Here is my long-threatened post on books. I’ve written various versions of it over the last few months, junking each one. What I’d originally planned was a long post on contemporary South Asian fiction—taking in its history and development, surveying the scene in various languages, commenting on national and global market forces and international acclaim for a handful of writers, and ending with some recommendations of books by lesser-known writers. But each time I’d start to write it, it would begin to balloon in my head into something more suited for academic readers and I’d balk at basically bringing my work life into the blog (which is where I come to do do things I don’t do at work). And so, I’ve decided to instead break that proposed survey into an occasional series of posts highlighting (books by) South Asian authors and authors of South Asian origin that I think deserve more attention than they get.
This does not mean that I will be writing (only) about relatively obscure or hard-to-find authors—though there will be some of that. In fact, the author I am beginning with is someone who is reasonably well-known outside India and each of whose books for the last couple of decades have been published by major American houses: Amitav Ghosh. Continue reading