Caol Ila 27, 1984 (Old Malt Cask for the Whisky Barrel)


The week’s first review was of a 19 yo Caol Ila from a bourbon cask. That one was bottled by the Whisky Exchange in 2012. Here now is another Caol Ila bottled the year before by Douglas Laing in their Old Malt Cask series. This one is a fair bit older and is from a refill sherry hogshead. As much as I like bourbon cask Caol Ila, sherried Caol Ila—relatively rare as it is—can be very good indeed and the best ones are among the whisky world’s unalloyed pleasures. See, for example, this one and this one, both also from 1984 distillate. I am hopeful that this will be in the class of those. Let’s see if it is.

Caol Ila 27, 1984 (52.4%; Old Malt Cask; refill sherry hogshead; from a sample from a friend)

Nose: Leafy smoke cutting through sherried notes of orange peel, raisins, pipe tobacco and pencil lead. On the second sniff there’s some charred pork and also a hint of savoury sulphur; the smoke is a bit sharper now. The coastal notes emerge as it sits (brine) but it’s not terribly phenolic. Softer with water with a bit of toffee emerging. Continue reading

Pandemic Takeout 23: Back to House of Curry (Rosemount, MN)


House of Curry was the second place we got takeout from when the “shelter in place” orders began in Minnesota. That was way back in late March/early April. As our takeout options/range expanded over the months, we somehow didn’t end up going back to House of Curry for our weekly takeout. That streak of neglect ended this past weekend when we stopped on our way home from a walk around Pike Island to get some lunch. As a small restaurant, or perhaps simply because they are appropriately cautious, House of Curry has not reopened for dining in. We were not looking to dine in anyway. Here is what we picked up. Continue reading

Caol Ila 19 (The Whisky Exchange)

Here’s a 19 yo Caol Ila bottled several years ago by the Whisky Exchange for their annual Whisky Show. That’s it, that’s the introduction.

Caol Ila 19 (55.9%; The Whisky Exchange for the Whisky Show, 2012; single bourbon cask; from my own bottle)

Nose: Ah yes, this is one of those “Port Ellen, who?” Caol Ilas. Lemon, oyster liquor, kelp, green olive brine, mineral smoke: it’s all here. A couple of minutes later there’s some ash and smouldering leaves mixed in with the mineral smoke, giving it a slightly bitter, vegetal quality. A few drops of water and it’s a mix of citronella, ash and vanilla-cream.

Palate: As predicted by the nose but with more phenols in the smoke and some sweeter notes as I swallow (vanilla). Gets more acidic as it sits and the leafy note from the nose begins to make its way to the palate as well. More acid with water—more preserved than fresh lemon now—and the phenols back off a bit (the ash doesn’t though). Continue reading

Bombay Cinema, A Rough Guide: The 1950s


[For the background on this series, see my introductory post from last Sunday.]

India became independent in 1947. The film industry—due to colonial censorship—had not been a significant cultural force in the anti-colonial movement (contrast with literature, especially in the high-Gandhian period from the 1920s on). In the first decade after independence, however, cinema was to become the major cultural form in which the new Indian nation was to be imagined and represented. Bombay was not the only location for this, of course. Bengali and Tamil cinema were already major industries, to name two; and it’s also worth remembering that before WW2 Bombay was not the only center of Hindi film production. With the Hindi film industry—and the nation—made over by Partition, however, by the end of the 1950s Bombay cinema’s ascendancy as the symbolic face of Indian cinema was complete. In this post I will briefly sketch some of the genres and thematic concerns that marked this decade, and highlight some of the major artists (directors, actors, music directors, singers, lyricists) who defined the era. At the end I will offer a few more general observations about Bombay cinema and also issue a couple of warnings for the unwary viewer. Continue reading

Ardmore 20, 1996


I started the month with a heavily-peated Islay that was a bit of a misfire (this year’s Cairdeas). Let’s continue with peated whisky but move on to the eastern highlands, to Ardmore who are not known for heavily peated whisky. Interestingly—and also worryingly—however, this particular 20 yo release was apparently finished in ex-Islay casks after an initial maturation in ex-bourbon casks. If these were casks from Laphroaig (possible given that Beam Suntory owns both distilleries) then there’s a good chance that the usual combination of mellow, peppery peat and fruit that characterizes the best Ardmores might get lost in a phenolic overlay. On the other hand, if the casks were ex-bourbon Bowmore casks—Bowmore being another Beam Suntory distillery—then that might actually be a good match. Let’s see how it goes. I’m a big fan of Ardmore, even though we don’t get very many opportunities to try their malt in the US, and I am hoping for the best. Continue reading

Pandemic Takeout 22: More Heat from Grand Szechuan


It’s been almost two months since my previous Grand Szechuan report but don’t worry, they’re still in business and we’re still eating their food on the regular. As of August 1 they are once again open seven days a week, but they’re still open only for takeout. That takeout business appears to be brisk—at least on weekend evenings. The place was hopping—in a masked and socially-distanced kind of way—when I picked up our most recent meal on a Friday evening. There seemed to be more staff visible as well. I hope they’re doing decent business at lunch and on weekdays as well. But to be safe we should all keep ordering from them. Continue reading

Laphroaig Cairdeas 2020, Port & Wine Casks


I look forward to the release of the Laphroaig Cairdeas every year, even though Laphroaig has not consistently been giving me very many reasons in recent years to look forward to it. I liked 2018’s Fino cask finish but last year’s Triple Wood CS and 2017’s Quarter Cask CS were acceptable but not at all special. The distillery seems to have got caught in an endless cycle of cask finishes; a far cry from 2011 and 2012 which saw them release excellent bourbon cask whiskies (neither of which, I realize, I’ve reviewed). And the only truly excellent Cairdeas since then—2015’s 200th anniversary release—was also from bourbon casks. But there’s no excitement in bourbon cask releases, I guess. Will next year be a rum cask? A marsala cask? Or will we see another Frankenwine release like this year’s (a vatting of port and wine casks)? Well, I suppose if the results taste good there’s no point complaining about the high-concept gimmickry. Let’s see if that is indeed the case. Continue reading

Coming Soon…

Onward into autumn and September. The busy season at work starts up again in the middle of the month. I’m teaching online again this term but that amounts to more work than teaching in person. The missus is teaching online too and the boys are going to be at home as well—we passed on the in-person school option for them. Hopefully, we won’t go crazy and hopefully, our little town will not be hit too hard by the fact that both the local colleges are bringing all or most of their students back to town from all over the country and the world. Let’s see how it goes,

In the meantime the blog will carry on as normal with the usual complement of booze reviews and takeout meal reports. I’ll also be filing regular entries in my new series, Bombay Cinema: A Rough Guide. If time permits I hope to get another longer piece on Indian food started and finished as well. The experiment with ads on the blog will continue as well for now. The gap between page views and ad impressions suggests most of my readers have ad blockers on but the ads still generated enough money to cover August’s hosting costs. Ads should no longer be appearing inline in posts—hopefully those of you who’ve turned off your ad blockers are not finding the ads to be too disruptive. Do let me know if that proves to be the case. Continue reading