Have I really not reviewed a mezcal since last November? Well, I guess I’ve barely reviewed any booze since last November. Anyway, I have today another release from Chacolo, whose spirit cannot legally be called mezcal (or tequila). See my previous (and so far only other) review of one of their mezcals to see why that is. As I noted there, Chacolo use the capon method of of “castrating” the agave plant as it begins to send up a flowering stalk but leave the plants in the field to concentrate the flavours for far longer than most producers. The ixtero amarillo I reviewed last October spent four years in capon before being mashed and distilled. This release of lineño is from agave that spent 3 years in capon (I’m not sure if “in capon” is the correct way to put it). Unlike the ixtero amarillo, lineño is a variety of agave angustifolia, as are the rest of the agave varieties the family grows. (Again, I recommend that you read more about them on Mezcalistas.) I liked that ixterro amarillo a lot and am looking forward to this one. Continue reading
Category Archives: -Whisky by Rating
Orkney Distillery 13, 2007 (Single malts of Scotland)
Alright, after an unplanned three week hiatus—caused by my falling ill after coming back from Delhi earlier this month—let’s get the weekly booze reviews back on track. I’m still sticking to my plan of only reviewing my own bottles, which means no more than four reviews a month (as the goal of this plan is to drink down my collection and not to proliferate the number of open bottles on my shelf.
Most recently opened is this 13 yo from an undisclosed Orkney distillery, put together in 2020 from three sherry casks containing spirit distilled in 2007. Well, in reality everyone knows the distillery is Highland Park. The bottler is The Single Malts of Scotland, whose relationship to the Whisky Exchange is something I can never keep straight in my head. It’s possible that they’re now completely different entities. I purchased this bottle from Whiskybase in early 2021 for what was a reasonable price for a 13 yo sherry cask malt: €58. I’m sure anything similar would now cost quite a bit more. Ah well. I opened this bottle a week or so ago; time to finally take some notes. Continue reading
Ben Nevis 18, 1996 (Whiskybase)
Another week, another Whiskybase release. Unlike last week’s Littlemill 25 or the previous week’s Caol Ila 30, however, this was not a release under their Archives label. Instead, it’s one of the regular Whiskybase labels used for releases that commemorate milestones reached on their invaluable database. This Ben Nevis 18 was bottled in February 2015 to mark the 60,000th entry in Whiskybase. That number is now much, much higher (though I can’t recall if I have any of the later commemorative releases—I’m away from my whisky lair right now). This was from a single sherry butt and the colour of the whisky suggests it might have been an oloroso butt (or at least an European oak cask). Ben Nevis, like Littlemill, has one of Scotland’s most idiosyncratic profiles. Like Littlemill, its spirit is usually quite fruity but, also like Littlemill, the fruit is often intermingled with other notes that are not to everyone’s taste. I’m generally a big fan and so am hoping for good things from this bottle. Let’s see how it goes. Continue reading
Littlemill 25, 1988 (Archives)
I returned to whisky reviewing last week with a 2012 release from Whiskybase under their Archives label: this Caol Ila 30, 1982. Here now is a review of another Archives release, this one a little younger and bottled a couple of years later.
As I’ve noted before, the long-defunct Littlemill distillery did not have a very strong reputation—putting it mildly—when it was active. However, casks of spirit distilled there in the late 1980s and early 1990s and allowed by the vagaries of business history to mature longer than was probably ever intended quickly developed a reputation for fruity excellence when parcels began to be released by various independent bottlers in the early-mid 2010s. Whiskybase’s Archives releases of some of these casks played no small role in the rehabilitation of the distillery’s reputation after its demise. I’ve reviewed some of these before as I have some from other bottlers. Just last year I reviewed a Littlemill 24, 1989 from Archives and a Littlemill 22, 1989 from Glen Fahrn. Both were excellent, especially the 22 yo. Will this 25 yo distilled in 1988 be as good? Let’s see. Continue reading
Caol Ila 30, 1982 (Archives)
Do not be alarmed: this is a whisky review. This used to be a whisky blog once, you know. That was before I began to lose interest in the whisky world (though not in drinking whisky itself) and before my whisky readership—never large—lost interest in me. The former, as I’ve noted before, had to do with a rapidly accelerating disenchantment with the state of the industry. Key drivers of this disenchantment were the drop in the quality of whisky available on the market—especially as many indies began to be squeezed out—and the simultaneous rise in prices for what would once have been considered very young whisky. I more or less stopped buying whisky several years ago now. By that I mean that I stopped buying whisky in my frenzied manner of old; I still purchase the occasional bottle of an old favourite or three. Mostly, I am now drinking down my stores of good whisky purchased in that time of frenzy at very good prices. Such, for example, is this Caol Ila 30 that was released by Whiskybase under their Archives label in 2012. How much did I pay for it then? My spreadsheet tells me it was $148. Those of you who are still active buyers of single malt whisky can tell me what kind of whisky that would get me in today’s market (I don’t even keep track of those things anymore). Alright, enough melancholy talk: let’s get to the notes! Continue reading
Ardbeg 10, 2008 Release
The eagle-eyed among you will have noticed that this is the first post on the blog in almost three weeks. I’m sorry to say that I had a death in the family. This meant a return to Delhi at the end of the month to join my family in the mourning period. And since getting back to Minnesota last week I have been submerged in both jet lag and work, not having been able to get anything done for quite some time. It will probably take some time to return to the normal blog posting schedule but I did have this review done a while ago and so here it is. This is a review of a standard release, a classic: the Ardbeg 10. But it’s not a recent release. This is from 2008 (the L8 bottle code), which was from the first release of the 10 yo made from spirit distilled under the Glenmorangie ownership which had begun in 1997. The “Very Young”, the “Still Young”, the “Almost There” and the “Renaissance” were the special releases that had led up to this first regular release of the new 10 yo. Despite having consumed a few bottles of this over the years, I’ve never reviewed it. I guess I must have assumed I already had. Anyway, I’m glad to have caught the omission now that I’ve opened my last bottle. This review will slot in between my reviews of the 2007 and 2009 releases. Continue reading
Littlemill 24, 1989 (Archives for the CasQueteers)
Last week I reviewed a 30 yo single malt (the 2017 release of the Talisker 30). Here now is one slightly younger. This Littlemill was distilled in 1989 and bottled in 2014 by Whiskybase for their Archives label on behalf of a Dutch whisky enthusiast group named the CasQueteers. It was one of several older Littlemills from the 1988-92 era that were bottled in the early-mid 2010s, many of the others also by Whiskybase (one of whose founders, Menno Bachess is a well-known Littlemill collector). I’ve reviewed a few of these Littlemills before, including some others distilled in 1989. Such were this 22 yo also bottled by Whiskybase, this 22 yo bottled by Glen Fahrn, and this 24 yo bottled by the Whisky Agency. And I’ve reviewed a bunch of others from 1990 too, as well as a few from 1988. What all of them have in common are the qualities that made Littlemill celebrated not when the distillery was on the go but when these accidentally aged single casks were released long after it had been demolished and the ground it had stood on plowed with sand (well, it was turned into a block of flats). Those qualities could perhaps be summed up by my description of this 24 yo on Instagram a couple of days ago: a cocktail of tropical fruit and diesel. I’ve had this bottle open for a few days now; it’s time to expand on that note. Continue reading
Talisker 30, 2017 Release
My first whisky release of the month was of a 3 yo American craft malt whiskey, the Zeppelin Bend from New Holland Distillers in Michigan. For the second, let’s go across the Atlantic to Skye for a much older single malt whisky. This is the Talisker 30 that was released in 2017. It’s been a while since I’ve reviewed a Talisker 30. The last was a bottle from the 2015 release, which I quite liked. Before that I’d reviewed the 2006 and 2012 releases. Of those three only the 2006 was at cask strength. The last of the cask strength releases of the Talisker 30 came out in 2010, I think (I have a bottle of that in reserve). After that, all the releases have been at Talisker’s standard 45.8%. Despite the lowered strength, I had quite enjoyed my bottle of the 2015 release and I’d hoped this will be in a similar vein. Early pours were promising and now that the bottle has been open for a week or so, here are my notes. Continue reading
Zeppelin Bend
Two words that strike fear in the heart of any reasonable person: craft whiskey. Not all the bad whiskeys I’ve had over the years have been craft whiskeys but most of the craft whiskeys I’ve had over the years have been bad. This may explain why this bottle of Zeppelin Bend has sat umolested on my shelves for many years now. My friend Greg bought it at the New Holland Brewery in Michigan sometime in the last decade and gifted it to me. I must not have been very motivated to open it and then I forgot all about it until I noticed it on the shelves of the ever-shrinking whisky hoard last week. For whatever reason, I was suddenly driven to open it. And, what do you know? it turned out to be quite drinkable. It’s somewhere between Scotch whisky and bourbon in that it’s double distilled from malted barley (a la Scottish single malt whisky—though whether in a pot or column still, I don’t know) but matured in heavily charred new American oak casks (a la bourbon). I believe the maturation process lasts 3 years—very young by classic Scottish standards, even in these days of NAS, but older than most Amerrican craft whiskeys (or at least older than they used to be in the bad old days). I’ve enjoyed it straight on several occasions since I opened the bottle but have enjoyed it even more as a rye/bourbon substitute in Manhattans. Alright, let’s get to the notes. Continue reading
Banhez Ensamble
One last mezcal to close out the month. This is an ensamble from Banhez that I purchased primarily for use in cocktails. The price is in the neighbourhood of $30 in the Twin Cities and was recommended from a number of different directions as one of the best choices in that end of the price spectrum. As it turns out, it’s also a decent sipping mezcal and so I thought I would also review it as such.
Banhez is an interesting outfit. It is a cooperative comprised of a number of families in Ejutla in Oaxaca: the U.P.A.D.E.C Cooperative. They release mezcals made from single varietals of agave and those bottles have the names of the distilling mezcaleros on them. The ensamble, however, a 90-10 blend of espadin and barril, is a collective bottling by the entire cooperative and does not bear the name of an individual mezcalero. Here are my notes on the first few pours from the bottle. Continue reading
Cinco Sentidos, Cuishe, Tio Tello
I guess this is a month of mezcal reviews. I kicked off the month with an excellent ensamble by Tio Rey in Oaxaca for Vago. Last week, I reviewed a cenizo made for Legendario Domingo by the Colon family in Michoacán. This week I’m back in Oaxaca. This mezcal was distilled from cuishe/cuixe, a variant of wild agave karwinskii (from which come a number of magueys used to distill mezcal). The mezcalero is Eleuterio “Tio Tello” Perez Ramos and the bottler is Cinco Sentidos, the brand from El Destilado restaurant in Oaxaca. As per the label, the production process was pretty artisanal: the maguey was roasted in conical ovens with mesquite and oak for five days, chopped by hand with machetes, and then mashed with hammers also made of mesquite. Fermentation took place in tanks made of cypress before distillation in a copper alembic still. Interestingly, the label also says that this was distilled in 2008 but only bottled in 2024. Since it’s still a joven I guess that means it spent 16 years in glass containers. I don’t know enough about mezcal to be able to say for sure but I think that’s a pretty long time compared to most. Technically, I suppose the spirit shouldn’t change in the glass but anybody who has opened bottles of whisky that were filled decades prior knows that “bottle maturation” is a thing. Anyway, having enjoyed Cinco Sentidos’ offerings before (well, their mole pechuga, a little less), I’m looking forward to this one. Let’s see what it’s like. Continue reading
Legendario Domingo, Cenizo
Legendario Domingo bottle mezcals made in various states of Mexico. As far as I can make out from their website, they currently have five labels, each covering batches of mezcal from a producer in a different region: Guerrero, Michoacán, Oaxaca, San Luis Potosi and Durango. This particular bottle is from the Colon family mezcalera from Nombre de Dios in Durango. It is made from a variety of maguey that I have never tried before (though that’s true of the majority of them): Cenizo; and I believe this is also the first mezcal from Durango that I have reviewed. The mode of production is quite different from that of the Vago Ensamble I reviewed last week. That one is a mezcal ancestral, the agave ground by hand and the spirit distilled in clay stills. This is a mezcal artesenal. The agave is roasted in an undeground oven but milled with an electric shredder; and the distillation happens in an alembic still. What it does have in common with Vago, however, is the general illegibility of the label. Thankfully, the labels are at least colour-coded for the different producers, so if this review inspires you to go out and look for this one, just keep an eye out for the purple label (though I’m not sure, I think each producer makes mezcal for Legendario Domingo from the same maguey each time). Okay, let’s get to it. Continue reading
Vago Ensamble, Tio Rey
Mezcal Vago has a colourful origin story—which you can read on their website—and bottles with colour-coded labels that are not very easy to read. The most important information comes—since, I think, their brand design a couple of years ago—from the colour of the label, which indicates which of the four Oaxacan mezcaleros they work with has produced the spirit in the bottle. The deep red label of this bottle, for instance, identifies the mezcal as the handiwork—and I do mean handiwork, as the cooked agave is mashed by hand before fermentation and distillation in barros or clay pot stills—of Salomon Rey Rodriguez, better known as Tio Rey. The broad strokes are legible enough on the front of the label: the mezcal is an ensamble comprised of spirit made from the espadín, arroqueño and coyote magueys. But if you want to find out the exact composition from the side of the label, you’ll need very strong eyes and/or reading glasses. As the owner of eyes that are weaker every year, and of very cheap reading glasses, I needed to take a picture with my phone and blow it up to read the text. I was eventually able to make out that this batch contains 68% espadín, 20% arroqueño and 12% coyote; and also that every ensamble produced by Tio Rey is unique in composition and therefore profile. (And it turns out that, in keeping with the general handmade ethos of the operation, even the labels are produced from the recycled mash from the distillation.) So unless it’s from the same batch as mine (see the lot number below), these notes may not have much to do with your bottle of Vago Ensamble from Tio Rey. With that caveat, let’s see what this is like. Continue reading
Gusto Historico, Madrecuixe, Victor Ramos
I opened this month’s booze reviews with a mezcal (this excellent ixterro amarillo from Chacolo) and so I may as well close the month’s reviews with another mezcal. This is a release from Gusto Historico, an outfit set up by Marco Ochoa, one of the founders of Mezcaloteca, a well-known mezcaleria in Oaxaca. They are relatively new to the American market. They feature mezcals that are all made, I believe, in Miahuatlán in Oaxaca. They work with a number of maestros but the few releases I’ve seen in stores in the Twin Cities all seem to be made by Victor Ramos (whose mezcal has also been released by Mal Bien). Such was the release, a tobala, that I reviewed just about a year ago and such is the release I’m reviewing today: made from the madrecuixe maguey. This species of maguey apparently takes a long time to mature and has a low yield, which means it mostly appears in small-batch releases. I think this may be my first-ever madrecuishe—I’ve only taken baby steps into the world of mezcal over the last couple of years—and so I can’t tell you how typical this particular expression is of the broader varietal. I can tell you that I’ve had the bottle open for a few days now and have really been enjoying it. Here now are my notes. Continue reading
Tamdhu 9, 1989 (Cadenhead)
Back when I became a deranged whisky person, there was a store in Burnsville, MN that had a pretty interesting collection of malts at quite fair prices: Blue Max. Well, they’re still around, but under new ownership for a while now and the old magic—to say nothing of the old stock and the old pricing—is long gone. I took chances on a number of independent releases there more than a decade and a half ago, whiskies about which very little information was available. Among them were several releases from the old Cadenhead’s Authentic Collection series in dark green bottles (including this Ardmore that I just adore). I don’t actually recall purchasing this young Tamdhu (Tamdhu-Glenlivet on the label) and it’s sat hidden in a corner of my whisky hoard for a long time now. I found it while looking for a non-peated bourbon cask whisky to round out my current lineup of open bottles (I like to have a spectrum of profiles on hand). I was a bit nervous while opening it. It was bottled in 1999 and there’s always a good chance a cork will come apart after 26 years. Thankfully, that did not happen. I’m also happy to say that I quite liked the first few pours from the bottle. It’s been open now for a few days and here therefore are my notes. Continue reading
Laphroaig Cairdeas 2025, Lore Cask Strength
I finally got my hands on a bottle of the 2025 Laphroaig Cairdeas. Just the one bottle though. Which means my collection of Cairdeas since 2011 might end in 2024 with the Cask Favorites. You see, I’ve been buying two bottles of the Cairdeas every year, one to drink and one to keep. (Well, in some excellent years—see the 2015 200th anniversary release— I bought more than two.) I fully acknowledge that this is a very silly enterprise. The Cairdeas has been up and down over the last 7-8 years; pretty good in some years; ho hum in others; nothing to really get me going since that 2015 release. Laphroaig’s approach to Cairdeas in recent years has something to do with that as they’ve either released wacky wine cask finishes or cask strength iterations of releases from their regular line. Last year’s release was particularly heavy on the “we’ve run out of ideas” subtext, being composed of casks from the previous two years. Which brings us to this year’s release, which the distillery says is a cask strength version of the Lore (yes, a whisky from their regular line). As to whether this truly is a cask strength version of the regular Lore is not clear: I’ve seen reports of people being told at the distillery that it was only made in the same way as the Lore, i.e with the same mix of cask types. If you know more about this, please write in below. In any case, I thought the Lore was fine when I reviewed it on release in 2017 but was never moved to go back and try more recent versions of it. However, this was made, I’m hoping it’s better. Let’s see. Continue reading
Chacolo, Ixtero Amarillo
It’s been a while since my last mezcal review. That review was of an añejo or aged mezcal (from Rancho Vale Madre in Oaxaca). Let’s get back now to joven or unaged mezcal, which is what I mostly drink. Technically, what I am reviewing today is not a mezcal. But only technically. Chacolo, you see, are located in Jalisco outside the Denomination of Origen for mezcal and so cannot use that name on their labels. But in every non-bureaucratic way this is mezcal, made in an exacting manner. Chacolo use the capon method of “castrating” the agave plant as it begins to send up a flowering stalk. But where most producers who use this method, leave the plants in the fields to concentrate their sugars for a few months, Chacolo let them rest for 3-4 years. Indeed, the mezcal I am reviewing today is made from Ixtero Amarillo maguey to which the capon process was applied for 4 years. Ixtero Amarillo is a variety of agave rhodacantha, and is an outlier in their fields: all the other agave they use are varieties of agave angustifolia, from which come most of the well-known types of mezcal. Another feature of interest is that the family’s fields are on volcanic soil, which is said to confer a greater mineral quality than usual to their mezcals. They are an interesting operation—you can read more about them on Mezcalistas. Continue reading