After a week of reviews that featured whiskies distilled in the 1960s, 1970s and 1980s (a Strathisla, a Ledaig, and two Karuizawas), let’s do a week of whiskies distilled in the 1990s. First up, is a Laphroaig 19 bottled by Signatory in 2009 or 2010. This is cask 89. Signatory had bottled cask 90 for Binny’s in Chicago—and that was a whisky I absolutely loved. And so when I had the chance to get a sample of the sibling cask in a swap, I went for it (this was not bottled for Binny’s but for the EU market). But I obviously didn’t get around to actually drinking it: I’ve held on to this sample for the better part of a decade now. But I’m on a mission these days to work through my extensive library of forgotten whisky samples; and so here I am finally with notes on this Laphroaig. And this reminds me that I have a second bottle of cask 90 sitting on my shelves too. Maybe I’ll open that one in December and see if I still like it as much as I did the first bottle almost 10 years ago. Continue reading
My third review of a heavily peated whisky this week is also my third simul-review this week with Michael K. of Diving for Pearls (we previously had at the new Lagavulin 11, Offerman Ed. and a Ledaig 6, 2004). Today we’re reviewing another Islay released this year. Batch 011 of Laphroaig’s 10 CS series was released in March 2019. This series had hit a bit of a bumpy patch around batch 005 (though I did like batch 006 more), but recent batches have been excellent (see my reviews of batches 009 and 010). Will this batch continue that hot streak? Will Michael and I finally land on the same score for one of these simul-reviews? Let’s find out.
Hello, here is a celebrity whisky! As you know, when celebrities are involved in whisky branding the whisky is always good. See Great Odin’s Raven, Haig Club etc. etc. Actually, I’ve not had either of those two blends; for all I know, they are decent. (I’ve not had the Ron Jeremy rum either; I hear that really grows on you.) Other things I have not done include watching any of Parks and Recreation. My Offerman exposure is limited to his excellent, scene-stealing turn in the second season of Fargo. This, of course, does not mean that this whisky that bears his name will be any good. On the other hand, Offerman is apparently a long time, non-stunt Lagavulin aficionado and one would hope that Diageo would not screw with his good name by scraping together warehouse detritus and vatting it together with an eye toward a simple celebrity cash-in. Or did he actually have something to do with its creation? I’ve not read any spirits marketing since 2009 and so I have no idea. If you know more about this, please write in below. Here now are my notes. Continue reading
Let’s close out the week with another wine cask-finished whisky, another peated whisky, and yet another Bowmore bottled by Murray McDavid. This was distilled and released a few years after Wednesday’s Viognier finish. And unlike the other Bowmore and Monday’s Port Charlotte 13 the wine casks used for this whisky’s finish had previously held red wine—syrah to be exact. Even though I really liked that Port Charlotte and also thought the Viognier-finish Bowmore was quite pleasant, I am a bit apprehensive about this one as red wine finishes are the source of my prejudice against wine cask finished whisky. Anyway, let’s see what this is like.
Bowmore 10, 1999 (46%; Murray McDavid; bourbon and syrah casks; from a bottle split) Continue reading
As I noted in passing in my review on Monday of a wine cask-finished Port Charlotte, I am not generally a fan of wine cask-finished whiskies. Most of the ones I have had—like that Port Charlotte—have emerged from Bruichladdich. So too in a sense has this Bowmore. It was bottled by Murray McDavid, the indie bottling arm of Mark Reynier-era Bruichladdich, and a label that put out a large number of wine cask- finished or, as they liked to call them, “ACE’d” whiskies. This particular release started out in bourbon casks and ended up in viognier casks. Well, Monday’s Port Charlotte was from French white wine casks as well and I unexpectedly quite liked it. Will the positivity continue with this one? Let’s see.
Bowmore 11, 1995 (46%; Murray McDavid; bourbon & viognier casks; from a bottle split) Continue reading
As long-time readers of the blog—the few, the ashamed—know, I almost always pick up a strong butyric note on Bruichladdich’s whiskies. Ranging from scalded milk to sour butter to parmesan rind all the way to more vomitous associations, this quality is not my favourite. I find it more pronounced, ususally, in the unpeated Bruichladdich line. In the heavily peated Port Charlotte the peat and smoke tend to neutralize it after a while. In the case of this release, a 13 yo bottled by an indie outfit named Rest & Be Thankful, there is also a wine cask involved. This is rarely good news when you’re dealing with Bruichladdich who’ve made a lot of wineskys. I had not heard of Jurançon wine before looking this cask up. Jurançon is a French AOC that produces white wines, dry and sweet, apparently known for their tropical fruity character. I’ve no idea which kind of Jurançon wine this cask had previously held but a) I’m glad this is not from a red wine cask and b) I’m intrigued by the theoretical promise of fruit. Let’s see how it goes in practice. Continue reading
A Bowmore to close out the month. I took this sample of a 16 yo bottled by the SMWS with me to our trip to the North Shore in July. But my dreams of drinking it on the deck while listening to Lake Superior crash on the rocks in front of the cabin were dashed or rather punctured by the swarms of mosquitoes that made it all but impossible to be outside the cabin unless covered in deet. I did manage to taste it inside the cabin though. I might not have been able to hear Lake Superior (the screens on the windows sucked and so they had to be kept closed at all times) but I could at least see it. None of this has anything to do with Bowmore really, except that the distillery is also located by the side of a large body of cold water. Anyway, I’ve held on to these notes for a long time for no good reason. So, now that summer is well and truly done in Minnesota and even the mosquitoes are finally on the run, let’s get to it. Continue reading
In August I reviewed Lagavulin’s 2015 Feis Ile release. Here now is Bunnahabhain’s 2015 Feis Ile release, or at least one of them. This is an 11 yo with a long Gaelic name and is composed of spirit matured full-term in two Manzanilla sherry butts. You don’t often see Manzanilla-matured whisky around and so this is intriguing. Or at least so I thought at the gathering in St. Paul to which my friend Pat brought the bottle from which this sample was poured. However, I didn’t think very highly of it at the time. It’s true that we tasted it at the end of the evening on the heels of some rather impressive older malts and so it is possible that the juxtaposition was not in its favour. True to form I then forgot about this sample for a long time. As it happens, I’ve not reviewed much Bunnahabhain recently—in fact, I’ve not reviewed any this year so far—and so it’s a good job I happened on this jar while trying to organize my backlog of sample bottles last month. Anyway, let’s see what I make of it tonight as I give it my full attention. Continue reading
Hello, hello, here is one of my annual timely reviews: this year’s Cairdeas release from Laphroaig. Not so timely if you actually were at Feis Ile in June—the annual Islay festival where all the distilleries release special whiskies (the Cairdeas is Laphroaig’s)—but pretty timely in the US: the Cairdeas only arrived in the country in late July and only became widely available in mid-August. As always, Laphroaig has released this without much hoopla and at a very reasonable price for a cask strength whisky: it can be found for less than $70—compare with pretty much every other Islay distillery’s offerings, most of which can only be found at auction at several times the original price.
Like 2017’s Cairdeas this one is a cask strength version of a whisky from their regular lineup and like last year’s it is a sherried whisky. 2017’s was the Quarter Cask and last year’s release was a Fino sherry finish. And this year we get a cask strength version of the Triple Wood, matured in a combination of ex-bourbon casks, quarter casks and oloroso sherry casks. The Triple Wood itself was originally a duty-free-only release that became part of the core lineup. I liked the original version of that and still have a bottle on my shelves (I should review it at some point); but it’s been a long time and I don’t really recall any specifics. Maybe I’ll open it before this bottle gets done and see how it compares. Here for now is the CS Cairdeas edition. Continue reading
I’m hoping to get to this year’s Laphroaig Cairdeas release by the end of the month but in the meantime here is another Feis Ile release from Islay’s south shore. This is not this year’s Lagavulin release though; it is the one they put out in 2015. At 24 years old it’s one of the older releases at recent Feis Iles. It’s also somewhat complicatedly made, being triple matured: first in ex-bourbon casks, then in PX sherry casks and then finally in oak puncheons (presumably either not sherry or refilled so many times as to not matter). The PX sherry maturation was apparently the briefest of the three. This was said to have been selected by the excellent Pinkie McArthur but I’m not sure exactly what that means in this case as there were 3500 bottles released—probably 6-8 puncheons worth at 59.9%. Were there in fact far more of these triple-matured puncheons, a few of which Pinkie selected to be vatted for Feis Ile 2015? That would appear to be the explanation. That makes you wonder what is happening/happened with the rest. Well, I cannot answer that question but I can tell you what I think of this bottle which I recently opened several years after acquiring it at auction for a king’s ransom (well, maybe not a very important king). Continue reading
Let’s do another young sherried Caol Ila to start the month and let’s hope I like it better than the other one I reviewed a few months ago. In fact, I really hope I do as I have a full bottle of this on my shelf—I had forgotten that when I acquired this sample. Like that one this is a vatting of four first-fill sherry casks. Will this show more sherry influence than that one did? Let’s see.
Caol Ila 10, 2006 (60.2%; Gordon & MacPhail; first fill sherry casks 306183+4, 306186+7; from a bottle split)
Nose: Slightly rubbery right off the bat and then there’s a fair bit of salt and phenolic peat below it. This is first-fill sherry? The rubber expands on the second sniff. After a bit the rubber begins to subside and sweeter coastal notes begin to develop (kelp, oysters); quite medicinal now (dettol). Water pushes the rubber back almost all the way and pulls out a lot of lemon to go with the salt and the coastal notes (which now include kippers). Another splash and now the rubber is gone and the lemon, salt, disinfectant and oysters have free rein. Continue reading
I said I’d close out the month without a mini-theme but I am a liar. Here’s another sherried whisky, albeit twice the age of yesterday’s Mortlach and made from far more heavily peated malt (I’m not sure what Mortlach’s peating levels are). I first tried this at a tasting up in St. Paul last November. That tasting featured a number of very impressive whiskies. I’ve reviewed some of those: the excellent Archives Ben Nevis 27, 1990; the “Speyside Region” 43 from the Whisky Agency; and another excellent old Caol Ila, a 34 yo distilled in 1982 and bottled by Cadenhead. I really liked that Cadenhead’s cask and at the tasting we had some difficulty deciding on which we liked better. As I recall, this one was smokier and heavier. By the way, though when I filled the label I put it down as a 34 yo, this is in fact a 33 yo. I am intrigued to see what I will make of it almost nine months later. I rather expect I will like it quite a bit more than the last sherried Caol Ila from G&M I reviewed. Continue reading
From a 10 yo Laphroaig to a 12 yo Yoichi to now an 18 yo Bowmore. I’m pretty sure the Yoichi Peaty & Salty had a sherry component but this one I know for certain is from a sherry butt. It was bottled a couple of years ago by Wemyss Malts, aka the other indie bottler who like to give their releases whimsical names. They called this one “Mocha on the Deck”. It was another sample I took with me to Lake Superior with a view to actually drinking it on a deck but which I instead drank inside the cabin while the mosquitoes taunted me from the other side of the window screen.
Sherried Bowmore can be great—I’m thinking in particular of an excellent 18 yo bottled by A.D Rattray almost a decade ago*. But I was not a huge fan of the the last full-on sherried Bowmore I reviewed. That was the official “Dark & Intense“, a 10 yo. I am hoping this will be a lot better. Let’s see if that’s how it works out in reality. Continue reading
I reviewed Batch 009 of the Laphroaig 10 CS in May and really, really liked it (89 pts). I have not had the opportunity to try Batch 008 (which does not seem to be lurking on any local shelves I’ve looked at) but all the signs from Batch 006 onward suggest that the dip in quality at Batch 005 was just a blip. As to whether this is because the distillery is now setting aside particular casks for this release or whether the blip was entirely random, I have no way of knowing. All I can say is that Batch 009 was as good a Laphroaig 10 CS as I’ve had since Batch 001. And I am very pleased to say that Batch 010 keeps that positive momentum going—though I’m only now publishing these notes, I’ve been drinking this bottle down steadily for the last month. I can only hope that the 10 CS will continue to be released, will continue at this level, and will continue to be available in the US (or at least in Minnesota) at very reasonable prices. Now let’s get to the notes. Continue reading