Port Charlotte 16, 2001, The Heretic, Feis Ile 2018


Okay, let’s close out peated Islay week with one from Bruichladdich. This 16 yo Port Charlotte was bottled for the 2018 edition of Feis Ile, the Islay whisky festival. It is a vatting of the last five casks that were filled during the 2001, which was the first year that the peated Port Charlotte distillate was produced at Bruichladdich. It was given the name “The Heretic”, which I think refers to the fact Bruichladdich had not historically made peated whisky. The cask types that went into the vatting include ex-bourbon, ex-rum and ex-French wine. At only 1300 bottles, this was a true limited release. Let’s see what it was like.

Port Charlotte 16, 2001, The Heretic (55.9%; for Feis Ile 2018; from a bottle split)

Nose: The familiar Bruichladdich/Port Charlotte sour milk but it’s mixed here with sweet cereals and carbolic peat and lemon and the whole is rather nice. On the second sniff there’s some bacon fat in there too. On the third sniff the bacon fat turns to a freshly open can of smoked sardines. Some butterscotch in there as well. Water amplifies the butyric notes at first but it burns of leaving a mix of cereals and ash. Continue reading →

Caol Ila 14, Four Corners


Here is the second of this week’s reviews of peated whiskies from Islay. (See here for Monday’s review of an indie Laphroaig.) Today I have for you a 14 yo Caol Ila that was matured in a mix of refill and freshly charred hogsheads. This is an official release, part of a Diageo series named Four Corners. The series also includes releases from Glenkinchie, Cardhu and Clynelish. Together these are said to form the four corners of Scotland (let’s not look too closely at an actual map), or at least of Diageo’s Scottish portfolio map (let’s not look too closely at an actual map). This might put you in mind of Diageo’s old Classic Malts lineup but I believe this series may also have something to do with all four distilleries having recently been refurbished in a major way. I could be wrong: as I’ve noted before, it’s been years since I’ve paid attention to whisky industry news. The most shocking thing about the series though is that all four releases not only have age statements but are also in their teens. And all are at cask strength. I’m not sure what’s gotten into Diageo. Well, nothing too drastic as the prices were rather keen—obviously no lapse on that front. Anyway, let’s see what this is like. Continue reading →

Williamson 12, 2010 (Thompson Bros.)


After a week of mezcal reviews (here, here and here) and before that, a week of rum reviews (here, here and here), it’s time to get back to Scotland and whisky. And in particular we’ll head to Islay. This week will feature teenaged peated whiskies. First up is the youngest. It’s a 12 yo Laphroaig bottled by the Thompson brothers of Dornoch from a refill sherry cask. (As you doubtless know by now, “Williamson” is the name used these days for most independent releases of Laphroaig.) Let’s get right to it.

Williamson 12, 2010 (50%; Thompson Bros.; refill sherry cask; from a bottle split)

Nose: Sweet, carbolic peat with some lime zest and then quite a lot of salt crystals. More coastal with each sniff with shells and seaweed joining the salt. Some more fruit in there too after a minute: tart apple, lemon; the smoke gets sootier. Continues in this general vein, maybe getting a little sweeter. With a few drops of water it turns into ashy limoncello; the salt’s still here. Continue reading →

Caol Ila 18, 2001 (Gordon & MacPhail)


Caol Ila week comes to a close with the oldest of the trio (see here for Monday’s 9 yo and here for Wednesday’s 11 yo). This 18 yo was also released by Gordon & Macphail but is from a single first-fill bourbon barrel. Let’s get right to it.

Caol Ila 18, 2001 (57.2%; Gordon & MacPhail; first-fill bourbon barrel 308901; from a bottle split)

Nose: The smoke is more woody than phenolic to open, with a fair bit of cream in there as well. On the second sniff there’s a meaty savouriness and some lemon and then the coastal notes begin to emerge: salt crystals, shells, kelp. The salt intensifies as it goes. With more time there’s roasted malt and charred oak. A few drops of water bring out even more of the char. Continue reading →

Caol Ila 11, 2005 (Gordon & MacPhail)


Alright, Caol Ila week got off to a good start on Monday with a young Signatory release put together from a mix of ex-sherry and ex-bourbon casks. Here now is an only-slightly older release from Gordon & Macphail that was put together from first-fill bourbon barrels (how many, I’m not sure). Let’s get right to it.

Caol Ila 11, 2005 (54.1%; Gordon & MacPhail; first-fill bourbon barrels; from a bottle split)

Nose: A little closed at first but then there’s oak. The peat takes a few beats to register and then it’s there, with disinfectant mixed in with some lemon, brine and some slightly ashy smoke. As it sits a fair bit of vanilla emerges and the oak gets toasted. With water the smoke and the oak both pick up some char and the vanilla turns to cream. Continue reading →

Caol Ila 9, 2010, Small Batch #7 (Signatory for Kirsch Import)


The first whisky reviews of 2024 were both of peated whiskies last week: a very nice Croftengea 12, and an Ardmore 23 that was not as nice at all. Let’s keep the peat flowing this week, with a trio of Caol Ilas. Hopefully, they will put us back on a positive trajectory. First up, is a young small batch release from Signatory that was put together for the German market from two refill butts and three refill hogsheads. Let’s see what it’s like.

Caol Ila 9, 2010, Small Batch #7 (47.1%; Signatory for Kirsch Import; two refill butts+three refill hogsheads; from a bottle split)

Nose: Phenolic, inky peat with green bell pepper, as is not unusual with sherried Caol Ila. On the second sniff there’s some lemon and some brine to go with the ink as well as some more savoury notes. As it sits there’s more coastal notes (shells, more brine) and an open jar of kalamata olives as well. Softer notes emerge with more time (vanilla, milky cocoa). A few drops of water bring out more vanilla. Continue reading →

Ardmore 23, 1997 (SMWS 66.191)


2024 got off to a smoky and tasty start with Wednesday’s Croftengea. Here now is another peated malt from a distillery elsewhere in the highlands: Ardmore.

I’ve previously reviewed a number of these Ardmore 23, 1997s bottled by the Scotch Malt Whisky Society and liked them all. This despite the fact that none of the previous have been from straightforward ex-bourbon casks, my preferred incarnation of Ardmore’s spirit. All spent the first 21 years in ex-bourbon and then the final two in another type of cask. 66.199 came closest to being ex-bourbon, having been matured for 21 years in ex-bourbon before receiving a finish in an engineered HTMC cask (high-toast, medium-char, I think). 66.198 spent its last two years in a French oak barrique. 66.195 and 66.197 were both finished in sherry casks, the former in a first-fill oloroso barrique and the latter in a refill Spanish oak hogshead.  This is another of those oloroso barrique finishes, a first-fill STR oloroso barrique to be exact (STR= shaved, toasted, re-charred, I think). The SMWS gave it the name “Smoky Cajun Roux”. As good as the others? Let’s see. Continue reading →

Croftengea 12, 2006 (First Editions)


Let’s get 2024 off to a smoky start. My first whisky review of the year is of a Croftengea, one of the peaty brands produced by Loch Lomond. I’ve really enjoyed most of the Croftengeas I’ve had in recent years; that mix of Loch Lomond fruit and heavy peat is a very nice one. Let’s see if that’s in evidence  here.

Croftengea 12, 2006 (53.9%; First Editions; refill hogshead 15540; from a bottle split)

Nose: Big farmy peat with some rubber mixed in; some citrus and salt in there too. The salt expands as it sits and more fruit begins to emerge with it (tart apple, Makrut lime). With more time there’s some vanilla and some cream as well. A few drops of water make the whole sweeter. Continue reading →

Glen Scotia 8, Campbeltown Malts Festival 2022


I have to confess I haven’t really tracked the Campbeltown Malts Festival very much over the years. The festival was launched in 2008 but I didn’t get around to reviewing a festival release until 2021 (when I reviewed the Glen Scotia release for the 2020 festival). You might think that 2008 is pretty recent and while that’s true in the abstract, consider that the Spirit of Speyside festival only launched nine years prior, and there are a whole lot more distilleries in the Speyside than in Campbeltown. Feis Ile, the Islay festival, is a bit older but it’s not like it goes back to the dawn of time either: the first iteration was held in 1986. Still, it’s probably fair to say that of the major regional festivals, the Campbeltown Malts Festival has the lowest profile. And considering that the other distilleries in the region are either Springbank or a member of the Springbank family (Glengyle/Kilkerran), it’s also fair to say that Glen Scotia probably has the lowest profile of the participants. Or maybe I’m wrong and there is a huge frenzy to purchase their festival releases as well, and a crazy secondary market for them. Unlike most of the Islay distilleries, they do put age statements on their festival releases. The aforementioned 2020 release was 14 years old, and this year’s release (which I reviewed on Monday) was 11 years old. Both were peated whiskies and involved finishes: tawny port for the 2020 and white port for the 2023. Today I have a review of their release for the 2022 festival. It was only 8 years old and, though peated, was finished in PX rather than port casks. Let’s see what it was like. Continue reading →

Glen Scotia 11, Campbeltown Malts Festival 2023


Is this the year of white port finishes in Scotland or is it just the year in which I’ve noticed them. Or is it the year of white port finishes in special releases? In October I reviewed the 2023 Cairdeas release from Laphroaig which sees a third of the vatting finished in white port casks. The Talisker in Diageo’s 2023 Special Release was also partly finished in white port casks. And here now is Glen Scotia’s release for the 2023 Campbeltown Malts Festival, which was also a white port cask finish (I’ve previously reviewed the 2020 Festival release, which had a tawny port finish). Unlike the Cairdeas, this one bears an age statement: it’s 11 years old (no vintage statement though, I don’t think). I’m guessing the base spirit was matured in a mix of bourbon casks prior to receiving the finish (for how long, I have no idea). As per Whiskybase, there were 24,000 bottles in the release—I assume these weren’t available only at the festival. The base spirit was distilled from lightly peated malt. Well, I quite liked the marriage of white port (and madeira) with Laphroaig’s heavier peat. Let’s see what I make of this one. Oh yes, this week’s whisky reviews will all be of Glen Scotia’s Campbeltown Malts Festival releases. Continue reading →

Lagavulin 12, Special Release 2023


Alright, I started the month with a heavily peated whisky from Islay’s south shore, and so it’s only fitting to close it with another. Circle of life and what not; as written in the Ink of Legends. That’s a non sequitur, you’re thinking, but really it’s a very smooth transition. You see, “The Ink of Legends” is the silly name Diageo has given the 2023 release of the hallowed Lagavulin 12 CS. You may recall that that Monday’s Talisker bore the sobriquet, “The Wild Explorador”. Possibly that name has some connection to the fact that the Talisker contains spirit finished in a trio of port casks; quite possibly “The Ink of Legends” similarly has some connection to this Lagavulin’s own finish. Yes, it’s not a pure ex-bourbon Lagavulin 12 as used to be the norm. When did they stop being pure ex-bourbon releases, you ask? The 2021—which bore the name “The Lion’s Fire”—was ex-bourbon. The 2022 edition—“The Flames of the Phoenix”, if you must know—included virgin oak casks in the mix, and was—as far as I know—the first to depart from the ex-bourbon tradition (I never did get my hands on any of that one). Well, this year the distillery has gone from fire and flames to ink, and they’ve also gone quite a distance from virgin oak. No, the ink in question was not secreted by last year’s “Lustrous Creature of the Depths“; this year’s Lagavulin 12 was finished in tequila casks. I don’t believe I’ve ever reviewed or tasted a tequila cask finish before. Well, I’ll try anything once. Okay, so I tried the Balcones Brimstone twice—I’ll obviously try anything twice. Continue reading →

Talisker, Special Release 2023


After a week of single grain whiskies (from Cameronbridge, Cambus and Carsebridge), let’s end the month with a couple of whiskies in Diageo’s Special Release slate for 2023. The first two weeks of December will feature the rest of the whiskies in the lineup. First up is the Talisker, which is such a special release that it does not have an age statement. It does have a silly name though: The Wild Explorador (I’m sure there’s a reason for this but I will try not to find out what it is). Last year’s Special Release Talisker also had a silly name though—The Lustrous Creature of the Depths—and I quite liked it anyway (it also had an age statement). So, what makes this one special? Perhaps it’s the complicated finish regimen. It would be easy to say that this is a port finished Talisker, and it is; but it was finished in casks that had previously held not one, not two, but three types of port (cue Diageo’s Head of Silly Concepts next year, saying “Fuck it, we’re going to seven”). The port casks involved had previously held white port, tawny port and ruby port. In case the white port thing sounds familiar, this year’s Laphroaig Cairdeas was also finished in white port casks (along with madeira). Typical: you go more than a decade without encountering whiskies from white port casks and then two come at once. Anyway, let’s see what this is like. Continue reading →

Laphroaig Cairdeas 2023, White Port & Madeira


My whisky readership has shrunk dramatically in recent years (I base this entirely on the lowered level of engagement with my whisky reviews). And so I almost feel I should apologize to the little that remains of that readership for trying their patience in October. So far this month I’ve posted two weeks of reviews of mezcal, one week of reviews of brandy, and one week of reviews of grain whisky (I am assuming here that my whisky readership is really mostly interested in single malt whisky). Please accept as penance this very timely review of a recent release, one that should be widely available all over the United States: the 2023 release of Laphroaig’s annual Cairdeas, bottled for Feis Ile, the Islay whisky festival. The Cairdeas releases have come to the US every year since 2011 (the series itself is only a few years older than that). The price has slowly edged up (it’s now in the mid $80s in Minnesota, before tax) and this year—for the first time—it’s a 700 ml bottle even in the US. Which means it’s a bit more expensive still per pour. Continue reading →

Kilkerran 15, 2004 (for Denmark)


Kilkerran week has gone very well so far. It started on Monday with Batch 6 of the Heavily Peated, which was in line with the high quality of Batch 4 and Batch 5. It continued on Wednesday with one of the 15 yo casks released in 2019 to mark the distillery’s 15th anniversary. That was the bourbon cask released in the UK. Here now is another of those commemorative 15 yo casks. This one was released in the Danish market and has a somewhat unusual composition. The spirit in it spent 10 years in a port pipe before being put into a refill bourbon hogshead for another five. (There were three of these port–>refill bourbon casks, by the way: another one went to Germany and the third to Italy.) Normally, in the case of double-matured malts you see the first maturation in bourbon casks before the spirit hits the cask that held the much heavier spirit. Well, if the results are good I guess it doesn’t really matter in what order the maturation happened. Let’s see if that is indeed the case here. Continue reading →

Kilkerran 15, 2004 (for the UK)


This week of reviews of Kilkerran (the name of the whisky distilled at the Glengyle distillery in Campbeltown) began on Monday with Batch 6 of their Heavily Peated series. I rather liked that one (as I had Batch 5 and Batch 4 before it). The releases in the Heavily Peated series are, of course, all NAS. The other Kilkerrans I am reviewing this week both have age statements; And, if not for the 16 yo—which I reviewed earlier this year—at 15 years of age, both would handily be the oldest Kilkerrans I’ve yet reviewed. Both are part of a batch of single casks of various types that were bottled in 2019 to commemorate the distillery’s 15th anniversary. Most of these were bottled for specific markets. (One even came to the US; I shudder to think of how much would have been asked for it, given the premium we have to pay for anything the importer, Pacific Edge, brings in.) This one, a single refill bourbon hogshead was for the UK market. Let’s see what it’s like. Continue reading →

Kilkerran Heavily Peated, Batch 6


Let’s start September with a week of Campbeltown whiskies, specifically with three Kilkerrans. First up is Batch 6 of their Heavily Peated series, which is now up to Batch 8. I was unenthused by Batch 1 but then was surprised by how much I liked both Batch 4 and Batch 5, both of which had a lovely mix of smoke and fruit and salt. I’m hoping Batch 6 will continue down that road. It has a different composition than all the earlier release. Batches 1 and 2 had a lot of sherry in the mix, being a vatting of 55% bourbon and 45% sherry casks. Batches 3 and 4 dropped the sherry component to 20% and Batch 5 took it down a notch lower still, being comprised of 85% bourbon cask and 15% sherry cask spirit. With Batch 6 the sherry component ticked up a bit again, but only to 25%. I’m hoping it will be in line with Batch 4 and 5.  Alas, all non-core range Kilkerran is now heavily allocated and not easy to find and Batch 6 is in any case long gone. So this review has very low use value. Why change now? Continue reading →

Bill Phil, Peated Series (W.D. O’Connell)


The last in last week’s series of madeira cask whiskies was a Teeling. It wasn’t the best of the week but I liked it. And so, even though my first week of Irish whiskeys this summer didn’t go so well (three other Teelings: here, here and here), I’ll take a chance with another week. This time it’s all whiskeys and producers I knew nothing about till I purchased these miniatures from the Celtic Whiskey Shop in Dublin. First up, is something called Bill Phil from W.D. O’Connell. W.D. O’Connell are independent bottlers who release a wide range of sourced whiskeys under their own labels. Bill Phil—the name refers to someone in the owners’ family history—is a batched release of heavily peated, triple-distilled single malt whiskey. People who know more than me say the source is probably the Great Northern Distillery. Full bottles have the batch numbers printed on the labels. This miniature does not. The current batch is Batch 5. Seems likely, I guess, that this would be from that batch but it’s hard to say for sure. (Batch 4 was released in the US apparently.)  All the batches are matured in first-fill bourbon barrels. The peating level is all the way up to 55 ppm, by the way. Okay, let’s see what it’s like. Continue reading →