Here to close out sherry cask week and the month on the blog is a 27 yo Auchroisk bottled by Cadenhead in 2016. It is somewhat atypically—based on my experience anyway—a sherry cask. Bourbon cask Auchroisk can be wonderfully fruity and I’ve been intrigued by the distillery ever since I drank this fruit bomb bottled for Binny’s by Signatory some years ago (and which I probably gave too low a score then). Most of the other Auchroisks I’ve had have been bourbon casks as well (for example, this, this and this—the last of those another 27 yo from Cadenhead). But I don’t mean to suggest that I’ve not had any sherry cask Auchroisks before; just last year I reviewed another, a 22, 1990 bottled by Whisky-Fässle. I liked that one a lot and particularly liked that the sherry in that case was not very obtrusive and certainly did not cover up the fruit. I’m a little less sure of this one—the reviews on Whiskybase suggest it may be one best aligned with the tastes of the German market, with more than one reviewer noting the presence of “dirty sherry”, which is another way of saying sulphur. Well, as it happens I don’t mind sulphur when it presents in the savoury gunpowder end of things. But I do hope that it won’t block the fruit. Let’s see how it goes. Continue reading
I’ve already done three themed weeks of whisky reviews this month and so may as well end with another. The first was a week of whiskies from the Loch Lomond distillery—the new Inchmurrin 12, the new Inchmoan 12 and the new Loch Lomond 12. That was followed by a week of whiskies from Highland distilleries—a Dalwhinnie, a Dalmore and a Glenmorangie. Then last week saw three whiskies from Springbank—the 2019 Local Barley release, a Hazelburn 12 from a decade previous and last year’s Springbank 17, Madeira Wood. What there hasn’t been a lot of this month is sherry cask whiskies and so let’s end with a week of single sherry casks.
First up is this Glenrothes 12, 2007 bottled by the SMWS. I’ve previously reviewed two other Glenrothes 12, 2007s bottled by the SMWS (their two Glenrothes releases immediately prior to this one, in fact—here and here). Both of those were at ludicrous abvs and so is this one. I’m not generally a fan of whiskies at stupid strengths—especially those coming out of first-fill sherry casks, as all three of these did—but I did end up liking those two a fair bit once I added the right amount of water. I’m guessing this will need a fair bit of water too—I do hope it will be as good as the others.Oh yes, the SMWS named this “Inferno Toffee Pudding”. Continue reading
Following Monday’s Tamdhu and Wednesday’s Balvenie, let’s make it a whole week of 20+ yo Speyside whiskies. This Glen Moray was bottled by the Scotch Malt Whisky Society and they gave it the relatively restrained—by their standards—nickname “Desert Island Dr(e)am”. It was bottled from a first-fill toasted hogshead. I assume this means a relatively tired hogshead was reconditioned via toasting and then filled. Was this done at origin in 1994 or is this merely the cask in which this whisky spent some time prior to bottling? I do not know. If you know more about this please write in below. In the meantime, I will note that I have previously reviewed a SMWS-issued Glen Moray 24, 1994 and that too was from a first-fill toasted hogshead. I wasn’t overly enthused by that one, which I found to be far too oak-driven for my taste. Let’s hope this one puts on a better, less woody show—though given the dark colour, I am a little nervous. Continue reading
Okay, let’s end the month with another older Speyside from a bourbon cask, and having started the month with one of K&L’s recent exclusives, let’s end it with another. This is one more of the many teaspooned casks released by K&L this year, in this case a teaspooned Balvenie—why John McCrae, I have no idea. As far as I can make out from K&L’s marketing spiel, this cask was not teaspooned prior to bottling but right at the beginning when the spirit entered the cask, presumably using a bit from one of William Grant’s other malts (Glenfiddich or Kininvie) but that’s only speculation on my part. Balvenie almost never shows up under its own name from independent bottlers— and very rarely shows up at all by any name. And so, however this was made and sent out into the world, it is a welcome opportunity to try older bourbon cask Balvenie. Let’s hope what’s in the bottle doesn’t let me down. Continue reading
I purchased this bottle in December 2010. I cannot fully explain why it has taken me more than a decade to open it. I do know why I didn’t open it right away though. I’d been drinking single malt whisky for the better part of a decade at that point but 2009/2010 is when I began to spend a lot of money on it and when I began acquiring more bottles than I could drink down at my normal, rather moderate rate of intake (1-2 drinks a night). This was not one of the very first older whiskies I’d purchased then but it was the first whisky I’d purchased that was a pick by a group I was part of. That group was the venerable Whisky Whisky Whisky forum, which I was an active member of then, before it—like many forums—fell prey to the creep of social media. I think I’ve said before that the decline of that forum was a large part of the impetus for starting this blog in 2013. This was the first—only?—cask of whisky bottled by the forum and for me it was an entree to an exciting world of “exclusive” picks that I’d only read about till that point. And so I put it away for a special occasion…and then forgot about it for a decade. Now I’m drinking my collection—mostly acquired in the 2009-2014 timeframe—down far more rapidly than I’ve ever done and I’ve begun to open a number of these “special” bottles. I was a bit nervous when I uncorked this one for the first time last week—after a decade’s wait would it actually be good?—but I’m glad to report the notes don’t include retroactive regret. Continue reading
Early in the beginning of the previous decade Glenfiddich seemingly decided to become a more interesting single malt producer. Not content with being the most recognizable bottle and most recognizable name in all of single malt whisky-dom in the world they decided they too needed the attention of the
obsessive idiots cool kids who make up a tiny fraction of the world whisky market—and indeed also of the world single malt market. The Snow Phoenix and its ludicrous tin may have been their entry into this phase, confirming as it did that obsessive idiots discerning malt drinkers will hoover up anything with a good story attached. Releases like the Age of Discovery and Cask of Dreams and Ark of the Covenant followed (okay, I made one of those up). Then things went quiet for a while (by which I mean I stopped paying attention: for all I know they kept putting out special releases). Then a few years ago they launched their so-called Experimental series. The IPA cask was the first in 2016 (I was intrigued but never got around to trying it). Then came the XX which was sexy but not did not involve penetration (or so I assume). Then something called the Winter Storm which was banned in Minnesota for being too close to life. Then came the Fire & Cane (in 2018?). This is made from a mix of peated and unpeated spirit that is finished in rum casks. How old is it? How dare you ask such personal questions! I was intrigued by this one as well and when a chance recently came to taste it via a bottle split I jumped at it. Let’s see what it’s like. Continue reading
Okay, back to K&L exclusives. I’ve quite liked the two I’ve already reviewed from this batch of casks—a Bunnahabhain 12 and a Craigellachie 16. Today’s review is of a cask going by name you migtht not recognize: Hector Macbeth. This is a a Glenfiddich that has been teaspooned. If you don’t know what that means, don’t worry: it’s nothing kinky. Teaspooning refers to the practice of adding a tiny amount of a malt from a different distillery to a malt to prevent it from being sold as a single malt. It’s a practice certain distilleries engage in to keep their brand from being diluted—from their perspective—on the independent market; or, if not diluted, presented differently than they would like it to be. This K&L parcel contains a number of these teaspooned malts, some of them pretty old. This “Glenfiddich”, for example, is 23 years old. It was finished in a refill sherry butt (what kind of cask the teaspoon came from is unknown). I’m not sure if it’s still available but $120 was the price being asked for it when I last checked. That seems like a great deal in the abstract but my history with K&L exclusive casks with big age statements that are priced like they’re crazy deals has me not overly optimistic. But I’ll be very happy to be surprised. Continue reading
On Monday I had a review of a Benrinnes 22, 1995. Here now is a review of another Benrinnes 22, 1995. Though Monday’s was bottled by the Paris store, La Maison du Whisky and today’s was bottled by Signatory, there is a pretty good chance that the source is the same. I don’t mean the distillery but Signatory themselves—as I noted on Monday, I’ve read before that they are the sources of LMDW’s casks (and also of some other EU stores and bottlers). At any rate this cask is just a few numbers away from Monday’s: that was hogshead 9063 and this is hogshead 9065. You may recall that I really liked Monday’s whisky. If this one is as good I will be very happy no matter what the nature of their sourcing may have been in reality. I believe this cask was bottled for the Nectar, a Belgian importer and wholesaler whose Daily Drams series is well-regarded (and from which I’ve previously reviewed a few releases). All signs point to a good outcome. Let’s see if that proves to be the case. Continue reading
A Benrinnes review on Monday and there’ll be another Benrinnes review on Friday. In between here is a Craigellachie. This is another from K&L’s recent round of exclusive casks and is from a sherry butt. It’s been three years since my last Craigellachie review and almost four since my last review of one from a sherry cask. I am a big fan of the earthier, meatier style of spirit that Craigellachie produces and in my limited experience it’s particularly good coming out of good sherry casks. Is this one of them? Let’s see.
(And remember, as I announced in my review of K&L’s Bunnahabhain 12 last week, I have an exciting new feature for these K&L reviews: a second rating—Everybody Wins! or EW! for short—that those who get sad when I don’t give everything 90 points can look at and feel happy about.) Continue reading
Here is the first of two Benrinnes reviews this week. This one was bottled by the famous French store, La Maison Du Whisky in their Artist series. The label lists the vintage as 1995 but the age is given as “Over 20 Years”. Which is true as it was bottled in 2018. This is the first instance I can remember of a bottler choosing not to go with a higher number on a label—was/is this par for the course for the Artist series? This means that this is probably the same age as my next Benrinnes, which is also from 1995 and is marked as a 22 yo by bottler Signatory. Indeed, I remember reading at some point that Signatory is probably the source of La Maison Du Whisky’s casks and so this may well be from the same parcel. I haven’t yet looked up the particulars of that cask and to do so would require me to get up and walk across the room so you’ll have to wait a couple of days or hope I remembered to do so before finalizing this review. Continue reading
Let’s close the month with one more review of an official release. This Glen Grant 18 was apparently added to the distillery’s portfolio in 2016, where it sits at the top of the range. (The Glen Grant bottles were all redesigned at some point too—I have to admit I’ve not really kept track of the distillery releases.) Not too long after its introduction sentient wart Jim Murray named it one of the best whiskies of whatever year that was and I imagine that caused a mix of derision and frantic buying. It’s now widely available, including in the US where it seems to be going for anywhere between $110 and $160 and prices even further north. In the current single malt market an official release 18 yo in the $110 range is not a bad deal (if you can find it at that price). But is it any good?
Glen Grant 18 (43%; from a bottle split)
Nose: Fresh and juicy (apples, pears a bit of lemon) with some toaste oak in the background. Maltier/muskier on the second sniff with some pineapple in there too. Not too much change with time; maybe a bit sweeter. A drop or two of water and it’s muskier with more pear now than apple. Continue reading
I’ve reviewed a few Tamdhus over the years but this is my first review of an official release. When I first started drinking single malt whisky the Tamdhu 10 was always a very affordable malt that presented reliable, if unspectacular pleasures. But about 10 years ago the line got revamped—I think there was an ownership change—with new bottle designs (somewhat resembling cola bottles) and higher prices. I still had a few bottles of the older 10 yo in reserve and by the time I got through with them (though I still have one bottle squared away, I think) I had lost touch entirely with the distillery. Indeed when the chance for this bottle split arose I was not sure how long ago the 15 yo joined their lineup. A quick bit of googling suggests that it hit the market in early 2019 as a “limited edition” of 24,000 bottles. And it is apparently entirely aged in oloroso sherry casks, made from a mix of European and American oak. Continue reading
Here’s an unlikely whisky to kick off the year’s reviews. This 9 yo Benromach was bottled for Costco, San Diego. Hands up if you knew that Costco does store picks. Well, maybe you all live in more sophisticated places and each Costco in your city has its own pick but our local Costco has no store pick single malt whiskies that I’m aware of—and if any other local Costcos carry any I’m sure I would have heard. This was bottled and hit the shelves sometime in 2020 but seems to have been snapped up. Or so I’m told by Florin (second assistant rhinoceros wrangler at the San Diego Zoo) who went to a Costco there last week to see if any were still available and came away disappointed. He did mention that there was a Sassicaia cask finish Benromach on the shelf—as to whether that’s also a Costco, San Diego exclusive or just one of Benromach’s regular wineskies, I don’t know; but even if the latter that’s already a more exotic selection than is ever available at Costco, Burnsville. On the other hand, does Costco, San Diego carry whole goat? Continue reading
Okay, let’s cut back to the Speyside and stop in at a distillery I don’t know much about and have not tasted very much from: Dufftown. Part of Diageo’s massive portfolio, Dufftown is best known as one of the three distilleries in the Singleton series. I believe the Singleton of Dufftown was originally the one released in Europe, though now all three Singletons are apparently being released in all three major markets (Europe, North America, Asia). It pains me to say that I have not had very positive experiences in the past with the distillery’s output. I scored the Singleton of Dufftown a mere 76 points and a Signatory-bottled 18 yo from K&L didn’t fare very much better at 78 points. This 9 yo was actually distilled two years after that Signatory and was bottled by Gordon & Macphail for Binny’s. I’ve lost touch with Binny’s single cask program since they stopped shipping to Minnestoa (or out of Illinois for that matter) but back in the day I always had a high regard for their picks, especially of bourbon casks. Let’s see if this repays my trust. Continue reading
Okay, time to head north. Let’s go all the way up to the Speyside, to Glen Moray. I still regret not finding the time to tour Glen Moray when I visited in 2018—hopefully, I’ll get the chance again someday. However, since then I have got to enjoy a few Glen Morays, including a 23 yo, distilled in 1994 that was part of K&L’s exclusive haul last year. Today’s Glen Moray is a year older and distilled a year later. Where the K&L cask was a refill barrel this one is from a first-fill toasted hogshead and I suspect that difference will mean more than the closeness in age and vintage. Hopefully, it won’t mean overbearing oak. I’ve been reviewing a lot of SMWS casks of late courtesy a bunch of bottle splits. Every time I hit a run of strong casks I begin to think that maybe I should join the SMWS after all these years despite their high prices. There isn’t a lot of interesting indie whisky around these days at reasonable prices after all. But then I invariably run into a cask that makes me iffy again. Where will this one fall? Let’s see how it works out. Continue reading
I don’t have much experience with Convalmore, a Speyside distillery that closed in 1985, just one year after this whisky was distilled. During its active period it produced exclusively for blends—as did and do most Scotch distilleries. The ownership situation of the brand is a bit confusing. My understanding is that when it was mothballed in 1985 the premises were sold to William Grant & Sons (owners of Glenfiddich and Balvenie) and used by them primarily for warehousing. The brand, however, is owned by Diageo—because the active distillery was part of the portfolio of Diageo’s precursor?—as is the remaining stock. If I am wrong about any of this—likely—or if you can confirm any of it, please do write in below. At any rate, very little Convalmore has ever been released as a single malt—Whiskybase lists only about 100 unique releases over the years. The most famous of these are a couple of Diageo special releases. Predictably G&M and Cadenhead have bottled far more. This cask was bottled by G&M for the American market in 2006. I purchased it from Binny’s in 2013—which should give you a sense of how relatively recent the boom in single malt purchasing insanity is. Anyway, I’d forgotten I had this bottle. Looking forward to finally tasting it. Continue reading
On Wednesday I had a review of a 12 yo Glenrothes distilled in 2007, matured in a first-fill sherry butt, and bottled in late 2019 or early 2020 by the Scotch Malt Whisky Society at a very high abv. Here now is another. Will I like it as much as I did the sibling cask despite it being a young sherry bomb at a ludicrous strength? Let’s see. They named this one “Espresso to the Power of 4” which means…something.
Glenrothes 12, 2007 (64.5%; SMWS 30.110; first-fill sherry butt; from a bottle split)
Nose: This is fruitier from the get-go than the sibling cask, with plum and apricot coming through very strongly. Some raisins in there too and a bit of dusty oak. Water pulls out toffee and light maple syrup and amps the apricot up pretty high.
Palate: Ah yes, all the fruit from the nose, mixed in nicely with orange peel, all framed by a solid backbone of spicy (but not tannic) oak. More approachable and expressive at full strength than the other. Let’s see what water does. It amplifies the fruit further and pushes the oak back a bit. Continue reading
In my review in the summer of a very old Glenrothes I noted that despite the fact that my introduction to single malt Scotch whisky had involved a number of teenaged OB releases, I hadn’t reviewed any of them on the blog. Indeed, the youngest Glenrothes I’ve previously reviewed was a 15 yo (this Signatory release of a refill sherry butt, reviewed when the blog was just a few months old). Well. I have two reviews of 12 yo Glenrothes this week. Neither are official releases, however. Indeed both are from the Scotch Malt Whisky Society; they were distilled in 2007 and released in late 2019 (or maybe early 2020). Both are also high-octane whiskies from first-fill sherry butts. I’m always a bit iffy about both whiskies with stupidly high strengths and young sherry bombs; these SMWS releases fit both descriptions and yet I went in on bottle splits of them anyway. What can I say? I am large, I contain multitudes. Despite my prejudices, will I find this “strangely soothing”? (That’s the name the SMWS gave this, in case you’re wondering.) Let’s see. Continue reading