It’s been three months since we got back from the UK and I’ve barely scratched the surface of my planned Scotland posts, to say nothing of my London food posts. I’m going to try to get at least most of the Scotland stuff done by the end of October. There’ll be a few posts on eating in Edinburgh, a few on eating in the Speyside and on Orkney, and starting with this one, there’ll be a few posts on whisky stores in Edinburgh (following my brief look at the excellent Cadenhead’s store there, which I’d posted in June). This post combines a look at two places: the Scotch Whisky Experience at the opposite end of the Royal Mile from Cadenhead’s, and the Victoria St. location of the Whisky Shop, not too far away. In different ways these are both quite different from Cadenhead’s; I wouldn’t really suggest shopping there over Cadenhead’s or Royal Mile Whiskies (report coming soon) but it was still interesting to go into both places. Continue reading
Ah, Whisky Galore—the name takes me back. This was Duncan Taylor’s entry-level line of malts for the enthusiast back in the day. The whiskies were bottled at 46% and were generally of a pretty good quality. Some of the bottles in this line were my earliest forays into the world of independently bottled whisky and gave me the confidence to spend more money on older whiskies—some of those in Duncan Taylor’s own older lines. At some point in the the last decade and a half the Whisky Galore line was replaced by the NC2 line and all the competitively-priced older Duncan Taylor releases disappeared. The NC2 series is also now gone. The entry-level Duncan Taylor line we see in the US now is Battlehill—ubiquitous on the shelves of the Total Wine chain.
Anyway here’s a throwback review of a Whisky Galore release from an unheralded distillery. Glenlossie is another Speyside disitllery, part of Diageo’s portfolio, producing for their blends. Every distillery in Scotland is capable of producing excellent casks, however, and it’s the independents that let us see this. Let’s see if that’s the case here. Continue reading
A nice thing about reviewing restaurants on your own blog is that there’s no compulsion to only go to new(er) places—you can go back and revisit places and see if they’ve maintained their standards (and in some cases, to see if they’ve gotten better). I’ve done a fair bit of that this year with returns to Tilia, Hmongtown Marketplace, Bangkok Thai Deli, Szechuan, Tea House, House of Curry, Spoon and Stable, A&L Chinese, On’s Kitchen and Grand Szechuan. Here now is my second report on what is now probably our favourite Mexican restaurant, Homi, on University Avenue in St. Paul. I posted my first write-up just over two years ago. We’ve eaten there a few more times since and this seems like a good time for a re-visit on the blog. This report covers meals eaten over the last year and a half, though the pictures are all from two dinners, one last summer, and one two weekends ago. I am happy to report that Homi is still very good. Continue reading
I’m going to stay in the Speyside this week but things are probably not going to get very much more mainstream or timely than Monday’s review of a Miltonduff released in 2012. Today’s review is of a malt from a distillery that closed amid the great slaughter of distilleries in 1983. Its reputation has never approached that of some of the other distilleries that closed then (Port Ellen, Brora) or even others that closed later (Caperdonich) and nor has it seen a wholesale re-evaluation in later years (as, for example, has Littlemill). This is presumably because not enough Dallas Dhu survived to emerge in the late 1990s and 2000s as casks from many other distilleries did. I’ve certainly enjoyed the few I’ve had. Like one of those this is from a cask filled in 1979 (ignore what it says on the label—that’s a typo) and was also bottled by Signatory. That bottle—more so than the other one I reviewed—exhibited a grainy, plasticky note that took a while to fade and which held it back at the time of my review. Let’s see if this one also has it. Continue reading
Here’s a malt from a relatively obscure distillery released by a pretty obscure independent bottler. Well, I suppose Miltonduff is not so very obscure a name to whisky geeks but it has very little by way of reputation and not too many people have tasted very much of its output (I’ve only reviewed four others). The distillery is part of the Chivas Bros. portfolio and produces malt for the group’s blends. Other than in the seemingly-discontinued Cask Strength Edition series (for example), very few official releases have seen the light of day—though I believe there is now a 15 yo official release. As for Tasting Fellows, I have no idea who they were. I say “were” because Whiskybase only lists 12 releases and the last was in 2014. This Miltonduff was from their first release in 2012 and I purchased these samples then from the Whiskybase shop. I then forgot about them for almost six years until they recently emerged from a search in my shelves for something else. I decided to drink them before losing sight of the samples again. Continue reading
I posted a picture of this black bean dish on Twitter yesterday and said I’d rustle up a recipe if there was interest. Among those who said they were interested was Mollie Katzen. Well, even though I was not planning to post a recipe this week, and even though our town was hit by a tornado last evening, I cannot say no to Mollie Katzen. Here therefore is the recipe. I made it with Rancho Gordo’s Midnight black beans, which are my absolute favourite black bean. They cook up fast, have a wonderful creamy texture and yield a delicious pot liquor that matches up well with whatever you throw at it. In this case, I did not throw very much at it. I cooked the beans on their own with a stick of cinnamon and tez patta (dried cassia/Indian bay leaf) and when done added to the pot a “tadka” of onion, tomato and garlic with a simple spice hit from cumin seeds split in hot oil, cracked coriander seed and a few dry red chillies. Not much to it, very easy to make, and extremely delicious. I had a big bowl for lunch, garnished with a bit of cilantro and with a squeeze of lime on top. Simple is good. Continue reading
We have been trying to get to Tenant for a while now. They opened in the Spring of 2017, while we were in London for three months. When we got back we cut back on our eating out for a while on account of the reckless eating we’d engaged in for an extended period abroad. And because of their limited seating and their constrained reservation system we couldn’t find a date that worked later in 2017. We finally made reservations this April but just a few days before the weather took a turn for the worse, a blizzard was predicted and we had to cancel (the blizzard did come to pass).
In my “Coming Soon” posts for the last couple of months I’ve promised a Glendronach 17 yo from 1995 bottled for the Whisky Exchange. But I’ll be damned if I know where that sample is. As I’m unlikely to have pulled something so specific out of thin air, there are two possibilities: the sample is lost somewhere on my shelves; or I drank it at some point without taking notes or clearing it from my samples database. It’s so wonderful getting old! Anyway, I have for you instead a Glendronach 18, 1991. This was released in 2010 and was from only the third batch of Glendronach’s releases. In those days the mania for this series had not yet set in and it was not difficult to acquire bottles; nor were the prices so high. It was also well before suspicions began to be expressed about the nature of these releases. You may have already seen my post about the question of whether these were/are indeed single casks in the way that most consumers understand the term—if not, you can read it here. Well, as it happens this putative single oloroso cask also yielded an unlikely number of bottles: 760 to be exact; suggesting that this too was a product of a cask or two being re-racked into an oloroso butt for the final phase of the maturation. Has this resulted in flabby whisky? Let’s see. Continue reading
Tomatin was the first distillery I ever visited. This was last summer on our first trip to Scotland. We were driving from Glasgow to Drumnadrochit and after a nice visit at Blair Castle we had time for a quick stop at Tomatin. I wrote up that quick stop last year—we didn’t go past the shop, where I filled a bourbon cask from their “bottle your own” selection. We didn’t spend much time there but I liked the feel of the place and hoped I’d have a chance to return. That chance came on our unexpectedly early return to Scotland this June. It was on our last day, on our drive back from Edderton to Edinburgh, where we boarded a plane to London; it was raining but the distillery was warm. And thanks to Tomatin welcoming small children on the tour, my entire family was able to go on the tour with me. And they all loved it. Continue reading
Is this my first review of a whisky from the Speyside distillery? I believe it is. And I believe it is also the first (and only) whisky I’ve ever tasted from the Speyside distillery—it was only founded in 1990 and its first single malt release was in 1999. My only other exposure to anything related to this distillery is the independent bottler, Scott’s Selection: the Scott of Scott’s Selection, Robert Scott, was Master Blender at the Speyside distillery. I’m not entirely sure but I think Scott’s Selection—which I think is now defunct—was in fact a property of Speyside, which means that they are one of few distilleries that also operate as independent bottlers. Bruichladdich/Murray McDavid and Benromach/Gordon & MacPhail are few of the others that come to mind as similar examples, past and present, though Bladnoch under Raymond Armstrong is probably the nearest analogue. Doubtless there are others (please write in below). The distillery also produces the Drumguish and Cu Dubh brands. Continue reading
Because I am so up on hot food trends—in Minnesota and beyond—I had no idea that Thai rolled ice cream was a thing. But it is and has been in Minnesota for at least a year. Sota Hot & Cold opened in August 2017 in the front of the ex-Mai Village space on University Avenue in St. Paul. It now opens into Tapestry—which opened earlier this year—and the now connected sushi bar, Monkon Sushi. Apart from an entry they share a long connected kitchen and I saw some staff members in both spaces. I mention this because when I asked one of the staff at Sota if the businesses had shared ownership, she said no but it seems clear they do: Pheang Vang shows up as the person behind both ventures. Anyway, we ended up at Sota Hot & Cold last night when friends we’d just eaten dinner with at Homi suggested it. Perhaps because of the heat, lots of other people had the same idea and it was really quite busy. And the ice cream was good. Herewith a quick look at the place. Continue reading
I said I was going to post my write-up of a visit and tour of Tomatin today but I have roughly 37,573 photographs from the day and when I sat down today to make a selection, resize and upload it was all too much. Accordingly, I have punted that to next week and I have another whisky review today. If you are disappointed you can always ask for your money back. Since this was going to have been an all Islay week (with Monday’s Laphroaig, Wednesday’s Bowmore and yesterday’s Kilchoman), I decided to at least be consistent with that. Here, therefore, is a review of a Port Charlotte (Bruichladdich’s peated malt, if you don’t follow this stuff closely). The distillery is, of course, known for a wide range of wine cask finishes, but the fact that they produced this from eau de vie casks (or is it a single cask?) surprised even me. I fear that my jokes from past years that the brain trust at Bruichladdich would eventually release Jägermeister and then septic tank finishes may soon come true. Continue reading
Let’s make it a week of Islay whiskies. On Monday I had a review of an 18 yo Laphroaig and yesterday I had a review of a 10 yo Bowmore. We have another big drop in age today, all the way down to 3 years old, the legal minimum for Scotch whisky; and we’re also moving from the larger, more established and storied distilleries to a small upstart. Kilchoman, the small Islay farm distillery (which I visited briefly last June), only started distilling in late 2005. I believe the first official whiskies were released in 2009. There were a bunch of cask strength releases in the US in mid-2010. I still have some of at least one of these saved (the Binny’s cask) and will probably get around to reviewing it one of these decades. At around the same time they had begun to release larger vattings at 46%. There were a number of these seasonal releases for at least the first few years—I confess I’ve sort of lost sight of what Kilchoman has been up to in recent years, despite rather liking all the early releases I’d tried. Well, maybe I’ll try to address that.
Meanwhile, here’s a blast from the past. This was put together in a complicated way with a mix of bourbon and sherry casks—a finish may have been involved (I’m too lazy to look it up). Continue reading
Last month I reviewed the Bowmore 15 “Golden & Elegant”, one of the three age-stated whiskies that make up Bowmore’s recent’ish revamp of their travel-retail line (I guess given how many of the whiskies sold in airports cost more there than they do on the high street the companies feel self-conscious about using the term “duty free”). This 10 yo is the youngest in the line. The name “Dark & Intense”—I assume they named it after me—indicates the different composition of this release. Where the “Golden & Elegant” is a vatting of first-fill bourbon casks, this is a vatting of Spanish oak sherry casks. In theory that should be very good news. Bowmore from sherry casks can be very good indeed and I’ve had some very nice intensely sherried ones of this general age—see this 11yo and this slightly older 13 yo; the official Devil’s Casks 1st Ed. and 2nd Ed.—both also 10 year olds—were pretty good too. Unlike those, or even the Golden & Elegant, however, this is only at 40%. Will it be as good as its 15 yo sibling? Let’s see. Continue reading