Is this my first review of a whisky from the Speyside distillery? I believe it is. And I believe it is also the first (and only) whisky I’ve ever tasted from the Speyside distillery—it was only founded in 1990 and its first single malt release was in 1999. My only other exposure to anything related to this distillery is the independent bottler, Scott’s Selection: the Scott of Scott’s Selection, Robert Scott, was Master Blender at the Speyside distillery. I’m not entirely sure but I think Scott’s Selection—which I think is now defunct—was in fact a property of Speyside, which means that they are one of few distilleries that also operate as independent bottlers. Bruichladdich/Murray McDavid and Benromach/Gordon & MacPhail are few of the others that come to mind as similar examples, past and present, though Bladnoch under Raymond Armstrong is probably the nearest analogue. Doubtless there are others (please write in below). The distillery also produces the Drumguish and Cu Dubh brands. Continue reading
Let’s make it a week of Islay whiskies. On Monday I had a review of an 18 yo Laphroaig and yesterday I had a review of a 10 yo Bowmore. We have another big drop in age today, all the way down to 3 years old, the legal minimum for Scotch whisky; and we’re also moving from the larger, more established and storied distilleries to a small upstart. Kilchoman, the small Islay farm distillery (which I visited briefly last June), only started distilling in late 2005. I believe the first official whiskies were released in 2009. There were a bunch of cask strength releases in the US in mid-2010. I still have some of at least one of these saved (the Binny’s cask) and will probably get around to reviewing it one of these decades. At around the same time they had begun to release larger vattings at 46%. There were a number of these seasonal releases for at least the first few years—I confess I’ve sort of lost sight of what Kilchoman has been up to in recent years, despite rather liking all the early releases I’d tried. Well, maybe I’ll try to address that.
Meanwhile, here’s a blast from the past. This was put together in a complicated way with a mix of bourbon and sherry casks—a finish may have been involved (I’m too lazy to look it up). Continue reading
Last month I reviewed the Bowmore 15 “Golden & Elegant”, one of the three age-stated whiskies that make up Bowmore’s recent’ish revamp of their travel-retail line (I guess given how many of the whiskies sold in airports cost more there than they do on the high street the companies feel self-conscious about using the term “duty free”). This 10 yo is the youngest in the line. The name “Dark & Intense”—I assume they named it after me—indicates the different composition of this release. Where the “Golden & Elegant” is a vatting of first-fill bourbon casks, this is a vatting of Spanish oak sherry casks. In theory that should be very good news. Bowmore from sherry casks can be very good indeed and I’ve had some very nice intensely sherried ones of this general age—see this 11yo and this slightly older 13 yo; the official Devil’s Casks 1st Ed. and 2nd Ed.—both also 10 year olds—were pretty good too. Unlike those, or even the Golden & Elegant, however, this is only at 40%. Will it be as good as its 15 yo sibling? Let’s see. Continue reading
Last week I posted a review of an unusual rum cask Laphroaig. Here now is a relatively unusual Glen Ord. The distillery is best known—in official and independent incarnations—for bourbon cask matured whisky. This release from the Scotch Malt Whisky Society was, however, bottled from a sherry butt—a second-fill oloroso butt, to be exact. As that’s not something you across every day, and as I really like Glen Ord, I decided to take a chance on this as well at auction. I was dissuaded only a little by the fact that I had no idea what the SMWS tasting committee’s name for this whisky, “Japanese omelettes with Dunkelweizen” might refer to. I was conscious of the fact that I was overpaying but, again, sherry cask Glen Ord is not something we come across regularly in the US. I’ve not previously reviewed any sherried Glen Ords and indeed I’m not sure if I’ve had any. So this should at least be interesting. Let’s see if it’s more than that. Continue reading
About four and a half years ago K&L released a 5 yo Talisker—the so-called “Speakeasy”, bottled by Douglas Laing. It had a cool label design and the whisky inside was pretty decent, if nothing very special. A couple of years ago they released another young Talisker bottled by Douglas Laing, this one, from a sherry cask. It cost about $40 and I was sorely tempted to get one. Especially as in their tasting notes they said things like, “It’s loaded with equal parts salt, smoke, fruit, and sweet malt character with a spray of sea water on the finish”. But then I remembered that K&L’s tasting notes are mostly random word soups designed to make people want to buy whiskies and that if they match up with what’s in the bottle it is entirely by accident. Sometime later I had an opportunity to get a sample from a bottle split, and with a much lower financial risk at stake I gave it a go. Will I regret my skepticism and wish I’d bought a bottle? Let’s see. Continue reading
I have not had very many old Glenlivets. And unless you’re a member of the whisky illuminati chances are you’ve not either. The few I’ve had have been very good indeed. The best of the lot was probably a Glenlivet 38, 1974 bottled by Berry Bros. and Rudd for the Whisky Exchange in 2012, and which I emptied a few weeks before starting this blog (hmm I should check to see if I saved a sample from that bottle as was my usual practice in those days). This old Glenlivet was also bottled for the Whisky Exchange but by Signatory. It’s also, unlike the BB&R bottle, from a sherry cask. And as this is 2018 and not 2012, it costs more than three times as much. These are the times in which we live. Not so long ago a bottle like this would have been within reach of regular punters looking to make a splurge; now it’s only for the rich. But what is it like? Courtesy Billy Abbot, who passed on a sample to me when we met for drinks in June at the Scotch Malt Whisky Society’s London tasting rooms, I can give you my answer. Continue reading
Here I am with my annual review of Laphroaig’s annual release for Feis Ile, the Islay festival: the Cairdeas (pronounced: car-chuss, roughly). I’ve reviewed the previous five releases—my most consistent commitment to timeliness. This year’s, like 2014’s Amontillado finish, also involves sherry and it also represents a failure on the distillery’s part to make my hopeful attempt at prediction come through: in the review of last year’s Quarter Cask release I’d noted it would be nice if Laphroaig gave us a young all-sherry cask release this year; but what they’ve given us is a a finish. Apparently, this is composed of six year old bourbon cask spirit finished in Fino sherry casks for an unspecified amount of time. Well, I quite liked the Amontillado release and I expected to like this one as well. (Keep in mind though that Laphroaig is my favourite distillery and I’m one of very few people who has liked almost all recent Cairdeas releases a lot—last year’s was the exception.) Continue reading
Yesterday I had a report on my recent visit to Aberlour. Today I have a review of their 10 yo whisky. I believe this is their current entry-level malt. It’s been a long time since I last tasted this whisky*, which comprises spirit married in bourbon and sherry casks and is generally fairly priced. Well the 10 yo was part of the tasting at the end of the tour as well, but I didn’t taste it then, as I was driving after. The sample I took away didn’t make much of an impression but it was a very small pour—much too small for a review. But as luck would have it the friend we stayed with in London for a few days after our Scotland trip had a bottle open and so I tried it a couple of times and wrote my notes up. Here they are.
*Potential correction: this may actually have been my first time trying this whisky. I think it’s the Aberlour 12 that’s more widely available in the US and that I’d last tried some years ago. Continue reading
This Campbeltown cask at Cadenhead’s represents my greatest whisky regret from our recent trip to Scotland. This is not because it was a disappointment; quite the opposite. I purchased a 200 ml bottle at Cadenhead’s on my first day in Edinburgh (along with their Islay cask, a Glen Ord 13 and a Tullibardine 24). I opened it on the second or third night and loved it; considered getting a full bottle but didn’t want to lock myself out of potential distillery-only purchases on our upcoming sojourn in the Speyside and Highlands (given limited luggage space). If that didn’t pan out, I figured I’d get a bottle in between returning our car and heading to the airport on our way back.
This plan suffered a mighty blow first when Aberlour turned out to not have any distillery exclusives available on the day I visited, and then a fatal blow when I realized that our flight to London was an hour earlier than I’d thought it was. And so, no full bottle of the Cadenhead’s Cambeltown cask for me. But this wasn’t all to the bad: it left room for an unplanned purchase of the TWE Croftengea in London, of which more soon. Continue reading
I am back in Minnesota. Our two weeks in Scotland were great, as were the 10 days that followed in London. I’ll have a number of reports on distilleries (and food) soon. But first, let me wind up my month of reviews of malts from Speyside and Highland distilleries. I’m sorry to say that few of the Speyside whiskies I reviewed in this series this month turned out to be appropriate for my commemorative purpose. Other than a Dailuaine and a Longmorn, it’s been a steady stream of mediocrity. Accordingly, I am going to end the series with a heavy hitter, the oldest single malt I’ve yet reviewed: a 46 yo Longmorn distilled in 1964 and bottled in 2011 as part of Gordon & MacPhail’s now legendary quintet of very old sherry cask Longmorns for van Wees in the Netherlands. The 1969 in this series is the best whisky I’ve ever had and the 1972 and 1968 were no slouches either. Only the 1966 showed some signs of extreme age. Will this one—two years older still—be even more over-oaked? Let’s see. Continue reading
We are leaving Orkney today and as we’ll be spending the night in the Highlands before heading down to Edinburgh tomorrow, I figured I’d post a review of another Highland malt. This is from a distillery not too far from where we’ll be putting up: Glen Ord. I’d had no plan to visit Glen Ord on this trip but when Aberlour disappointed me with the complete lack of a “distillery only” cask, I started grasping at straws for distilleries along the way to Dornoch that might have one. Accordingly, I called the Glen Ord visitor centre and asked if they had an exclusive. The person answering the phone helpfully informed me that all their whiskies are exclusive as they’re sold only in Southeast Asia and at the distillery; yes, I said, but do you have a cask that’s only available to visitors at the distillery. She repeated her information about the exclusivity of all Glen Ord bottles. Thinking that perhaps we had a case of battling Scottish and Indian/American accents on our ears, I handed the phone to a Canadian who has lived in Edinburgh for a year. She was met with the same response. All this to say that I did not go to Glen Ord after all. But this review is still trip-specific: it’s of a Glen Ord 13 that I purchased 200 ml of at Cadenhead’s in Edinburgh last week. It didn’t take long to disappear and I took notes as it did. Continue reading
After my review of the old, unlamented official Littlemill 12, I’d lined up reviews of a number of more recently released older, indie Littlemills from the late 1980s and early 1990s. Somehow, I never got around to posting any of them. Here’s the first one.
This was released by Whiskybase as part of the inaugural release of their Archives line. As you may know, Menno B. of Whiskybase is a renowned Littlemill collector, and all the Littlemills released by Archives have very good reputations. Unlike the other Littlemills of this era that I’ve reviewed—see this 20, 1990 from the Nectar and this 24, 1989 from the Whisky Agency—this is from a refill sherry hogshead. I opened this a while ago and liked it so much that it disappeared in just a few months—that might seem like a long time but I usually have bottles stay open for at least a year. Here now are my notes. Continue reading
In 2014/2015 there were quite a few Blair Athol 1988s on the market, all in the mid-20s age-wise. Many of these were bottled by Signatory—21 of the 47 Blair Athols listed on Whiskybase are from Signatory*; and another 8 are from van Wees, who source from Signatory, I believe. I’ve reviewed some of these: I really liked this 26 yo bottled for K&L; I also liked this 26 yo and this 25 yo, both from van Wees. Most recently, I thought this 25 yo bottled for LMDW was excellent as well (I could be wrong but I think Signatory was the source of this cask as well—if you know differently, please write in below). All of these casks have proximate numbers, by the way, suggesting perhaps that a big parcel of casks was purchased all together by a broker.
Does that guarantee high quality for this one? Let’s see. Continue reading
And here is the last of my five reviews of recent K&L casks. The score so far is 3-1: I really liked the Bowmore 20 and the Bunnahabhain 25, and thought the Bunnahabhain 28 was solid; it was only the Mortlach 22 that I was not crazy about. Well, this is also a Mortlach and, like the Bunnahabhain 28, it’s also a Faultline. Which way will it go? Let’s see.
Mortlach 28, 1989 (42.5%; Faultline; first-fill sherry hogshead; from a bottle split)
Nose: Raisins, a bit of orange and some oak. With time the orange expands a bit but there’s not much of note happening here. With more time still there’s some toffee. With a few drops of water the fruit expands significantly: orange and apricot.