Longrow 14, 2010 Release


Let’s make it two weeks in a row of reviews of peated whiskies. This also rounds out a week of reviews with terrifically low utility. On Wednesday I reviewed a Caol Ila sold exclusively at the distillery in 2017; on Monday I reviewed a Port Ellen released in 2011. Today I have a Longrow 14 that was released in 2010. The last Longrow 14 I reviewed was from the 2011 release, so I appear to be going backwards in time. Someday I hope to review one released less than nine years ago (I don’t seem to have any in the stash). If you’ve had a more recent release perhaps you can tell me if my notes on the 2010 and 2011 releases track with what the 14 yo is like now. Okay, on to the review!

Longrow 14, 2010 Release (46%; from a sample from a friend)

Nose: The usual Longrow goodness. That is to say, sweet, mineral peat along with a bit of coal smoke and below all of that lemon and salt. The lemon gets more preserved as it sits and there’s some savoury gunpowder. A few drops of water brightens the lemon up a bit. Continue reading

Caol Ila Distillery Exclusive, 2017


A few weeks ago I reviewed the Lagavulin Distillery Exclusive from 2017. Here now is the Caol Ila Distillery Exclusive from the same year. (Neither of these were “fill your own” casks”.) I visited Caol Ila as well in June 2017—as with the Lagavulin exclusive, I don’t believe I saw this on the shelves at the distillery either. The Lagavulin was made in a somewhat complicated manner, involving moscatel casks (which used to be/is the cask type used in the Caol Ila Distiler’s Edition). I’m not sure, however, how this one is made—Whiskybase does not say. It would be fitting if this involved PX casks (which is what the Lagavulin Distiller’s Edition is “finished” in). I don’t mean to give Diageo any ideas for future releases though; on the other hand, if something like this starts happening I hope you will be willing to serve as witnesses in my intellectual property infringement  suit against them. Okay, enough folly! Let’s get to the whisky itself and see what it’s like.
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Port Ellen, Pe5 (Elements of Islay)


The fifth Port Ellen entry in the Whisky Exchange’s Elements of Islay series was released in 2011, I think. And it may have been the last of the Port Ellens released in that series—at least Whiskybase does not list a Pe6. I’ve been sitting on this sample since early 2012. I acquired this sample through a rare act of honesty on my part: I had placed an order for a Karuizawa from TWE (this was back when Karuizawas could be acquired for <$200) and due to a glitch in their systems was charged only a fraction of the price. I alerted Tim Forbes who was then doing web stuff for TWE, and who was also a member of the then-very active Whisky Whisky Whisky forums. He confirmed that I was not in fact a winner of a special lottery and, as appreciation for my letting him know, threw a few fancy samples in with the order, one of which was this one. Why it has then taken me almost 8 years to drink it, I couldn’t tell you. Anyway, being released in 2011 it is at least 28 years old (Port Ellen closed in 1983) and probably a bit older. It’s also from a sherry cask, as three of the other four Elements of Islay Pe releases had been as well. It was very well received at the time. I, of course, did not buy a bottle because I thought it was horrendously overpriced. Cut to the present where the multiplier for any Port Ellen released in 2011 is about 10x. Anyway, let’s see what it’s like. Continue reading

Lagavulin “Jazz Festival 2017”


The Jazz Festival series is Lagavulin’s second annual series of special releases, bottled to commemorate the Islay Jazz festival every autumn. As I noted in my review of the 2015 Jazz Festival release, this series doesn’t seem to inspire the mania of the summer Feis Ile releases. This is doubtless due to the unpredictable vagaries of the collectors’ market which is anything but rational. Certainly, I liked the 2015 Jazz Festival release a lot. That bodes well for this 2017 release which, like the 2015, is comprised of spirit matured in refill American oak hogsheads and refill European oak butts. This is not the standard regimen for these releases: the intervening 2016 release—which I picked up a bottle of at the distillery in 2017—was matured only in American oak. In practice, however, the 2015 release did not betray much, if any, palpable sherry influence; I’m curious to see if this will be any different in that regard. Let’s see. Continue reading

Bowmore 21, 1996 (Old Malt Cask for K&L)


Let’s continue with the review of the recent K&L exclusive casks. And no, they’re not paying me for all this free, extended coverage of their whiskies. For that matter, they don’t even appear to be enjoying it. Ah well, can’t please everyone.

Speaking of not pleasing everyone, Bowmore is also a distillery that has not always pleased everyone. This is mostly due to folly on the part of the fraction of everyone who have not been pleased. Bourbon cask Bowmore from the early 1990s on is usually a very good proposition. So much so that I’ve even really liked a K&L exclusive cask in that vein. Last year they had an OMC 22 year old that I purchased on Sku’s recommendation while in Los Angeles and loved to the tune of 91 points. I won’t need this to be that good to make me happy but I will also not object if it is. Let’s see. Continue reading

Ardbeg Drum


This was Ardbeg’s 2019 Feis Ile release. I have to admit I stopped paying attention to Ardbeg some years ago. The 10 year old is still an Islay classic and my last bottles of the Uigeadail and Corryvreckan were very good too (albeit neither were anywhere close to being recent releases), but most of the noise emanating from the distillery—or rather from its owners—has seemed for a while to be in the service of high-concept silliness. I thought 2018’s Feis Ile release, the Grooves, was fairly ordinary. Why then am I reviewing the 2019 release? Well, largely because in theory at least bourbon cask Ardbeg finished in rum casks does not seem like a bad idea. (Of course, they say they’ve “rested” their spirit in rum casks; unlike all those other distilleries who make their spirit ride treadmills and run marathons in finishing casks.) Will the reality of this whisky in fact match up with that theoretical promise? Only one way to find out. Continue reading

Lagavulin Distillery Exclusive, 2017


I visited Scotland for the first time in 2017. And on that trip I visited Islay and I visited Lagavulin (here is my account of the excellent Warehouse Experience with the even more excellent Pinkie McArthur). That was in June right after Feis Ile. I picked up a bottle of the Feis Ile release but I don’t believe this distillery exclusive was on the shelves then. It was apparently made in a fairly complicated manner that involved 16 yo spirit finished in moscatel casks and vatted with younger bourbon cask spirit. I don’t believe I’ve ever encountered moscatel-finished Lagavulin before—Diageo must have had some casks surplus to requirements from the Caol Ila Distiller’s Edition (is that even made anymore? I don’t see anything but the Lagavulin and Talisker Distiller’s Editions in Minnesota, not that I’m looking so very hard). Of course, I have no idea what the proportions of the vatting may have been: the moscatel influence may well be minimal. Let’s find out. Continue reading

Bowmore 14, 1996 (A.D. Rattray for BevMo)


This Bowmore was released at a time almost a decade ago when one of the most popular memes in whisky geekdom was to complain about Bowmore’s distillate being marred by overly perfumed and soapy notes. The only thing that was more popular was to complain about sulphur. Now, it’s true that through most of the 1980s Bowmore’s distillate was seemingly marred by these qualities but it was almost entirely gone from 1989 onwards. The proof of this could be seen in none other than A.D. Rattray’s releases of Bowmore distilled in the early 1990s. Perhaps due to family connections to the distillery, Rattray, more than any other indie bottler available in the US, seemed to have a line on not just a lot of casks of 1990s Bowmore but a lot of excellent casks of Bowmore. I’ve reviewed a few of these (see this 20 yo from 1991 and this 20 yo from 1990). This particular cask, bottled for BevMo in California is a bit younger and from the middle of the decade. This is not the only Bowmore 14, 1996 Rattray bottled for BevMo. In the days before the blog I purchased and finished another cask with a much longer number. My spreadsheet doesn’t note that cask number and Whiskybase has no record of it but I know it was real! I’m also pretty sure I would have saved a 6 oz reference sample from that bottle, as that was my standard practice at the time. Well, if I like this one a lot that will be sufficient motivation to try and dig that out from the vault.  Continue reading

Caol Ila 7, 2010 (Sovereign)


Another sherried malt after yesterday’s Balblair 21, and another K&L exclusive. However, this is not from the current run of K&L exclusives, of which I’ve already reviewed a few this month (Clynelish 23, 1995, Glen Moray 23, 1995, Allt-A-Bhainne 23, 1995). This was part of last year’s set of exclusive casks, I believe. Sherry-matured Caol Ila can be very excellent indeed. In this case, however, the maturation regime is not very straightforward. This whisky is apparently from something called a “sherry finished butt”. What is a “sherry finished butt”? In this case it is apparently a refill sherry cask that was filled/seasoned with sherry for a while, emptied and then filled with this whisky. If that seems rather bogus it’s because it is but it’s also almost certainly a practice far more rife in the industry than we would hope to be the case (see also Signatory’s “wine treated butts”. It also seems like a recipe for a whisky where the sherry will separate and float free on the palate or finish. Let’s see if that actually happens though. Continue reading

Springbank 12 CS, Batch 19


I’ve sung the praises of the Springbank distillery so often that I am not going to bother doing it again. Suffice it to say that in an industry that for the last decade has been seeming to move further and further away from what’s in the bottle, Springbank (and their younger siblings at Glengyle/Kilkerran) have been keeping it real, making the whisky they’ve always been making. And one of those whiskies is the 12 yo, cask strength. I’ve had a number of batches of these over the years (and I’ve reviewed a few) and I do believe I’ve liked them all a lot. The formulation has changed over the years; there’s now more bourbon casks than sherry in the mix—indeed, if the Whiskybase entry can be trusted, this is composed from 65% ex-bourbon and 35% ex-sherry casks. The 18 yo and above and their single cask releases are all priced quite high—this is my only major complaint about them—but the 10 yo and the 15 yo are still relative bargains and at <$80 this will be too if it’s as good as previous batches. Let’s see. Continue reading

Laphroaig 19, 1990, Cask 89 (Signatory)


After a week of reviews that featured whiskies distilled in the 1960s, 1970s and 1980s (a Strathisla, a Ledaig, and two Karuizawas), let’s do a week of whiskies distilled in the 1990s. First up, is a Laphroaig 19 bottled by Signatory in 2009 or 2010. This is cask 89. Signatory had bottled cask 90 for Binny’s in Chicago—and that was a whisky I absolutely loved. And so when I had the chance to get a sample of the sibling cask in a swap, I went for it (this was not bottled for Binny’s but for the EU market). But I obviously didn’t get around to actually drinking it: I’ve held on to this sample for the better part of a decade now. But I’m on a mission these days to work through my extensive library of forgotten whisky samples; and so here I am finally with notes on this Laphroaig. And this reminds me that I have a second bottle of cask 90 sitting on my shelves too. Maybe I’ll open that one in December and see if I still like it as much as I did the first bottle almost 10 years ago. Continue reading

Ledaig 20 (Douglas Murdoch)


On Monday I had a review of a 37 yo Strathisla distilled in 1967. Today’s Ledaig is not quite as old in terms of maturation but was distilled not too many years later. The distillation year is not specified on the bottle this sample came from but it is said to be either 1972 or 1973. On what basis it is said to be from one of those years I’m not sure but it’s said by people who know far more about these things than I do. I’m not sure who the bottler, Douglas Murdoch is/are either but one sign that this was bottled before the single malt boom got under way is that it is at 40%. In the early 1990s I don’t think cask strength whisky was as fetishized as it is now and better known outfits like Gordon & Macphail were also releasing older whiskies at that strength (and in G&M’s case continued to do so for many years after). Anyway, if this is indeed a 1972 or 1973 distillation I am hopeful that it will be of a quality similar to that of the only other Ledaig 1972 I’ve had: this excellent 40 year old from Alambic Classique. Let’s see how it goes. Continue reading

Laphroaig 10 CS, Batch 011


My third review of a heavily peated whisky this week is also my third simul-review this week with Michael K. of Diving for Pearls (we previously had at the new Lagavulin 11, Offerman Ed. and a Ledaig 6, 2004). Today we’re reviewing another Islay released this year. Batch 011 of Laphroaig’s 10 CS series was released in March 2019. This series had hit a bit of a bumpy patch around batch 005 (though I did like batch 006 more), but recent batches have been excellent (see my reviews of batches 009 and 010). Will this batch continue that hot streak? Will Michael and I finally land on the same score for one of these simul-reviews? Let’s find out.

[As always, we have not discussed our notes or scores prior to the posting of our reviews. I will link to his review when I wake up in the morning.] Continue reading

Ledaig 6, 2004 (Murray McDavid)


On Monday Michael K. (of Diving for Pearls) and I disagreed a bit about the new Lagavulin 11, Offerman Edition. While he found it to be a sweeter, gentler, just good Lagavulin, I found it to be decidedly non-training wheels Lagavulin and very good. Today we’re going to try again with another simul-review. This is also of a heavily peated whisky from an island distillery. This time, however, the island is Mull, the distillery is Tobermory, the whisky is much younger, and the cask is sherry. I’m not sure what was going on with the Murray McDavid braintrust in 2010 that they didn’t feel the need to throw this into a grenache cask for 2 months—a loss of nerve? At least I think this was a full-term maturation: the source of my sample, Florin (the inventor of avocado toast) did not specify. At any rate, 6 years is pretty young (just three years older than the minimum maturation needed for Scotch whisky)—will the sherry have smoothed any rough notes of youth? Let’s see. Continue reading