Springbank 1997, Batch 1


Springbank released two batches of the 1997 vintage, one in 2007 and one in 2008. I bought a bottle of the second batch not too long after its release and have been sitting on it now for about a decade for some reason. Well, I think the reason might have been that I’d hoped to find a bottle of the first batch and open them together. That never happened but a few years ago I did acquire 8 ounces of Batch 1 via a bottle split; not sure why I didn’t do that paired tasting then but better late than never.

The bottle was acquired by Florin—the man who brought the good news from Ghent to Aix—at a store in Berlin in 2014. Michael Kravitz of Diving for Pearls and I then split it with him. Michael, being a young hasty type, only waited four years to review a part of his share. Here now are my notes. Continue reading

Littlemill 20, 1992 (Archives)


Let’s start the month with a closed distillery—that seems appropriate for the pandemic. Earlier this year I reviewed a 29 yo Littlemill that was distilled in 1988 and bottled in 2018. This one was distilled a few years later but also bottled near the very start of the Littlemill renaissance when several excellent casks from the late 1980s through the early 1990s suddenly became available in Europe. The distillery’s low reputation—well earned by official releases—rebounded dramatically and prices for these releases started going up before they eventually all but dried up. This particular cask was bottled by the Whiskybase store in Rotterdam under their Archives label. Menno of Whiskybase is a Littlemill collector and that always seemed like a good guarantor of quality for their Littlemill releases. They’ve put out eight or so of these casks, of which I think this was the second. I’ve previously reviewed the first one, which was from a refill sherry hogshead. I quite liked it. This is from a bourbon hogshead. I’ve had it open for more than a month now and have been dipping into it on the regular. Here now before I finish the bottle before remembering to take notes (which has happened on some occasions), is my review. Continue reading

Glenrothes 1972-2005


When I first started drinking single malt whisky I was really into Glenrothes for a while. Some of this, truth be told, was due to the funky bottle shape of official releases (which are by far the majority of Glenrothes); but a large part of it was due to the fact that the vintage releases I first tried were very pleasant, very accessible whiskies. Such were the1991-2006, 1994-2009 and 1985-2005. I finished my last bottles of all of those before I started the blog and hence no reviews—though I should really check if I have reference samples of those saved (in those days I used to routinely save 6 oz of each bottle I opened for future reference). Anyway, as a result, all the Glenrothes I’ve reviewed on the blog have been independent releases and most are above the age of 20. This one, however, is both an official release and the oldest Glenrothes I’ve yet had in terms of either age or vintage. It was distilled in 1972 and bottled in 2005. I found it a few years ago in the locked liquor room of a Korean grocery store in Los Angeles, listed for the long-ago price. I couldn’t find any reviews of it online but given the reasonable price to age ratio decided to take a chance on it. I’d saved the bottle for one of my whisky group’s premium tastings; but as it’s not clear when the pandemic will ever allow us to get together to drink again, I decided to open it by myself earlier this month. I’ve been drinking the bottle down at a rapid clip. Here before it dips too far below the halfway mark are my notes. Continue reading

Inchmurrin 14, 2004 (SMWS)


On Tuesday I had a review of a bourbon cask Inchmurrin bottled by the SMWS in 2018. Here now is another. This one is a few years older. By the way, despite what the label on the sample bottle might lead you to think, I did not get this from Sku.

Inchmurrin 14, 2004 (60%; SMWS 112.39; 2nd-fill hogshead; from a bottle split)

Nose: The usual mix of bright acid and mineral notes to start; then lime peel and salt expand along with more tropical notes of tart mango and dragonfruit and just a hint of passionfruit. With time the lime peel is still the top note and the mineral quality is right there with it along with a whiff of paraffin. A few drops of water push back the paraffin, bring out some sweeter notes (vanilla) and make the whole bigger. A bit more water and there’s more fruit still: sweeter (berries) and richer. Continue reading

Inchmurrin 11, 2007 (SMWS)


Okay, back to whisky. Here’s a young Inchmurrin from a bourbon cask. Inchumurrin, as you probably know, is one of the several lines of whisky produced at the Loch Lomond distillery. Its profile is typically very fruity and sans the peat that marks their Croftengea line. I confess I am never able to remember how Inchmurrin or Croftengea differ from the other lines made by Loch Lomond—Inchfad, Inchmoan and so on. I did really like my last young Inchmurrin from a bourbon cask. That one was an official 9 yo single cask selected by the Whisky Exchange last year to commemorate their 20th anniversary, and I was glad to have procured a full bottle of it. This one is a bit older at 11 years of age and was bottled by the SMWS. They gave it the fanciful name “A Piece of Paradise”. If it’s filled with tropical fruit I’ll forgive them. Let’s see if that turns out to be the case and if I regret only having a 2 oz sample. Continue reading

Clynelish 8, 2010 (SMWS)


Alas, I don’t have another Ardmore with which to make this a full week of Ardmore reviews to match last week’s Benromach trio. But I do have a sample of another SMWS malt with which to make it a week of SMWS review. Let’s go a bit to the west and then to the north, to Clynelish. After Wednesday’s red wine finish misadventure we’re back to a bourbon cask. Unlike Monday’s Ardmore, however, this is a barrel, not a hogshead and it’s a first-fill not refill cask; it’s also much younger. That combination of a smaller cask size and more active wood can be an overbearing one for a young whisky such as this; but in theory, at least, Clynelish’s spirit should be able to stand up to it. Let’s see if that’s been the case here.

Clynelish 8, 2010 (57.5%; SMWS 26.104; first-fill bourbon barrel; from a bottle split)

Nose: Toasted oak, ripe pear, apple cider, sweet malt. Very nice indeed. As it sits sweeter notes come to the fore—more apple along with the pear–but the oak and the cider are still here. With water and a few beats the fruit gets muskier: lemon peel, pineapple. Continue reading

Ardmore 13, 2006 (SMWS)


Okay, let’s make it two Ardmores in a row. I really liked the 20 yo I reviewed on Monday. Like this one, that was also bottled by the SMWS. Unlike this one, however, that was from a refill bourbon cask. This one very much is not. Well, it started out in bourbon cask but ended up in a red wine cask for some reason. I’m yet to come across any compelling reason to finish whisky in red wine casks. Will this change my mind? Let’s see.

Ardmore 13, 2006 (58.1%; SMWS 66.161; red wine finish; from a bottle split)

Nose: Fairly jumbled with some pickled/acidic notes, some char, some oak, some red fruit. On the second and third sniffs there’s quite a bit of lime. As it sits the smoke takes on a slightly plasticky/acryclic character. The nose settles down with time and air and the plastic/acrylic note recedes. Water brings out a cured meat note. Continue reading

Ardmore 20, 1997 (SMWS)


Last week I reviewed a slew of Benromachs—well, three of them anyway. Let’s stay in the general vicinity and let’s stick with Highland peat. Ardmore is the other distillery in that general part of Scotland that is known for peated whisky. As at Benromach, Ardmore’s peat is not phenolic in the Islay style and nor is it as farmy/brutal as Ledaig’s can be. Instead it typically has a peppery, mineral character, with soot and coal in place of the phenols. It’s hard to find much indie Ardmore in the US—or even very much officially released Ardmore—but I am a big fan of the distillery and try their whisky every chance I get. And I usually like it a lot. Why, I even liked a 10 yo put out by K&L last year! More to the point and closer to the age of this one, I also really liked a 22 yo from 1996 released to mark the 20th anniversary of the OMC line in 2018. If this is as good as either of those I’ll be very happy. Let’s see if that proves to be the case. Continue reading

Benromach 8, 2011 (for The Whisky Exchange)


This is a Benromach blog now. All Benromach reviews all the time. Well, this week anyway. On Monday I reviewed a young bourbon cask that was a UK exclusive. I really liked that one. Yesterday I had a review of the recent sherry cask edition of the distillery’s Peat Smoke release. That one seemed unpromising at first but then improved dramatically with water. Today another young Benromach from a sherry cask, another UK exclusive. This one was in fact exclusive to one particular store, The Whisky Exchange: it was one of several whiskies bottled to mark the store’s 20th anniversary. This is from a single sherry cask, a first-fill hogshead. Good friends were visiting London right when the pandemic hit and they were kind enough to bring me back a couple of bottles recommended by Billy Abbott at TWE (this Inchmurrin was the other). Billy recommended this one highly. When I first opened the bottle a couple of months ago I found it to be a bit too hot and indistinct but it’s mellowed nicely since. Here now are my notes. Continue reading

Benromach 2009/2018, UK Exclusive


I last reviewed malts from Benromach just over two years ago. That was a set of capsule reviews of two young wine-finished malts that I was just about whelmed by. Today I have for you a straight-up bourbon cask Benromach. It was bottled in 2018 as an exclusive for the UK markert and is either 8 or 9 years old. It is from a first-fill bourbon cask. I’ve previously reviewed another Benromach of similar age from first-fill bourbon but that was a vatting of a few casks. Still, I rather liked that one and take that as a positive portent for this one. I can’t help but be positive—it’s in my nature. You should try it sometime. Where was I? Oh yes, I was about to say that I generally really like Benromach’s old-school Highland peat profile—quite some distance from Islay peat’s phenolic wallop or the earthy, farmy peat of Campbeltown or Mull. And without heavy sherry covering things up this should be an opportunity to take a clear measure of what that profile is looking like in the whiskies the distillery is now putting out. Let’s get to it. Continue reading

Amrut, Sherry Cask (Blackadder)


It’s been a year and a half since my last Amrut review—what kind of an Indian am I? It’s not my fault though: there just isn’t so much Amrut around in the US. The last one I reviewed—the Amaze, a single cask release for an Indian club—was bottled in late 2018. This one came out half a decade earlier. A NAS release (like most Amruts), I purchased it right after it was bottled in 2013. Like most Amruts it’s also been bottled at an eye-wateringly high proof. The bottler is Blackadder. They’ve put out a large number of Amruts, far more than any other bottler—Whiskybase only lists a handful of others and they only seem to have one or two each. I wonder what Blackadder’s connection is. The cask was first-fill sherry. I rather liked the last sherry cask Amrut I had—this PX cask—and their Intermediate Sherry is one of my favourites, if now a little too expensive for my wallet. And so I have high hopes for this one. Let’s see if they’re borne out. Continue reading

Glenlossie 35, 1975 (The Whisky Agency)


I started the month with a review of the then oldest Glenlossie I’d ever had—a 29 yo from a bourbon cask. Here now to close the month is a review of what is now the oldest Glenlossie I’ve ever had—a 35 yo, also from a bourbon cask. This was bottled by the Whisky Agency for Shinanoya in Tokyo. I got a sample of it from my friend Nick in Minneapolis a few years ago and completely forgot about it before finding it last month during my ongoing cull of the vast hoard of samples I’d accumulated over the years. I’ve tasted it before at one of our friend Rich’s whisky gatherings up in the Ciites. I remember liking it a lot but those sessions usually involve a fair number of over-the-top whiskies and others sometimes get a little lost in the shuffle. And so I’m pleased to be able to spend a little bit more time with this one. Let’s see what I make of it now. Continue reading

Fettercairn 17, 1995 (Exclusive Malts)


I keep saying this about most of the minor Scottish distilleries but I have very little experience of Fettercairn. I’ve only reviewed a couple of them before this one and have maybe tried twice as many in total. As such I have no expectations. Of the two I’ve reviewed one did nothing for me and the other was average—which leaves the door open for this one to be the first Fettercairn that will really move me. Okay, so it also leaves the door open for this to be the first Fettercairn I end up pouring into the sink—why do you have to be so negative?

This particular Fettercairn was bottled by Exclusive Malts for K&L in California. Being negative, you might say that this is not a very promising combination but I have had very good whiskies from both. Let’s see if this is another one of those. Continue reading

Ardbeg Corryvreckan, 2011 Release


Last week I posted reviews of whiskies from three closed distilleries. First the Japanese distillery, Hanyu, then Brora in the Scottish highlands and finally Port Ellen on Islay. Today I have a review of a whisky from a distillery that is still in business, Ardbeg. But in a sense this whisky is also from a distillery that is long gone: the Ardbeg that once made high quality whisky and made it available at reasonable prices. The irony of this statement is that in fact the Corryvreckan may have been the first in the series of concept whiskies that have brought us down to the permanent state of folly in which Ardbeg now resides. Yes, the Uigeadail and the Beist were released before it—and the Uigeadail was already NAS—but those are fairly traditional whiskies. The Corryvreckan, on the other hand, first released widely in 2009—after a “committee release” in 2008—has a lot of virgin French oak casks in the mix (at least this was the talk when it was first released) and is more of a “designer malt”. My first bottle was a 2010 release and I loved it. I haven’t followed it through the years since but it’s remained a highly-rated whisky. Alas, my review will not speak to its current quality as this is a bottle released in 2011. Let’s get to it. Continue reading

Port Ellen 24, 1982 (Signatory)


Let’s make it a full week of reviews of whiskies from closed distilleries. On Tuesday I had a review of a Brora. Here now is a whisky from Diageo’s other once a workhorse, now a cash cow distillery: Port Ellen. Like Brora, Port Ellen was slated for zombification last year. I’m not sure where any of that stands either. This one was distilled in 1982—the year before the distillery was closed—and bottled in 2006, when Port Ellens were available at prices that seemed high then but look like crazy screaming deals now.

Port Ellen 24, 1982 (43%; Signatory; hogshead 1145; from a sample received in a swap)

Nose: Lemon, cereals, bright carbolic peat (Dettol), cottonwool. Sweeter on the second sniff with some seashells and vanilla. The citrus gets muskier as it sits (more lime peel than lemon now) and there are hints (just hints) of faintly tropical notes interlaced with the increasingly acidic smoke. The vanilla gets creamier with a few drops of water. Continue reading

Brora 19, 1981 (Signatory)


Here’s another review of a whisky from a closed distillery, this time Scottish, not Japanese. Or at least this distillery was closed when this whisky was released, and indeed until a couple of years ago. Brora, as you will recall, was revived by Diageo—along with Port Ellen—a few years ago. When I visited Clynelish briefly in 2018 work was already in progress on the zombie Brora plant; I’m not sure where things stand now—do write in below if you know. God knows what the spirit from zombie Brora will be like but I’m sure Diageo needs its cash cows to produce more milk—they must be close to running out of casks they can charge $3000 per bottle for. Of course, it’s going to take a long time for the new spirit to get to the age of the whisky I’m reviewing today, leave alone the age of the bottles that command the high prices. This is a very young 19 yo by Brora standards—most of its whisky was bottled at higher ages well after the distillery close. Then again, Diagep knows as well as I do that there are a lot of people with a lot of money to burn who just want to have bottles with Brora labels in their cabinets. I am not among them but I can tell you what this one is like. Continue reading

Hanyu 2000-2012, Chibidaru Cask, Ichiro’s Malt


I’ve only reviewed one other release from Hanyu, a closed Japanese distillery. That was back in 2013, not too long after I’d started the blog, and I see that in that review I’d threatened a review of another cask of Hanyu. This whisky is not that one—I think I know which one that was supposed to be but I have no idea where the hell that sample disappeared to. Maybe I drank it and forgot to review it? This particular whisky was distilled in 2000, the year Hanyu stopped production. It’s another in the Ichiro’s Malt series—named for Ichiro Akuto, best-known now for the Chichibu distillery. I don’t really follow Japanese whisky very closely—what would be the point when there’s so little worth drinking that’s affordable these days?—and so I don’t really know if there are still casks of Hanyu emerging, or for that matter what the story is with Chichibu. Anyway, this one was bottled in 2012 for the Tokyo International Bar Show and was finished in quarter casks (that’s what the “chibidaru” refers to). Let’s see what it’s like. Continue reading