vibrant WhiskyWhiskyWhisky forum and was learning more and more about independent bottlers not seen in the US. One of these was the Bladnoch Forum. This was a side concern of Raymond Armstrong, then the proprietor of the Bladnoch distillery, and it offered single casks at unbelievably reasonable prices to members of the forum (though in practice you didn’t really have to be a member). I think this is pretty much where Martin Armstrong’s Whiskybroker business may have had its origin. These offerings included single casks of Port Ellen for less than £100 (unless my memory is exaggerating) and also a number of excellent older Caol Ilas. This is one of them. I acquired this sample in what may have been my first-ever swap, not long after it was released. I took a few sips then and put it away for another day. That day is here. Continue reading
I have been slow to board the rum boat. I’ve only reviewed three rums till now. In the meantime, Serge V.—who all but singlehandedly got whisky geeks around the world to start drinking rum—has already reviewed more rums than I have whiskies in the entire time that I’ve been reviewing whiskies. This is not an exaggeration.
One of the problems with being late to the party is that most of what first got people excited is already gone and prices have begun to rise. Still, they’ve got a long way to go to catch up with whisky. Hampden is a cult distillery, for instance, and this 18 yo, released last year, is still around and costs far less than the Highland Park 18. Of course, the bigger problem for those of us in the US is how little interesting rum is available here. K&L in California were the only ones committed to a rum program but the new limitations on inter-state shipping may have put paid to that: large numbers of bottles of a Hampden they brought in early in the year and expected to sell out in a day or two are still sitting on their shelves (well, it’s possible that asking $70 for a 9 yo rum may also have something to do with that). Anyway, there’s an opportunity here for independent bottlers who already have distribution channels across the US: if you make good rum available to us widely, we will buy it. Continue reading
At the risk of becoming a relevant reviewer, here is another whisky released this autumn and reasonably widely available across the US: the 2017 edition of the Lagavulin 12 CS. The Lagavulin 12 CS is a fixture on Diageo’s annual special releases roster and is, along with the Caol Ila Unpeated, the most affordable of those whiskies and, by itself, the most dependable of them. I’ve previously reviewed the 2009, 2010, 2011, 2012 and 2013 editions and liked them all very much. The Lagavulin 16 is always excellent and so is the Lagavulin 12 CS. Sadly, it’s not easy to find in the $80-85 range any more and so when I saw a bottle as I was picking up the Highland Park “Full Volume”, I couldn’t resist buying it as well. I am not sure why I ended up opening it right away, well before the bottles of the 2014, 2015 and 2016 releases that are also languishing on the shelf; but maybe the people who give me grief for not being a relevant reviewer will get off my back now. Continue reading
This is the very first Macduff I have ever reviewed. It is also, I believe, the very first Macduff I have ever had—my spreadsheet does not record any other. Not much Macduff is available, and what is available is usually under the Glen Deveron name. In fact, Winesearcher currently shows nothing available in the US under either name. So for my American readers this is a particularly useless review. Not only is this whisky unavailable but if it should pique your interest in the distillery, it does not appear that we can even find anything else from them here. Such is life.
Macduff, part of the Bacardi/John Dewar holdings, is located in the Speyside and is a relatively new distillery. It was founded in the 1960s, and has mostly produced whisky for the owners’ blends. And at various points the distillery has in fact been named Glen Deveron. Some identity issues, obviously but that’s not all that’s unusual about them. They also apparently run a combination of two wash and three spirit stills. As to whether this is an interesting fact is a different matter. But I’m certainly hoping this older Macduff will be. Continue reading
I’ve had very few Glen Scotias and I’ve certainly not had any as old as this one. I’ve only reviewed two others, 20 year olds both (here and here), which means their ages together add up to this one’s. I have no idea what the word is supposed to be on 1970s Glen Scotia or what Glen Scotia is generally supposed to be like at such an advanced age. If it’s better than the undisclosed Speyside 41 yo I reviewed recently, I’ll be very happy—that was very good, but not, I thought, great.
This was bottled a few years ago by the German bottler, Malts of Scotland in their “Diamonds” line. I’m not sure if that is an alternate name for their “Warehouse Diamonds” line but when the word “diamond” is thrown around you can be sure you’ll pay a lot. However, all I paid for was a 60 ml sample and I didn’t feel the pinch too much. Herewith, my notes. Continue reading
Here is a Lagavulin bottled for the Islay Jazz Festival in 2015. This is a completely separate event from the recently concluded Feis Ile, taking place in the autumn rather than the summer. This year’s festival is from September 15-17 (and here is last year’s program). I’m not sure if Lagavulin is the only distillery that does an annual release to mark the festival (in addition to their Feis Ile release), but I can’t off the top of my head recall Jazz Festival releases from any other distilleries. It is sponsored by Lagavulin but events happen at other distilleries too. Anyway, there also does not seem to be as much mania around these Jazz Festival releases as there is around Lagavulin’s Feis Ile releases. Indeed, plenty of bottles of the 2016 Jazz Festival release were available at the distillery when I visited earlier this month—I’m not sure how they survived the onslaught of Feis Ile auction flippers. Continue reading
Those who are disappointed that I am not reviewing very many whiskies these days will be thrilled to see that this week’s review is of a Glen Grant that was released in the Netherlands almost nine years ago. I will have some more recently released Glen Grants in the weeks to come—I recently hosted a vertical tasting of Glen Grant for members of my local tasting group—but I’m starting with this bottle which I’ve been dipping into regularly since I opened it.
For a lot of people Glen Grant is associated with sherry maturation but it’s a spirit that seems to do very well in bourbon casks as well. It’s not a distillery with a sexy reputation these days, and few people seem to get excited about bourbon cask whisky, especially unpeated bourbon cask whisky, but bourbon cask Glen Grant is well worth a look. Continue reading
I’ve not had much luck with Glen Garioch on the blog. Among the recent official releases I’ve reviewed, I liked the 16 yo Binny’s exclusive but the Founder’s Reserve and the 12 yo didn’t get me very excited. The older independents that I’ve reviewed have also not gone very far past the good/very good boundary. I’m not saying there’s anything wrong with being on the good/very good boundary—only that I haven’t reviewed a great one yet. This includes three others from the 1990 vintage: a 20 yo and a 22 yo from Kintra Whisky and a 21 yo from Archives. Will this slightly older 25 yo from Signatory be much better? Others who participated in the bottle split this sample came from had very good things to say about it, so I’m hopeful. (By the way, as you may know, in 1990 Glen Garioch were still using malt peated to a higher level than their current output. I believe it was in 1993/94 that their peating regimen changed.) Continue reading
This was bottled for Feis Ile, the annual Islay whisky festival, back in 2009. It’s either a 12 or 13 yo and was bottled from a single sherry cask. My understanding is that the whiskies bottled by Caol Ila for Feis Ile are/were all from casks matured on Islay, at least back in the day—the vast majority of Caol Ila’s spirit, in case you’re wondering, is actually tankered off and matured on the mainland (terroir!). For those of us in the US, most of these Feis Ile bottles are out of reach. I’m always happy to see Laphroaig’s fairly priced Cairdeas—I’m more ambivalent about the Ardbegs that have been launched at Feis Ile in recent years. For all the others, however, you have to either go to Feis Ile or look to marked up bottles at auction. Of all of these releases, Lagavulin’s always garners the most interest—and the greatest auction premiums—but there are those who feel that some of Caol Ila’s releases have been on par with them. This 2009 release is particularly lauded. Let’s see what it’s like. Continue reading
I think the seventh release was the last of Kilkerran’s Work in Progress series. As with the previous couple of Work in Progress releases it came in both “Bourbon Wood” and “Sherry Wood” incarnations. However, this bourbon wood version was released at cask strength. I think by this point these releases were at 10 years old, give or take a year—someone will be along to confirm shortly. I don’t know if there’s a reason why this, of all the WIP releases, was bottled at cask strength (or why the companion sherry wood wasn’t). The regular release 12 yo that followed it this year is at the 46% of all the other Work in Progress releases. Anyway, I quite liked the bourbon cask Work in Progress 6, which I reviewed earlier this month (and which I tasted right before this one) and am looking forward to reviewing the regular 12 yo next month: let’s get this intervening release out of the way first. Continue reading