Glenmorangie Week continues with the 2019 release in the Private Edition series: Allta. You may recall that the Spios (reviewed on Monday) comprises spirit matured in rye casks. What is the twist in the Allta’s tale? Apparently, it is made using Glenmorangie’s own yeast. No, not harvested from the august personage of Bill Lumsden—I’m told he is very fastidious about hygiene—but wild yeast from somewhere around the distillery. This is either a very interesting thing or they’re running out of ideas. Anyway, let’s get to it.
Glenmorangie Allta (51.2%; from a bottle split)
Nose: The Spios featured big rye notes off the top and the Allta feature big yeasty notes; or at least big sour notes—it’s not particularly bready as the nose on many malts that feature yeasty notes often is. Instead here it melds nicely with lemon and a bit of grass; sort of like the base Glenmorangie spirit with some extra tangy sharpness: it works well enough. Not much change really with water—maybe a bit more acid? Continue reading →
Last week featured three malts from highland distilleries, all of which were extremely fruity (from Tomatin, Ardmore and Ben Nevis). I’ll stay in the highlands again this week but take up a brief residency at another distillery: Glenmorangie. And I’ll be reviewing the three most recent annual releases in Glenmorangie’s Private Edition series, all with Gaelic names of one kind or the other—I guess the owners go goofy with Ardbeg’s annual releases and play up Gaelic roots with Glenmorangie. Well, there’s not been much that’s been very Gaelic about these releases which have included a number of wine cask finishes. Such, for example, was the very first release, the Sonnalta (PX finish), the Artein (Sassicaia finish) and the Companta (mix of wine cask finishes). On the other hand, the Ealanta—yes, as I joked many years ago on Twitter, it’s hard to tell the names of Glenmorangie’s special releases apart fro those of South Korean sedans—had no wine involvement at all, having been matured in virgin oak casks. The Spios—the 2018 release—also has no wine cask involvement. Instead it’s been matured full-term in rye whiskey casks. This is an experiment that some whisky geeks have been calling for for many years. I remember discussion of it on the WhiskyWhiskyWhisky forums more than a decade ago—a good thing someone finally paid attention. Of course, if Glenmorangie wanted to really impress us they’d also tell us what kind of rye casks these were—MGP? A higher barely rye mashbill from someone else? Well, we can’t expect so much information when the distillery won’t even tell us how old the whisky is. Yes, this is a NAS release. Anyway, let’s see what it’s like. Continue reading →
So here we are at the end of Highlands Week (see here for Wednesday’s Ardmore and here for Monday’s Ben Nevis). It’s been a week of excellent whiskies so far and it’s also been a week of wonderfully fruity whiskies, albeit two of quite different profiles. Today’s Tomatin—which also takes us roughly another decade back in time in terms of bottling year—promises to keep that streak of fruity excellence going and it’s also likely to be of a different profile still. Tomatins of any era—leave alone the 1970s—don’t exhibit the mineral peat of Ardmore or the malty-gingery funkiness of Ben Nevis. What 1970s Tomatins—and 1976 Tomatin in particular—are known for is tropical fruit. I’ve registered on many occasions previously my suspicion of the notion of “magic vintages” for any distillery—usually these high scores turn out to be a case of sampling bias. That said, I have enjoyed the few Tomatin ’76s I’ve had immensely—I’ve reviewed two (here and here). This bottle is one I purchased from Binny’s in Chicago more than a decade after it was released—imagine that a Tomatin 1976 that hung around on the shelf of a major retailer for some 11-12 years—and didn’t pay anything approaching a king’s ransom for it—imagine that as well. There are a couple of these 23 yo, 1976s bottled by Old Malt Cask, by the way. This one was for the US market only (as far as I know), distilled in November 1976 and bottled in July 1999, yielding only 186 bottles. Let’s get into it. Continue reading →
Highlands Week got off to a great and terrifically fruity start on Monday with this Ben Nevis 23. It was also a timely start to the week and month, what with the cask having been bottled only in 2020. Today we go back almost a decade to a cask bottled almost a decade ago in 2012. This Ardmore 19 was one of several of similar age released at that time from the 1992 vintage. I’ve previously reviewed a 20 yo released by Whiskybase under their Archives label and another 20 yo released by the Whisky Agency (are they still around? I don’t think I’ve seen anything released by them in quite some time). Those ran the gamut from very good indeed to excellent. Both the Archives and the Whisky Agency cask were very fruity and so I am hoping that this one will not belie the hope I expressed on Monday that this would turn out to be not only Highlands Week but also Fruity Whisky Week. Let’s see how it goes. Continue reading →
Let’s get the month off to a likely fruity start with this Ben Nevis. I have three Ben Nevis on my long list for May and I’d said that if I reviewed a whisky that was part of a listed trio I’d likely review all three—as I’m liking organizing my reviews in a themed manner. However, given that I did a Ben Nevis week back in October and have reviewed three more since then, perhaps I don’t need to do another all Ben Nevis week. Accordingly, this will be the first in another week of reviews of highland malts (and I suspect it will also end up being a week of reviews of highly fruity malts).
This Ben Nevis was released in 2020—thus allowing me to spit in the eye of people who accuse me of only posting useless reviews of whiskies released a long time ago. Well, I don’t know that this review will be of any use to anyone either from a purchasing perspective, as I’d guess this sold out a long time ago. But perhaps some of my readers have or have already finished a bottle of this. If so, please consider sharing your take on it in the comments as well. Continue reading →
Here to close out sherry cask week and the month on the blog is a 27 yo Auchroisk bottled by Cadenhead in 2016. It is somewhat atypically—based on my experience anyway—a sherry cask. Bourbon cask Auchroisk can be wonderfully fruity and I’ve been intrigued by the distillery ever since I drank this fruit bomb bottled for Binny’s by Signatory some years ago (and which I probably gave too low a score then). Most of the other Auchroisks I’ve had have been bourbon casks as well (for example, this, this and this—the last of those another 27 yo from Cadenhead). But I don’t mean to suggest that I’ve not had any sherry cask Auchroisks before; just last year I reviewed another, a 22, 1990 bottled by Whisky-Fässle. I liked that one a lot and particularly liked that the sherry in that case was not very obtrusive and certainly did not cover up the fruit. I’m a little less sure of this one—the reviews on Whiskybase suggest it may be one best aligned with the tastes of the German market, with more than one reviewer noting the presence of “dirty sherry”, which is another way of saying sulphur. Well, as it happens I don’t mind sulphur when it presents in the savoury gunpowder end of things. But I do hope that it won’t block the fruit. Let’s see how it goes. Continue reading →
As I said on Monday, the last week of this month is sherry cask month. The week got off to a high abv start with a Glenrothes 12 bottled by the SMWS from a first-fill oloroso sherry cask. Today I have an official Glendronach 18, a PX puncheon bottled for the UK. On release this cost me $103 at the then much higher $/£ exchange rate. These days I’m sure it would cost a far prettier penny on the secondary market.
I have to say I am a little nervous going into this. On the one hand, some of my favourite Glendronachs have involved PX (including this one, also bottled for the UK market). However, my experience also suggests that these PX releases are also the most likely to involve shenanigans from Glendronach’s so-called “single cask” regimen and unsuccessful ones at that. Certainly some of the flabbiest of these alleged “single casks” I’ve had from the distillery have seemed to involve re-racking in PX casks to rescue spirit that had probably gotten over-oaked or just gone flat in terms of flavour. Such, for example, was this one, also a PX puncheon. Let’s hope this is closer to the 1993 than the 1990. Continue reading →
I’ve already done three themed weeks of whisky reviews this month and so may as well end with another. The first was a week of whiskies from the Loch Lomond distillery—the new Inchmurrin 12, the new Inchmoan 12 and the new Loch Lomond 12. That was followed by a week of whiskies from Highland distilleries—a Dalwhinnie, a Dalmore and a Glenmorangie. Then last week saw three whiskies from Springbank—the 2019 Local Barley release, a Hazelburn 12 from a decade previous and last year’s Springbank 17, Madeira Wood. What there hasn’t been a lot of this month is sherry cask whiskies and so let’s end with a week of single sherry casks.
First up is this Glenrothes 12, 2007 bottled by the SMWS. I’ve previously reviewed two other Glenrothes 12, 2007s bottled by the SMWS (their two Glenrothes releases immediately prior to this one, in fact—here and here). Both of those were at ludicrous abvs and so is this one. I’m not generally a fan of whiskies at stupid strengths—especially those coming out of first-fill sherry casks, as all three of these did—but I did end up liking those two a fair bit once I added the right amount of water. I’m guessing this will need a fair bit of water too—I do hope it will be as good as the others.Oh yes, the SMWS named this “Inferno Toffee Pudding”. Continue reading →
Springbank week began on Monday with a review of the 2019 edition of the Local Barley. On Wednesday I had a rather more untimely review: the 2009 release of the Hazelburn 12. Today’s review is far more timely, being of a whisky released in 2020. But the whisky world being what it is these days, you may not have very much luck in finding a bottle. And Springbank prices being what they are these days, even if you did you’d probably have to sell a kidney to buy it. The whisky in question is a 17 yo billed on the front label as “Madeira Cask Matured”. In fact—as the rear label clarifies—it’s a vatting of 14 yo rum and bourbon cask spirit matured for a further 3 years in fresh madeira hogsheads. As it happens, one of the first Springbanks I had outside of the standard age-stated lineup was an 11 yo Madeira wood release from 2009—well before I started this blog—and I liked that one a lot (I think I still have a bottle of it on my shelves). And I also quite liked a 14 yo released by K&L in 2011 as well as a 16 yo released in 2013 that was double matured for 10 + 6 years in bourbon and madeira casks. So the odds seem to be in favour of my liking this one as well, despite its more Frankenstein’s monster’ish composition. Let’s see if that actually proves to to be the case. Continue reading →
Springbank week began with the 2019 release in the Local Barley series. It continues with a Hazelburn 12 released a decade before that. This is one of many bottles that I purchased in the 2008-2012 timeframe—also known as The End of the Golden Age of Single Malt Whisky—and never got around to opening (on account of having purchased too many bottles of whisky at the time). Well, I’m opening them up now one by one and the time of this Hazelburn has come.
Having done a week of reviews of highland malts, let’s go all the way down south from Tain to Campbeltown for a week of reviews of whiskies from the Springbank distillery: two Springbanks and a Hazelburn.
Let’s begin with a Springbank 10. This is part of the vaunted Local Barley series; it was distilled in 2009 and bottled in 2019. Another 10 yo was released in 2020 in the same series but that one was, I believe, matured entirely in oloroso casks. This one is put together in a complicated manner, involving 77% bourbon cask whisky, 20% sherry cask whisky and 3% port cask whisky. I’m sure there are people who swear by that 3% of port casks but I’ll be shocked if I’ll be able to find any trace of it here. I won’t be shocked, however, if I like this a lot. I’ve liked all the others I’ve had in the Local Barley series a lot: I’ve previously reviewed a 16 yo, an 11 yo and a 9 yo. That 9 yo was also from the 2009 vintage but I think it was made in altogether more conventional way. At any rate, if this is as good as that one was I’ll be very happy indeed. Let’s see if that proves to be the case. Continue reading →
Highlands week started at Dalwhinnie and then moved up north to Dalmore. Let’s go a bit further north today, to Tain and the Glenmorangie distillery. I noted on Wednesday that independent Dalmore is a pretty rare commodity; the same is true of Glenmorangie, indeed, even more so. As per Whiskybase, Dalmore has been bottled by a number of indie outfits; for Glenmorangie, on the other hand, Whiskybase lists very little. It’s a rare distillery that doesn’t have any releases from either Gordon & MacPhail or Cadenhead but Glenmorangie is one of them. Whiskybase shows only one mini from James MacArthur and then a fairly large number of releases from the Scotch Malt Whisky Society. The fact that Glenmorangie now owns the SMWS doubtless has something to do with the fact that that is the one indie bottler that gets a number of their casks. As a result it’s also the place to go to try Glenmorangie’s whisky outside of the wine-finished high-concept format that rules their official lineup beyond the 10 and 18 yo. This whisky is one of those: a 16 yo from a first-fill bourbon barrel that the Society saw fit to dub “Vibrant and exotic”. Let’s see what it’s like. Continue reading →
Let’s stay in the highlands but go 75 miles or so up the A9 from Dalwhinnie to Dalmore.
Dalmore sits on Cromarty Firth, hence presumably the name of this release—though why the possessive has been added to the name I do not know. I haven’t had official Dalmore in ages—not since the prices for their regular releases rose sharply, though not as sharply as the rate of release of bullshit from the distillery, whether in bottled or marketing form. Still, independently bottled Dalmore is very rare on the ground and just as rare is bourbon cask Dalmore and so this is very intriguing on the face of it. As with a number of K&L’s recent round of cask exclusives, this one is teaspooned. I assume that is the distillery’s way of making sure that no independent whisky appears with the name Dalmore on the label. My experience so far of these teaspooned K&L casks has been middling. I was not overly impressed by either the 28 yo John McCrae/Balvenie or the 23 yo Hector Macbeth/Glenfiddich. Will this Dalmore set a new trend? I hope so as I have a few more of these teaspooned casks left to review. Continue reading →
Here’s an old standby that I have never reviewed and which I last tasted so long ago that I do not remember when it was. Dalwhinnie is one of those distilleries that Diageo plucked out of obscurity by including it in its Classic Malts lineup in days of yore but—like Glenkinchie from the same lineup—it has never really had much of a profile. Very little Dalwhinnie has ever been released—indeed, until the recent NAS “Winter’s Gold” release this 15 yo was the only regular release from the distillery. It was also included in Diageo’s random Game of Thrones money grab and that’s the only Dalwhinnie I’ve reviewed on the blog until now. An older Dalwhinnie was in Diageo’s Special Release lineup last year; it got good reviews but I’m never going to be tasting that. Given the paucity of independent releases my count of Dalwhinnie reviews is not likely to rise dramatically any time soon—though I should try to track down a sample of the Winter’s Gold at some point. I am nonetheless glad to double my current count with this review. Continue reading →
Let’s close out Loch Lomond week with the new Loch Lomond 12. Well, I’m not actually sure if there is anything new about this version of the 12 yo beyond the packaging and the “Perfectly Balanced” epithet it now bears. The Inchmurrin 12 and Inchmoan 12, you may recall, go by “Fruity & Sweet” and “Smoke & Spice” respectively. As to whether this Loch Lomond 12 is meant to be the perfect balance between those two or represent some more Platonic perfect balance of malt whisky character, I don’t know. I do know that I liked the last Loch Lomond 12 I tried and if this is at least as good I will be happy. I’ll be happier still if the distillery knocks off its dubious marketing claims re its origins—which decidedly do not go back to 1814 no matter what their packaging may claim. Why they insist on selling this bogus claim when they make interesting and rather unique whisky that can stand on its own merits I really can’t say. Anyway, let’s see what this is like. Continue reading →
Actually, Loch Lomond makes a number of different styles of whisky. On Monday I reviewed the new Inchmurrin 12 and today I have a review of the new 12 yo version of Inchmoan aka the whisky with the most unintentionally and comically dirty name in all of Scotland. My understanding is that Inchmoan is essentially peated Inchmurrin, made the same way except with peated malt. Like Inchmurrin, and a few of the other Loch Lomond variants, Inchmoan is named for an island in Loch Lomond—the loch not the distillery. How exactly it differs from Loch Lomond’s other peated whiskies—Inchfad and Croftengea among them—I don’t know but someone else can doubtless tell us. Unlike the Inchmurrin, I don’t believe there’s ever been a regular release of Inchmoan and so this 12 yo—which bears the epithet “Smoke & Spice”—may be a newcomer to the stable. Let’s see what it’s like. Continue reading →
At some point recently the Loch Lomond distillery revamped their slate of official releases. At the entry-level now are three 12 yo malts, all very fairly priced: an Inchmurrin, an Inchmoan (basically peated Inchmurrin) and a Loch Lomond. The Inchmurrin is billed as “Fruity & Sweet”, which will come as no surprise to anyone who has had malts from this label or any malts really produced in the last decade or so at Loch Lomond: they all tend to be fairly fruity, Inchmurrin in particular. Also at some point recently—more regrettably—the Loch Lomond distillery decided to engage in some pretty dishonest marketing about their history. I’ve gone over this in a separate post last month: essentially, despite only having been founded in 1965 or 1966 they are now claiming a history going back to the early 1800s. This is really regrettable as the whisky they’re making can stand on its own merits. I will admit that it’s been a bit of a quandary for me whether to review these whiskies from the distillery or not, given their dishonest marketing. I decided finally to go ahead but to foreground that dishonest marketing each time. I do hope they’ll knock it off soon. Continue reading →
Following Monday’s Tamdhu and Wednesday’s Balvenie, let’s make it a whole week of 20+ yo Speyside whiskies. This Glen Moray was bottled by the Scotch Malt Whisky Society and they gave it the relatively restrained—by their standards—nickname “Desert Island Dr(e)am”. It was bottled from a first-fill toasted hogshead. I assume this means a relatively tired hogshead was reconditioned via toasting and then filled. Was this done at origin in 1994 or is this merely the cask in which this whisky spent some time prior to bottling? I do not know. If you know more about this please write in below. In the meantime, I will note that I have previously reviewed a SMWS-issued Glen Moray 24, 1994 and that too was from a first-fill toasted hogshead. I wasn’t overly enthused by that one, which I found to be far too oak-driven for my taste. Let’s hope this one puts on a better, less woody show—though given the dark colour, I am a little nervous. Continue reading →