Having done a week of reviews of highland malts, let’s go all the way down south from Tain to Campbeltown for a week of reviews of whiskies from the Springbank distillery: two Springbanks and a Hazelburn.
Let’s begin with a Springbank 10. This is part of the vaunted Local Barley series; it was distilled in 2009 and bottled in 2019. Another 10 yo was released in 2020 in the same series but that one was, I believe, matured entirely in oloroso casks. This one is put together in a complicated manner, involving 77% bourbon cask whisky, 20% sherry cask whisky and 3% port cask whisky. I’m sure there are people who swear by that 3% of port casks but I’ll be shocked if I’ll be able to find any trace of it here. I won’t be shocked, however, if I like this a lot. I’ve liked all the others I’ve had in the Local Barley series a lot: I’ve previously reviewed a 16 yo, an 11 yo and a 9 yo. That 9 yo was also from the 2009 vintage but I think it was made in altogether more conventional way. At any rate, if this is as good as that one was I’ll be very happy indeed. Let’s see if that proves to be the case. Continue reading →
Thanks to you-know-what, none of the Scottish whisky festivals were held in 2020. Most distilleries released what would have been their festival bottles anyway. This would have been Glen Scotia’s at the Campbeltown festival. Was it their only festival release? I have to admit that I’ve not really tracked whisky festivals beyond Feis Ile very much; indeed, this may be my first review of a Campbeltown festival release (though I’m probably forgetting something). Unlike my last two official Glen Scotias (including the Double Cask and Monday’s Victoriana) this one has an age statement. It’s a 14 yo matured first in first-fill barrels and then finished in American oak hogsheads that had been treated with tawny port. How long in each container, I don’t know—if you do, please write in below. Will this be the first official Glen Scotia I like a lot? My track record with port-bothered whiskies would suggest that’s unlikely. But I’m famous for my open-mindedness. Let’s see what this one is like. Continue reading →
This is a distillery-only Ballechin—which is to say it is/was only available at the Edradour distillery (whose peated malt is called Ballechin, as you doubtless know). No, I did not pick it up while driving through the highlands last June. We did go very near Edradour on our way to Blair Castle but Tomatin was the only distillery in that part of the country that we stopped at, and that only for a little while. No, this is a sample from a bottle that the redoubtable Michael K. purchased at the distillery in 2016. Me, I didn’t even know that Edradour had bottled any Ballechin of this age. All I’ve had are most of the various younger, wine cask releases of yesteryear and the 10 yo that was released in 2014. Michael said in his review last year that he liked this very much at the distillery but not as much later. As you will see below, I liked it quite a bit now. I did also like the Ballechin #3, Port Cask—there seems to be something about the marriage of their peated malt and port casks that works well. Anyway, here are my notes. Continue reading →
Longrow, as you probably know, is the name of Springbank’s heavily peated malt (it’s also more conventionally double distilled, unlike Springbank which goes through a complicated “two and a half” distillation and Hazelburn which is triple-distilled). Just as there have been a number of wine cask Springbank releases in the last decade, a number of wine cask Longrows have also been appearing from time to time. Of these I’ve previously reviewed a 14 yo Burgundy cask, which I found to be too heavily sulphured to my taste. As a result I’ve stayed away from the Longrow Red series, which has featured a number of red wine finishes/double maturations—a new kind each year. The first (I believe) was double matured in cabernet sauvignon casks (7 years in bourbon + 4 in the wine casks) and the second in shiraz casks (6+5). The current release is closer to a finish, having spent only one year in New Zealand pinot noir casks after 11 in bourbon. This 2014 release, however, appears to have been matured full-term in fresh port casks (if I am wrong about this, please write in below). In general I have had better experiences with port cask-matured or finished whiskies than with those from other types of wine casks, especially peated whiskies (like this Ballechin, for example) and so I’m hopeful about this one. Let’s see what it’s like. Continue reading →
This is the last of the four Amruts I opened for a special Amrut tasting for some members of my local tasting group back in May. I’ve already reviewed the two other single casks we drank that night (one from a bourbon cask and one from a PX sherry cask). Those were both distilled from unpeated Indian barley. This one, from a port pipe, was distilled from peated barley (the provenance of the barley is not mentioned on the label; I assume it was Scottish). We drank this one alongside the Portonova, which was our consensus favourite on the night (and I liked it the most then too). However, in the last couple of weeks I’ve really been enjoying this peated version a lot more than I did that night and am looking forward to taking some formal notes.
This was bottled exclusively for the European market, by the way, and the cask saw a whopping 43% evaporation loss during maturation. Continue reading →