The Cragganmore 12 was one of the first single malts that I drank and purchased a bottle of when I first started drinking single malt whiskies well over a decade ago. I liked it well enough then. But as my awareness of the category grew past easily available official bottlings to more and more obscure independent releases, I sort of lost track of it. The fact that the distillery is very rarely represented on independent bottlers’ lists probably didn’t help either. But this June, while in the Speyside, I made a brief visit to Cragganmore with my friend Daniel, and the few sips I had of the samples they gave us in the shop rekindled my interest. Especially as I realized that in the many years since I’d last tried it I’d more or less forgotten what the Cragganmore 12 was like: the malt I remembered was much more delicate than the one I tried (a similar thing happened for me with the Oban 14 not too long ago: another malt that I hadn’t tried since my early days in the hobby). I also rather liked the feel of the little distillery. Accordingly, on my return to Minnesota I purchased a bottle with a view towards renewing my acquaintance with the whisky more fully. Here are my notes from halfway down the bottle. Continue reading
Here is my first timely review in almost a month. This Aberlour was recently released by Archives (the label of the excellent Whiskybase store in Rotterdam) and is still available. It has a number of things to recommend it: the Archives releases are always at least solid; it is priced very fairly in the current market; and it is a bourbon cask Aberlour. I sing the praises of bourbon cask Aberlours every time I review one; it really boggles the mind that the distillery (or rather its owners) don’t do more to feature their bourbon casks. I opened this particular bottle recently for one of my local group’s tastings—the theme was ex-bourbon whisky and it was well-liked by everyone in attendance. I thought the oak was just a little bit too assertive but not enough to mar the whisky. I’m interested to see if it might have settled down now that the bottle is at the halfway mark. Of course, those who are less sensitive to oak in whisky than I am will probably not be bothered by that aspect of it anyway. Continue reading
Ah, Whisky Galore—the name takes me back. This was Duncan Taylor’s entry-level line of malts for the enthusiast back in the day. The whiskies were bottled at 46% and were generally of a pretty good quality. Some of the bottles in this line were my earliest forays into the world of independently bottled whisky and gave me the confidence to spend more money on older whiskies—some of those in Duncan Taylor’s own older lines. At some point in the the last decade and a half the Whisky Galore line was replaced by the NC2 line and all the competitively-priced older Duncan Taylor releases disappeared. The NC2 series is also now gone. The entry-level Duncan Taylor line we see in the US now is Battlehill—ubiquitous on the shelves of the Total Wine chain.
Anyway here’s a throwback review of a Whisky Galore release from an unheralded distillery. Glenlossie is another Speyside disitllery, part of Diageo’s portfolio, producing for their blends. Every distillery in Scotland is capable of producing excellent casks, however, and it’s the independents that let us see this. Let’s see if that’s the case here. Continue reading
I’m going to stay in the Speyside this week but things are probably not going to get very much more mainstream or timely than Monday’s review of a Miltonduff released in 2012. Today’s review is of a malt from a distillery that closed amid the great slaughter of distilleries in 1983. Its reputation has never approached that of some of the other distilleries that closed then (Port Ellen, Brora) or even others that closed later (Caperdonich) and nor has it seen a wholesale re-evaluation in later years (as, for example, has Littlemill). This is presumably because not enough Dallas Dhu survived to emerge in the late 1990s and 2000s as casks from many other distilleries did. I’ve certainly enjoyed the few I’ve had. Like one of those this is from a cask filled in 1979 (ignore what it says on the label—that’s a typo) and was also bottled by Signatory. That bottle—more so than the other one I reviewed—exhibited a grainy, plasticky note that took a while to fade and which held it back at the time of my review. Let’s see if this one also has it. Continue reading
Here’s a malt from a relatively obscure distillery released by a pretty obscure independent bottler. Well, I suppose Miltonduff is not so very obscure a name to whisky geeks but it has very little by way of reputation and not too many people have tasted very much of its output (I’ve only reviewed four others). The distillery is part of the Chivas Bros. portfolio and produces malt for the group’s blends. Other than in the seemingly-discontinued Cask Strength Edition series (for example), very few official releases have seen the light of day—though I believe there is now a 15 yo official release. As for Tasting Fellows, I have no idea who they were. I say “were” because Whiskybase only lists 12 releases and the last was in 2014. This Miltonduff was from their first release in 2012 and I purchased these samples then from the Whiskybase shop. I then forgot about them for almost six years until they recently emerged from a search in my shelves for something else. I decided to drink them before losing sight of the samples again. Continue reading
Is this my first review of a whisky from the Speyside distillery? I believe it is. And I believe it is also the first (and only) whisky I’ve ever tasted from the Speyside distillery—it was only founded in 1990 and its first single malt release was in 1999. My only other exposure to anything related to this distillery is the independent bottler, Scott’s Selection: the Scott of Scott’s Selection, Robert Scott, was Master Blender at the Speyside distillery. I’m not entirely sure but I think Scott’s Selection—which I think is now defunct—was in fact a property of Speyside, which means that they are one of few distilleries that also operate as independent bottlers. Bruichladdich/Murray McDavid and Benromach/Gordon & MacPhail are few of the others that come to mind as similar examples, past and present, though Bladnoch under Raymond Armstrong is probably the nearest analogue. Doubtless there are others (please write in below). The distillery also produces the Drumguish and Cu Dubh brands. Continue reading
Like most people, I have not had very many whiskies from Cardhu. This is because there are very few whiskies from Cardhu for people to try. Even the redoubtable Serge—who just posted his 14,000th whisky review—has reviewed “only” 34 Cardhus. And Whiskybase lists less than 100 different Cardhus—and most of those are different incarnations of the 12 yo (which I have reviewed and liked—almost five years ago). At any rate, if there exist people who can confidently tell you what the characteristics of Cardhu are at different ages, from different decades, and from different cask types, I am not one of them. I’m sure those people exist, by the way—and as per the comments on my review of the 12 yo, they’re probably in Spain, where Cardhu is apparently a very popular malt. As the only other Cardhu I’ve ever had is the 12 yo this is both the second and the oldest Cardhu I’ve ever had. It was bottled by the SMWS in 2012 and they called it “Lovely sweet toffee surprise”. That sounds rather promising; let’s see if it’s what I get. Continue reading
I have not had very many old Glenlivets. And unless you’re a member of the whisky illuminati chances are you’ve not either. The few I’ve had have been very good indeed. The best of the lot was probably a Glenlivet 38, 1974 bottled by Berry Bros. and Rudd for the Whisky Exchange in 2012, and which I emptied a few weeks before starting this blog (hmm I should check to see if I saved a sample from that bottle as was my usual practice in those days). This old Glenlivet was also bottled for the Whisky Exchange but by Signatory. It’s also, unlike the BB&R bottle, from a sherry cask. And as this is 2018 and not 2012, it costs more than three times as much. These are the times in which we live. Not so long ago a bottle like this would have been within reach of regular punters looking to make a splurge; now it’s only for the rich. But what is it like? Courtesy Billy Abbot, who passed on a sample to me when we met for drinks in June at the Scotch Malt Whisky Society’s London tasting rooms, I can give you my answer. Continue reading
Yesterday I had a report on my recent visit to Aberlour. Today I have a review of their 10 yo whisky. I believe this is their current entry-level malt. It’s been a long time since I last tasted this whisky*, which comprises spirit married in bourbon and sherry casks and is generally fairly priced. Well the 10 yo was part of the tasting at the end of the tour as well, but I didn’t taste it then, as I was driving after. The sample I took away didn’t make much of an impression but it was a very small pour—much too small for a review. But as luck would have it the friend we stayed with in London for a few days after our Scotland trip had a bottle open and so I tried it a couple of times and wrote my notes up. Here they are.
*Potential correction: this may actually have been my first time trying this whisky. I think it’s the Aberlour 12 that’s more widely available in the US and that I’d last tried some years ago. Continue reading
I mentioned this whisky yesterday in my write-up of our visit to Glen Grant just shy of a month ago. It is the only thing we purchased at the distillery. Well, when I say “we”, I mean that my friend Daniel purchased this 200 ml bottle (we didn’t see any other size of bottle). It was bottled for the 2018 iteration of the annual Spirit of Speyside festival—which took place in early May, I think. 200 ml bottles seem like a good idea for this kind of thing—not too expensive and more bottles for more people to try. As per the young man I asked about it at the distillery, it is a blend of a number of Speyside single malts, all aged at least 10 years. I’m not sure if a vatting of this kind is released every year for the festival or if they’re always 10 years old or both. I assume some of the distilleries release their own exclusives a la the Islay distilleries for Feis Ile. At any rate, it seemed like an appropriate whisky to drink at the end of our first full day in the Speyside. Did that prove to be the case? Continue reading
I am back in Minnesota. Our two weeks in Scotland were great, as were the 10 days that followed in London. I’ll have a number of reports on distilleries (and food) soon. But first, let me wind up my month of reviews of malts from Speyside and Highland distilleries. I’m sorry to say that few of the Speyside whiskies I reviewed in this series this month turned out to be appropriate for my commemorative purpose. Other than a Dailuaine and a Longmorn, it’s been a steady stream of mediocrity. Accordingly, I am going to end the series with a heavy hitter, the oldest single malt I’ve yet reviewed: a 46 yo Longmorn distilled in 1964 and bottled in 2011 as part of Gordon & MacPhail’s now legendary quintet of very old sherry cask Longmorns for van Wees in the Netherlands. The 1969 in this series is the best whisky I’ve ever had and the 1972 and 1968 were no slouches either. Only the 1966 showed some signs of extreme age. Will this one—two years older still—be even more over-oaked? Let’s see. Continue reading
We’re leaving the UK today to return to Minnesota and my month of reviews of Speyside and Highland whiskies is also almost at an end. Here now is something you don’t see very often: a bourbon cask Mortlach. As you may know, Mortlach is generally associated with heavily sherried whisky. Its whisky also has a pronounced meaty quality, which results from their use of worm tubs for condensation during the distillation process—less copper contact means more sulphur in the spirit. I’ll be interested to see what that manifests as in a bourbon cask. Let’s see how it goes.
Mortlach 17, 1995 (49.1%: Dewar Rattray; bourbon hogsheasd 2437; from a purchased sample) Continue reading
Back to the Speyside, and back to another distillery that does not have a visitor’s centre and one of the few, seemingly, that I did not at some point drive by: Dailuaine. It is owned by Diageo and, other than in the Flora & Fauna series, it sees no regular release. This is a shame—I’ve quite liked the few I’ve tasted and reviewed (two older ones—here and here—and this 12 yo). A decent number show up from the independents every year, though we don’t see very many in the US. This one was bottled by Gordon & Company—no relation to Gordon & MacPhail—a bottler I know nothing about. I bought these samples a long time ago; the whisky itself is long gone—and so these notes will have no utility to anyone. But being of no use to anyone is my core competency anyway.
By the way, this came from a cask that yielded 312 bottles. That’s a strange number for a whisky at cask strength from a single cask—a few too many bottles, seemingly, for a bourbon hogshead, and quite a few too few for a sherry butt (and as you’ll see, this does not seem like a sherry cask to me). Continue reading
Another distillery whose name starts with “Glen” and another that is quite unsung. Glentauchers is located in the Speyside and is part of Pernod Ricard’s portfolio. I can’t remember if we passed it while in the Speyside a couple of weeks ago—it did feel like we’d driven past every single Speyside distillery—but I don’t believe they have a visitors centre anyway. It’s another distillery that I have very little experience of: I’ve only ever reviewed one other. In that review I noted that I didn’t even know how the name of the distillery was pronounced. Almost five years later, I can proudly tell you that I have a better idea of that. Unless I’m completely confused—happens a few times a hour—it’s pronounced “Glen-tockers”. And if you do a deep dive on Google maps, you’ll see that there is a burn/small river named Tauchers in the Keith/Mulben area—as this is the area in which we coincidentally stayed, it’s likely I suppose that we did pass the distillery. Fascinating, I know. Continue reading