I’ve only reviewed one other release from Hanyu, a closed Japanese distillery. That was back in 2013, not too long after I’d started the blog, and I see that in that review I’d threatened a review of another cask of Hanyu. This whisky is not that one—I think I know which one that was supposed to be but I have no idea where the hell that sample disappeared to. Maybe I drank it and forgot to review it? This particular whisky was distilled in 2000, the year Hanyu stopped production. It’s another in the Ichiro’s Malt series—named for Ichiro Akuto, best-known now for the Chichibu distillery. I don’t really follow Japanese whisky very closely—what would be the point when there’s so little worth drinking that’s affordable these days?—and so I don’t really know if there are still casks of Hanyu emerging, or for that matter what the story is with Chichibu. Anyway, this one was bottled in 2012 for the Tokyo International Bar Show and was finished in quarter casks (that’s what the “chibidaru” refers to). Let’s see what it’s like. Continue reading
This Springbank was released for the German market in the early/mid 1990s. It is one of a few bottles released with the so-called “House & Tree” label. Whiskybase has records of a NAS House & Tree label for the French market that was a release of 251 bottles. Serge has a review of another NAS House & Tree label for the German market (which may or may not be this one, a release of 319 bottles). This made me think that the label on this sample was mistaken about the age statement, and so I checked with the source of the sample, the Notorious Pat T. He sent me pictures of the bottle this sample came from and I can confirm that the bottle has a smaller label around the neck with the age statement and that the back specifies that it was bottle 43 of a release of 294 bottles, possibly for Krüger’s Whiskygalerie. So much confusion and none of it, frankly, very interesting. I say this after having made you read a paragraph about it. You’re welcome. Continue reading
Continuing with review of things that are not whisky, here is a review of a brandy, more specifically of an Armagnac. And if you want to be even more specific, a review of an Armagnac from the Ténarèze region. I note this latter because the vast majority of Armagnacs I’ve had are from the dominant Bas-Armaganc region. Exceptions include a Pellehaut that I liked a lot and a couple of Grangeries that I had a more variable experience with (here and here). All those were brought in by K&L as is this one. It’s no secret that I find the K&L marketing style exhausting and often ridiculous but it must be said they have done more than any other store in the US in expanding brandy horizons here. Pouchegu is, or rather was, a micro-producer even by the rustic standards of Armagnac. In fact, as per the K&L notes, they never produced on a commercial scale or with a commercial market in mind. And with the passing of the proprietor, Pierre Laporte, there may not be any more Pouchegu being made. There is something melancholy about drinking a spirit with such a backstory but it’s also an opportunity to celebrate the skills of its maker. Well, if it’s good, I suppose; but as per the source of my sample—the outsider artist, Sku—it is very good. He does note “huge oak notes” though—Laporte believed in using new Limousin oak casks, apparenrly—and that’s rarely my speed. Let’s see. Continue reading
The run of reviews of peated whiskies from sherry casks to end the month continues with this Talisker. It’s been a while since I’ve reviewed a Talisker—the last one was the Game of Thrones release which I wrote up just over a year ago. And it’s been a while since I’ve felt very positively about the distillery whose recent releases have been on the cynical side. The whisky I’m reviewing today, however, is a different story. Which is not to say that people felt very positive about all aspects of it when it was released either. It was part of Diageo’s Manager’s Choice series which featured not very old whiskies at very high prices. With hindsight that series probably set the tone for Diageo’s special release pricing in the decade that followed. Which is not to say that the whiskies released in it weren’t good. My first go at this one was at one of my friend Rich’s tastings—during which I made the decision to pay the most I’ve ever paid for a teenaged whisky. But I’m not reviewing that bottle right now—it’s still closed. I did go to open it but in the process discovered this sample which I acquired in the first swap I did with Rich more than seven years ago. It may even have been drawn from the bottle I got a taste of a few years later. Here are my notes. Continue reading
Last week I reviewed a Laphroaig 21, 1998 bottled recently by the Whisky Exchange that I thought was amazing. Here now is another Laphroaig 21. This was distilled in 1990 and bottled in 2012 by the well-regarded Italian outfit, Silver Seal. I nabbed a bottle from Whiskybase when it was released. Even with the much higher exchange rate of the time it ran me less than $150. Those were the days etc. After almost 8 years on my shelves I opened this last week to pair with the TWE cask. When I tried it alongside that one it felt a bit overshadowed and so I decide to taste it a few more times and take notes on it by itself so it wouldn’t suffer unfairly by juxtaposition. Here now are those notes as the bottle has come down to the 3/4 full mark.
Laphroaig 21, 1990 (57.7%; Silver Seal; sherry cask #10839; from my own bottle)
Nose: Big sherry here too but much more organic than the TWE cask. There’s toffee and citrus peel and cocoa but floating above it is something rotting in wet undergrowth (I know it doesn’t sound appetizing but it works). Definitely a dose of savoury sulphur here. Dry woodsmoke running through it all. Gets saltier as it sits (soy sauce) and earthier (dried shiitakes) and the decomposing rodent note subsides. A few drops of water push the sulphur back almost entirely and emphasize sweeter biscuity notes along with pipe tobacco. Continue reading
Here is another recent Whisky Exchange exclusive and it too is a peated whisky matured in a sherry cask. This is a Ledaig and a bit younger than Friday’s Laphroaig 21 (which you may recall I found to be outstanding). I don’t dare hope that this one will be as good but there has been a lot of excellent sherried Ledaig about in the last half decade. I suppose there must have been some that I tried and did not like but I can’t recall any and am too lazy to open another window and check. (Before the pandemic this was a character flaw; now it is a sign of my humanity.) Anyway, let’s see what this is like.
Ledaig 13, 2005 (57.4%; The Whisky Exchange; sherry butt 900174; from a sample from a friend)
Nose: Earthy peat, salt, preserved lime. On the second sniff the classic organic, farmy Ledaig notes are here though not as much of the dead rodent as is often present. The salt expands with each sniff as does the lime but it also picks up some sweetness. Nothing new as it sits but it all comes together really well. A few drops of water bring out some pastry crust and cream. Continue reading
Earlier this month I reviewed a Glenburgie 21, 1998 bottled by the Whisky Exchange. Here now is another 21 yo whisky distilled in 1998 and bottled by the Whisky Exchange under their obscure “The Whisky Exchange” label, this one a Laphroaig. I think it may have been bottled for TWE’s 20th anniversary, though it’s not listed on the page they have for those releases. Then again, the Inchmurrin 9, 2010 I reviewed on Tuesday was definitely released for their 20th anniversary and it’s not on that page either despite still being available. Mysterious are the ways of the Whisky Exchange. Anyway, back to this Laphroaig. It was distilled in 1998; in 2010 it was re-racked into an oloroso sherry cask (ex-bourbon before that? maybe it says on the label). Given that nine years is longer than seemingly most whisky being released in Scotland right now—if it even has an age statement—I think it’s well past being regarded as a “finish”. As a 21 yo Laphroaig, and sherry-bothered at that, this went for a very pretty penny, I think. It’s now sold out, which will save me a lot of soul searching if I like it as much as the reviews I’ve read make me think I will. Let’s see. Continue reading
Here is the last of the five whiskies I opened in the week I turned 50, all bottles either distilled or bottled in years that have been important ones in my life. I’ve previously reviewed a Glendronach 19 distilled the year I left India for the US; a Bowmore 11 bottled the year I met my partner; a Springbank 12 bottled the year our older child was born; and a Highland Park 27 bottled the year our younger child was born. Here now to complete the set is a Tomatin 40 that was distilled the year I was born and bottled the year our younger child was born.
Tomatins from the early-mid 1970s have a very strong reputation. I’m not sure, however, if I’ve seen many reviews of Tomatins from 1970—indeed, this particular release does not seem to have been reviewed at all—even Serge hasn’t gotten to it. This might explain why I was able to purchase this bottle from the Whisky Exchange back in 2011 without having to pay and arm and a leg. But as we’ve recently seen, a good price on an older whisky does not in and of itself mean that it was money well spent. What’s the story with this one? Continue reading
Hello, the blog is seven years old today. As per Sku, I have three more years before I have to shut it down. Though, truth be told, I’m having some trouble right now mustering enough enthusiasm to keep it going through the isolation/quarantine—and judging by readership numbers very few of you are currently enthusiastic enough to show up to read this shortly after it posts. But an anniversary is an anniversary.
My very first review was of a Bowmore—the lowly Bowmore Legend of years past—and since then I’ve marked every anniversary with a Bowmore review. What can i say? I’m notoriously sentimental. I am feeling particularly sentimental today as this is the fourth of five reviews of bottles I opened during my 50th birthday week that mark significant years of my life (see here, here and here). This Bowmore was distilled in 2001, the year I met my partner. We’re currently 19 years in but this is only an 11 yo. Continue reading
Well, friends, the pandemic is here. By “here” I mean Minnesota but really it is probably now wherever your “here” is. The time for denial and bravado, governmental and personal, is done. Now we have to all do our bit to restrict the pathways of infection and—also to keep ourselves and our loved ones safe: no one is immune.
Speaking of loved ones, the bottle I have a review of today was one of those I opened to mark my 50th birthday last month, all commemorating significant years in my life. I’ve already posted a review of the Glendronach distilled the year I left India for the US and the of the Springbank bottled the year our older son was born. This Highland Park was bottled the year our younger son was born. It is one of the oldest Highland Parks I’ve had and almost certainly the oldest bourbon cask Highland Park I’ve had. It was bottled by the Whisky Agency, in their very attractive “Bugs” label series. Continue reading
I started out the week with a review of a 21 yo official Laphroaig. Let’s close out the week’s whisky reviews—and also the month—with a review of a young independent Laphroaig. This is a 9 year old bottled in 2010 by the SMWS. I got a sample in a swap not too long after. I have no memory of who I got it from though: if someone who is reading recognizes their handwriting on this label, please let me know. Confusingly, I also have a full bottle of this—and I’ve not recorded the source of that either (I am not a member of the SMWS). It’s possible that I received two separate samples, tasted one and tracked down a bottle. Or perhaps I traded for a sample and then decided I didn’t need to taste it to pull the trigger on a bottle. In those days it was hard for me to turn down opportunities to buy any affordable Laphroaigs, particularly ones matured in sherry casks as this one was. Well, however, I came to get it, here I am finally opening up this sample. Let’s see if it lives up to the name the SMWS gave it. Continue reading
Today is my 50th birthday. And to mark the occasion I have a review of a whisky from my favourite distillery, Laphroaig. These notes were, of course, not taken today, but I look forward to drinking some more of it tonight—along with a couple of other things. This 21 yo was released to mark the distillery’s 200th anniversary in 2015, one of several bottles released for that commemorative purpose. One of my favourite recent official Laphroaigs was also part of that larger release: the 2015 Cairdeas. On the other hand, I was not blown away by the one-off return of the 15 yo that was also part of the group. Hopefully, this 21 yo will be more in line with the former than with the latter. Unlike those releases this was only available as a 350 ml bottle and initially only available via ballot. It didn’t sell out immediately, however: £99 for 350 ml may have seemed like a lot to people then, I suppose. And the price didn’t seem to rise very quickly on the secondary market either. I purchased it at auction a couple of years later and I believe I paid the original price. Of course, now it would be a different story: £99 would seem like a steal for an official Laphroaig 21. Anyway, let’s see if it gets my 50th birthday celebrations off to a good early start. Continue reading
Last month I reviewed a Bowmore 14, 1996 bottled by A.D. Rattray for BevMo. This is not that Bowmore 14, 1996. It is another one bottled at the same time but which for some reason does not show up on Whiskybase or have much of any other kind of trail online. I purchased a bottle in the Hollywood BevMo not too long after it was released and finished it not too long thereafter (before starting the blog). As per my spreadsheet I liked it a lot. Reviewing the other one reminded me of this one and the likelihood that I had saved a 6 oz reference sample of it—as used to be my practice back then with all bottles I owned.Sure enough, when I looked there it was. And here now is a formal review.
Bowmore 14, 1996 (59.1%; A.D. Rattray for BevMo; bourbon cask 960029; from a reference sample saved from my own bottle) Continue reading
Okay, let’s make it three full weeks in a row of reviews of peated whiskies. Like Monday’s Ardmore and Wednesday’s Brora this does not feature full-throated Islay-level peat. In fact, it’s not from the Highlands or even Scotland. But it’s from a distillery whose whisky these days is as scarce as Brora’s: Yoichi, all the way from Hokkaido in Japan. Bottled by the Scotch Malt Whisky Society, this is easily the oldest Yoichi I’ve had—and it’s another sample that I have sat on for a really long time, for no reason that I can determine. I really liked the last 1987 I had (this 23 yo bottled by La Maison Du Whisky) and am hoping that this will be at least as good. The only thing giving me pause is that it was matured in a virgin oak puncheon: 26 years in virgin oak (if this wasn’t a finish) seems like a really long time. My suspicions of of the last virgin oak cask I reviewed (this Glendronach) were proved accurate and this one spent a decade and a half more in the cask. Let’s see if it somehow escaped the curse of over-active oak. Continue reading
Speaking of Highlands peat, here’s a Brora. While Ardmore is in the eastern Highlands (some would even say the Speyside), Brora/Clynelish is located in the northern Highlands, well north of Inverness (though not quite as far north as Wick). The old Brora distillery, shut down in 1983 along with so many others, is, as you probably know, in the process of being revived (along with Port Ellen). We stopped at Clynelish on the way to Orkney in 2018 but didn’t have time to do a hard hat tour of the Brora premises. Somehow I don’t think I’ll get the opportunity again. I also don’t think I’m going to have too many more opportunities to drink the whisky produced by the old Brora (which was itself the old/original Clynelish distillery) as it’s now all priced well above my pay grade. I have a few samples and one unopened indie bottle left and that’ll be it. So it goes.
This is an official release. It was the seventh, I think, in Diageo’s special releases of Brora, and the first and only 25 year old released in the series. From what I can tell it has a more up and down reputation than the 30 year olds released before and after it. I’m curious to see what I make of it or if I find it appreciably different than the 30 yo 5th and 6th releases that I have reviewed. Continue reading
The fifth Port Ellen entry in the Whisky Exchange’s Elements of Islay series was released in 2011, I think. And it may have been the last of the Port Ellens released in that series—at least Whiskybase does not list a Pe6. I’ve been sitting on this sample since early 2012. I acquired this sample through a rare act of honesty on my part: I had placed an order for a Karuizawa from TWE (this was back when Karuizawas could be acquired for <$200) and due to a glitch in their systems was charged only a fraction of the price. I alerted Tim Forbes who was then doing web stuff for TWE, and who was also a member of the then-very active Whisky Whisky Whisky forums. He confirmed that I was not in fact a winner of a special lottery and, as appreciation for my letting him know, threw a few fancy samples in with the order, one of which was this one. Why it has then taken me almost 8 years to drink it, I couldn’t tell you. Anyway, being released in 2011 it is at least 28 years old (Port Ellen closed in 1983) and probably a bit older. It’s also from a sherry cask, as three of the other four Elements of Islay Pe releases had been as well. It was very well received at the time. I, of course, did not buy a bottle because I thought it was horrendously overpriced. Cut to the present where the multiplier for any Port Ellen released in 2011 is about 10x. Anyway, let’s see what it’s like. Continue reading
The Jazz Festival series is Lagavulin’s second annual series of special releases, bottled to commemorate the Islay Jazz festival every autumn. As I noted in my review of the 2015 Jazz Festival release, this series doesn’t seem to inspire the mania of the summer Feis Ile releases. This is doubtless due to the unpredictable vagaries of the collectors’ market which is anything but rational. Certainly, I liked the 2015 Jazz Festival release a lot. That bodes well for this 2017 release which, like the 2015, is comprised of spirit matured in refill American oak hogsheads and refill European oak butts. This is not the standard regimen for these releases: the intervening 2016 release—which I picked up a bottle of at the distillery in 2017—was matured only in American oak. In practice, however, the 2015 release did not betray much, if any, palpable sherry influence; I’m curious to see if this will be any different in that regard. Let’s see. Continue reading