After a week of heavily peated whiskies, all simul-reviewed with Michael K.of Diving for Pearls, let’s change gears a little. Today I have a much older whisky than any of last week’s trio (the new Lagavulin 11, Offerman Edition, a Ledaig 6, 2004, and Batch 011 of the Laphroaig 10 CS) and it is from the Speyside. This 37 yo Strathisla was distilled in 1967 (before I was born) and bottled in 2004 by Duncan Taylor (before I started drinking single malt whisky). Unlike the Glen Grant 35 I reviewed last month this was released not in their lower-priced Lonach line but in their Rare Auld line. The cask type is not specified, though the 179 bottle outturn at 49.1% would suggest ex-bourbon—unless, of course, the cask was split. I am very interested to see what it is like. Though I have not had very many of them, older Strathislas can be very good indeed, and, as always, those distilled in the 1960s and early 1970s have a particularly strong reputation. Let’s see if this lives up to that. Continue reading
My third review of a heavily peated whisky this week is also my third simul-review this week with Michael K. of Diving for Pearls (we previously had at the new Lagavulin 11, Offerman Ed. and a Ledaig 6, 2004). Today we’re reviewing another Islay released this year. Batch 011 of Laphroaig’s 10 CS series was released in March 2019. This series had hit a bit of a bumpy patch around batch 005 (though I did like batch 006 more), but recent batches have been excellent (see my reviews of batches 009 and 010). Will this batch continue that hot streak? Will Michael and I finally land on the same score for one of these simul-reviews? Let’s find out.
On Monday Michael K. (of Diving for Pearls) and I disagreed a bit about the new Lagavulin 11, Offerman Edition. While he found it to be a sweeter, gentler, just good Lagavulin, I found it to be decidedly non-training wheels Lagavulin and very good. Today we’re going to try again with another simul-review. This is also of a heavily peated whisky from an island distillery. This time, however, the island is Mull, the distillery is Tobermory, the whisky is much younger, and the cask is sherry. I’m not sure what was going on with the Murray McDavid braintrust in 2010 that they didn’t feel the need to throw this into a grenache cask for 2 months—a loss of nerve? At least I think this was a full-term maturation: the source of my sample, Florin (the inventor of avocado toast) did not specify. At any rate, 6 years is pretty young (just three years older than the minimum maturation needed for Scotch whisky)—will the sherry have smoothed any rough notes of youth? Let’s see. Continue reading
Hello, here is a celebrity whisky! As you know, when celebrities are involved in whisky branding the whisky is always good. See Great Odin’s Raven, Haig Club etc. etc. Actually, I’ve not had either of those two blends; for all I know, they are decent. (I’ve not had the Ron Jeremy rum either; I hear that really grows on you.) Other things I have not done include watching any of Parks and Recreation. My Offerman exposure is limited to his excellent, scene-stealing turn in the second season of Fargo. This, of course, does not mean that this whisky that bears his name will be any good. On the other hand, Offerman is apparently a long time, non-stunt Lagavulin aficionado and one would hope that Diageo would not screw with his good name by scraping together warehouse detritus and vatting it together with an eye toward a simple celebrity cash-in. Or did he actually have something to do with its creation? I’ve not read any spirits marketing since 2009 and so I have no idea. If you know more about this, please write in below. Here now are my notes. Continue reading
Okay, let’s do one more old Glen Grant to close out the month. This one is two years older than Monday’s 35 yo and was distilled four years later, in 1974. The bottler, the venerable Berry Bros. & Rudd, put out one more 37 yo cask from 1974 (cask 7643). There have also been a large number of Duncan Taylor releases of older Glen Grants from 1974—including two bottled in the Lonach range. There are a few more releases from other independent bottlers as well. Clearly, there was a time when a large number of these casks were available to the indies—a broker or a blender’s surplus stock? In 2011, when this one was bottled, these could still be found at reasonable prices (which look like steals in today’s market where teenaged whiskies command more than $200). Anyway, I quite liked Monday’s 35 yo, despite its low bottling strength. This one is a single sherry cask and was bottled at closer to 50%. Let’s see if those things make any meaningful difference. Continue reading
Let’s close out the week with another wine cask-finished whisky, another peated whisky, and yet another Bowmore bottled by Murray McDavid. This was distilled and released a few years after Wednesday’s Viognier finish. And unlike the other Bowmore and Monday’s Port Charlotte 13 the wine casks used for this whisky’s finish had previously held red wine—syrah to be exact. Even though I really liked that Port Charlotte and also thought the Viognier-finish Bowmore was quite pleasant, I am a bit apprehensive about this one as red wine finishes are the source of my prejudice against wine cask finished whisky. Anyway, let’s see what this is like.
Bowmore 10, 1999 (46%; Murray McDavid; bourbon and syrah casks; from a bottle split) Continue reading
As I noted in passing in my review on Monday of a wine cask-finished Port Charlotte, I am not generally a fan of wine cask-finished whiskies. Most of the ones I have had—like that Port Charlotte—have emerged from Bruichladdich. So too in a sense has this Bowmore. It was bottled by Murray McDavid, the indie bottling arm of Mark Reynier-era Bruichladdich, and a label that put out a large number of wine cask- finished or, as they liked to call them, “ACE’d” whiskies. This particular release started out in bourbon casks and ended up in viognier casks. Well, Monday’s Port Charlotte was from French white wine casks as well and I unexpectedly quite liked it. Will the positivity continue with this one? Let’s see.
Bowmore 11, 1995 (46%; Murray McDavid; bourbon & viognier casks; from a bottle split) Continue reading
As long-time readers of the blog—the few, the ashamed—know, I almost always pick up a strong butyric note on Bruichladdich’s whiskies. Ranging from scalded milk to sour butter to parmesan rind all the way to more vomitous associations, this quality is not my favourite. I find it more pronounced, ususally, in the unpeated Bruichladdich line. In the heavily peated Port Charlotte the peat and smoke tend to neutralize it after a while. In the case of this release, a 13 yo bottled by an indie outfit named Rest & Be Thankful, there is also a wine cask involved. This is rarely good news when you’re dealing with Bruichladdich who’ve made a lot of wineskys. I had not heard of Jurançon wine before looking this cask up. Jurançon is a French AOC that produces white wines, dry and sweet, apparently known for their tropical fruity character. I’ve no idea which kind of Jurançon wine this cask had previously held but a) I’m glad this is not from a red wine cask and b) I’m intrigued by the theoretical promise of fruit. Let’s see how it goes in practice. Continue reading
Earlier in the month I had a review of a dark sherry cask 17 yo Longmorn released in 2013. I liked it quite a lot but didn’t find anything very distinctive about it. Today’s Longmorn was also released in 2013 but is more than twice as old and is from a bourbon cask. As you may know, older Longmorns from the late ’60s and early ’70s have a very strong reputation for an intensely fruity character. It will be interesting to see if this is manifested in this malt distilled in 1976. Certainly, some of those who have left notes for it on Whiskybase mention tropical fruit. However, the other 1976 Longmorn I’ve had, a 34 yo also bottled by Malts of Scotland, was no fruit bomb—and nor, for that matter, was the 31 yo from 1978 bottled by the Whisky Exchange. And so my expectations for fruit are in check—it may be the case that production process changes had happened by the mid-70s that reduced that aspect of the malt’s character. That said, if this is as good as that Whisky Exchange bottle, a happy mix of fruit, oak and malt, I’ll be very pleased. Let’s see. Continue reading
Ah, Glen Scotia: forever labouring in the shadow of Springbank in Campbeltown. I’d love to say that I’ve always been a champion of this underdog but, as I always note when posting a review of a Glen Scotia, I’ve had very little Glen Scotia in my time. When I first started drinking single malt whisky there wasn’t a whole lot of it around and nothing I read led me to want to seek it out. Since then I’ve had a couple of older Glen Scotias that I really liked (two 20 yo releases from Archives and Wilson & Morgan and one 40 yo from Malts of Scotland) and two younger ones that I did not care for very much (one indie released in the mid-2000s and one more recent official release, the Double Cask). The official line has been revamped a couple of times in recent years and there are now at least a couple of teenaged releases out there along with the NAS Double Cask. This 12 yo dates from the early-mid 2000s, I think, before their bizarre disco cow bottle design. I *think* I might also have a sample of the older 14 yo knocking about somewhere (unless in my addled state I am confusing it with a sample of Scapa—another distillery labouring in the shadow of a more famous neighbour). Let’s see if this one leads me to want to track it down. Continue reading
I couldn’t remember where my sample of the Benriach Heredotus Fumosus came from, but there is no mystery with this sample. The presence of the infernal black tape around the cap means it came from Michael K. (of Diving for Pearls). I guess I should be thankful he’s not dipping sample bottles in wax. Yet.
Everything I could tell you about the provenance of this NAS retro Ben Nevis would be stolen from Michael’s review, so you may as well go and read it first if you’re interested in that kind of thing. I’m not sure if new versions of this are still being made, or what really the status of Ben Nevis’ current official releases is. The new 10 yo—which was great—went away and then came back (is the returned version as good as the previous?). In between there was another batch release 10 yo which I did not care for very much. Hopefully, this will be better. Let’s see. Continue reading
In 2013’ish van Wees bottled a number of sherry casks of Longmorn 1996. We didn’t know it then but that was right at the end of the era of reasonable prices for teenaged whiskies. Even with the higher Euro/USD exchange rate of the time these casks went for about $65. That’s for 17 year old sherry cask whisky. Can you imagine such a thing now? Anyway, these casks were very popular—all have very high scores on Whiskybase—but because the whisky world had not gone crazy yet they didn’t all sell out immediately. I purchased a bottle from cask 72315 and my friends Rob and Clara purchased a bottle from cask 72324. They opened theirs right away. I got a sample from their bottle and promptly forgot all about it and my own bottle. Here now more than five years after we purchased our bottles, and in a far less innocent time, is my review of the sample from their bottle. If I like it a lot, as I am expecting to do, I will open my own bottle next month. Continue reading
I’ve had variable luck with the official Benriachs I’ve recently reviewed. I thought this 29 yo from 1986, peated with an oloroso finish was good but nothing very special. On the other hand, I did not care very much at all for this 18 yo from 1998, which was not peated but had a PX sherry finish applied to it. As it happens, this Benriach 12—which dates from the period when Benriach were issuing whiskies with stupid faux-Latin names—is peated with a PX finish. So, will it fall between the other two or will it go past them and approach the wild glory of the 21 yo Authenticus? Only one way to find out.
By the way, I’ve no memory of how/where I received this sample. Normally, I would have suspected Jordan D. (who has reviewed it) and Michael K (also) of being likely sources, but the ugly scrawl on the label is mine. While I used to save reference samples from my own bottles once upon a time, I’ve never owned a full bottle of this. I think that might indicate that I filled it from a bottle someone brought a couple of years ago to one of my friend Rich’s “sherryfest” tastings in St. Paul. Yes, I know, not a very interesting mystery. Continue reading
A Bowmore to close out the month. I took this sample of a 16 yo bottled by the SMWS with me to our trip to the North Shore in July. But my dreams of drinking it on the deck while listening to Lake Superior crash on the rocks in front of the cabin were dashed or rather punctured by the swarms of mosquitoes that made it all but impossible to be outside the cabin unless covered in deet. I did manage to taste it inside the cabin though. I might not have been able to hear Lake Superior (the screens on the windows sucked and so they had to be kept closed at all times) but I could at least see it. None of this has anything to do with Bowmore really, except that the distillery is also located by the side of a large body of cold water. Anyway, I’ve held on to these notes for a long time for no good reason. So, now that summer is well and truly done in Minnesota and even the mosquitoes are finally on the run, let’s get to it. Continue reading